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#76 |
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backstage pass
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who what where when why?
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#77 | |
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I am amazed Mugler ever did anything as sedate as this.
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#78 | |
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#79 |
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front row
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Yah, I didn't know there was a Mugler thread. I love his creations so much. I'm glad he might be coming back a bit.
I first saw his work in '98, or '99, when I was still a kiddy. There was a television special, hosted I believe by Andre Leon Talley and Isabella Roselleni, in which they focused mostly on the big houses of paris. But right at the end, they showed a bit of Mugler, and I remember being kind of entranced, not that it was something I wanted to wear, but just that it was interesting, and extreme, and wonderful. I recorded the show off the tv, and I really treasure that tape. All the wonderful collections, it was kind of the beginning of my fashion lusting odyssey. Yay for Thierry
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Driving along on the plastic dream Heart beats fast like a tiny machine |
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#80 | |
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far from home...
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And I am nothing of a builder, but here I dreamt I was an architect And I built this balustrade to keep you home, to keep you safe from the outside world |
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far from home...
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And I am nothing of a builder, but here I dreamt I was an architect And I built this balustrade to keep you home, to keep you safe from the outside world |
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#82 | |
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#83 | |
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#85 | |
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#86 | |
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#89 |
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front row
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Thierry Mugler for Rinel,Vogue fr,éditorial 1986:
Zip-up jacket with short skirts on the sides, in shammy leather of Guibert, inlaid with nuggets of lamb gold of Alric, with matching belt bottoms.(model: Renée Simonsen, photo: Bill King) |
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#90 |
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Signed, sealed, botheled
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American Vogue April 1980. (my scan)
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What can be shown, cannot be said. |
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