08-01-2006
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#1 |
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rising star
 
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Vogue editorial scans, '70s and '80s...
Does anyone have Vogue editorials from these periods or even earlier? I am most interested in those c. 1975-1985.
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16-04-2007
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#2 |
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glossy & torn
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US Vogue September 1977
Gold Surprises Photographed by Deborah Turbeville     scanned by MMA
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She's got everything she needs, she's an artist she don't look back. She can take the dark out of the nighttime, and paint the daytime black. |
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16-04-2007
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#3 |
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glossy & torn
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This editorial was very controversial for it's time...
US Vogue May 1977
The Meaning of Perfume Dale Haddon & Christy Brinkley Photographed by Helmut Newton         scanned by MMA
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She's got everything she needs, she's an artist she don't look back. She can take the dark out of the nighttime, and paint the daytime black. |
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16-04-2007
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#4 |
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V.I.P.
 
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thanks for posting these, mma!!
ah...the days when vogue actually didn't suck...  |
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20-04-2007
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#5 |
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backstage pass
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I love those "controversial"
 vintage vogue images  thank you for posting mma 
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who what where when why?
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21-04-2007
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#6 |
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we are bonded for life
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I love these. Thanks, MMA!
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♥'s colourmefashion
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06-05-2007
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#7 |
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fashion elite
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thank you so much MMA
 those are some lovely images 
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nothing |
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21-06-2007
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#8 |
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rising star
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Oh my god!
Thank you MissMagAddict! I thought this thread was dead and buried so I hadn't realized someone had actually posted something! Thank you thank you thank you I would love to see more if you have any and are willing  And it's funny, I live in the same location (I think many of us at tFS do)!Last edited by lucat : 21-06-2007 at 03:42 PM. |
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29-06-2007
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#9 |
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glossy & torn
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US Vogue July 1983
The Contrast: the polished style / the freer spirit Models: ? Stylist: Polly Allen Mellen Hair: John Sahag Makeup: Tyen of Paris Photographs: Helmut Newton & Hans Feurer           source: scanned by MMA
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She's got everything she needs, she's an artist she don't look back. She can take the dark out of the nighttime, and paint the daytime black. |
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29-06-2007
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#10 |
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glossy & torn
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continued...
          source: scanned by MMA
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She's got everything she needs, she's an artist she don't look back. She can take the dark out of the nighttime, and paint the daytime black. |
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29-06-2007
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#11 |
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Signed, sealed, botheled
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Oh what an editorial!!!! Hans Feurer AND Newton - well, that's something I've never seen before. I have the general impression that 1983 and 1984 are some of the worst fashion years...maybe I'm wrong? I bet this is the best ed of 1983...and it's such fun to guess for each image who shot it. I think Feurer's shot are more like Newton's 70s shots. So what happened to Hans Feurer, really? He's one of the best fashion photographers out there IMO.
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What can be shown, cannot be said. Last edited by iluvjeisa : 29-06-2007 at 12:28 PM. |
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29-06-2007
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#12 |
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glossy & torn
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^I know what you mean about the 80's but I would wear any of the Yohji Yamamoto & Comme des Garçons clothing they're featuring today...especially that Comme des Garçons slim tie dress in #8. I
 that dress! I really need to get my hands on the September 1983 issue of US Vogue 
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She's got everything she needs, she's an artist she don't look back. She can take the dark out of the nighttime, and paint the daytime black. |
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01-07-2007
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#13 |
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backstage pass
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I love this thread! I was thinking about making one by myself. Thanks, MIss Mag Addict, I liked GOLD SURPRISES editorial a lot.
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05-07-2007
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#14 | |
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backstage pass
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Quote:
  
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who what where when why?
Last edited by Mélange : 05-07-2007 at 11:08 PM. |
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05-07-2007
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#15 |
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backstage pass
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          The editorial is called NEW MOOD by the photographer Irving Penn.
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who what where when why?
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