The future is stupid
by Billy Collins
The best time is late afternoon
when the sun strobes through
the columns of trees as you are hiking up,
and when you find an agreeable rock
to sit on, you will be able to see
the light pouring down into the woods
and breaking into the shapes and tones
of things and you will hear nothing
but a sprig of birdsong or the leafy
falling of a cone or nut through the trees,
and if this is your day you might even
spot a hare or feel the wing-beats of geese
driving overhead toward some destination.
But it is hard to speak of these things
how the voices of light enter the body
and begin to recite their stories
how the earth holds us painfully against
its breast made of humus and brambles
how we who will soon be gone regard
the entities that continue to return
greener than ever, spring water flowing
through a meadow and the shadows of clouds
passing over the hills and the ground
where we stand in the tremble of thought
taking the vast outside into ourselves.
A Dream of Trees, Mary Oliver
There is a thing in me that dreamed of trees,
A quiet house, some green and modest acres
A little way from every troubling town,
A little way from factories, schools, laments.
I would have time, I thought, and time to spare,
With only streams and birds for company.
To build out of my life a few wild stanzas.
And then it came to me, that so was death,
A little way away from everywhere.
There is a thing in me still dreams of trees,
But let it go. Homesick for moderation,
Half the world’s artists shrink or fall away.
If any find solution, let him tell it.
Meanwhile I bend my heart toward lamentation
Where, as the times implore our true involvement,
The blades of every crisis point the way.
I would it were not so, but so it is.
Who ever made music of a mild day?
le rêve est réalité...
Song of the Soul, Khalil Gibran
In the depth of my soul there is
A wordless song - a song that lives
In the seed of my heart.
It refuses to melt with ink on
Parchment; it engulfs my affection
In a transparent cloak and flows,
But not upon my lips.
How can I sigh it? I fear it may
Mingle with earthly ether;
To whom shall I sing it? It dwells
In the house of my soul, in fear of
When I look into my inner eyes
I see the shadow of its shadow;
When I touch my fingertips
I feel its vibrations.
The deeds of my hands heed its
Presence as a lake must reflect
The glittering stars; my tears
Reveal it, as bright drops of dew
Reveal the secret of a withering rose.
It is a song composed by contemplation,
And published by silence,
And shunned by clamor,
And folded by truth,
And repeated by dreams,
And understood by love,
And hidden by awakening,
And sung by the soul.
It is the song of love;
What Cain or Esau could sing it?
It is more fragrant than jasmine;
What voice could enslave it?
It is heartbound, as a virgin's secret;
What string could quiver it?
Who dares unite the roar of the sea
And the singing of the nightingale?
Who dares compare the shrieking tempest
To the sigh of an infant?
Who dares speak aloud the words
Intended for the heart to speak?
What human dares sing in voice
The song of God?
le rêve est réalité...
Thou know'st the mask of night is on my face,
Else would a maiden blush bepaint my cheek
For that which thou hast heard me speak to-night
Fain would I dwell on form, fain, fain deny
What I have spoke: but farewell compliment!
Dost thou love me? I know thou wilt say 'Ay,'
And I will take thy word: yet if thou swear'st,
Thou mayst prove false; at lovers' perjuries
Then say, Jove laughs. O gentle Romeo,
If thou dost love, pronounce it faithfully:
Or if thou think'st I am too quickly won,
I'll frown and be perverse an say thee nay,
So thou wilt woo; but else, not for the world.
In truth, fair Montague, I am too fond,
And therefore thou mayst think my 'havior light:
But trust me, gentleman, I'll prove more true
Than those that have more cunning to be strange.
I should have been more strange, I must confess,
But that thou overheard'st, ere I was ware,
My true love's passion: therefore pardon me,
And not impute this yielding to light love,
Which the dark night hath so discovered.
- Juliet, Romeo and Juliet
by William Shakespeare
♥ don't you forget about me.
by Alice Walker
When they torture your mother
plant a tree
When they torture your brother
and your sister
plant a tree
When they assassinate
plant a tree
When they torture you
plant a tree.
When they begin to torture
and cut down the forest
they have made,
My favourite poem in the world. Alice Walker may be an awesome novelist,
but I find her poetry equally enchanting and able to really stir up emotions.
THE SPHINX (1894)
by Oscar Wilde
In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.
Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.
Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.
Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.
Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
Come forth, my lovely seneschal! so somnolent,
Come forth you exquisite grotesque! half woman
and half animal!
Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!
And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!
A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn's gaudy liveries.
But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.
O tell me, were you standing by when Isis to
And did you watch the Egyptian melt her union
And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?
And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?
Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing mev all your memories!
Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.
Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian's gilded barge the
laughter of Antinous
And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!
Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple's granite plinth
When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,
And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.
Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust? What
Leman had you, every day?
Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?
Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?
And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?
Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal breasts?
Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Or did you when the sun was set climb up the
To meet your swarthy Ethiop whose body was
of polished jet?
Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple's triple glyphs
Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?
Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?
Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
How subtle-secret is your smile! Did you
love none then? Nay, I know
Great Ammon was your bedfellow! He lay with
you beside the Nile!
The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.
He came along the river bank like some tall
He strode across the waters, mailed in beauty,
and the waters sank.
He strode across the desert sand: he reached
the valley where you lay:
He waited till the dawn of day: then touched
your black breasts with his hand.
You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne: you called
him by his secret name.
You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.
White Ammon was your bedfellow! Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.
With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.
His long hair was nine cubits' span and coloured
like that yellow gem
Which hidden in their garment's hem the
merchants bring from Kurdistan.
His face was as the must that lies upon a vat of
The seas could not insapphirine the perfect azure
of his eyes.
His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.
On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.
Before his gilded galiot ran naked vine-wreathed
And lines of swaying elephants knelt down to
draw his chariot,
And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.
The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords: young
kings were glad to be his guests.
Ten hundred shaven priests did bow to Ammon's
altar day and night,
Ten hundred lamps did wave their light through
Ammon's carven house--and now
Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.
And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle
The god is scattered here and there: deep
hidden in the windy sand
I saw his giant granite hand still clenched in
And many a wandering caravan of stately
Crossing the desert, halts appalled before the
neck that none can span.
And many a bearded Bedouin draws back his
To gaze upon the Titan thews of him who was
Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow! And wake mad passions
in the senseless stone!
Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!
Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren loins!
Away to Egypt! Have no fear. Only one
God has ever died.
Only one God has let His side be wounded by a
But these, thy lovers, are not dead. Still by the
Dog-faced Anubis sits in state with lotus-lilies
for thy head.
Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.
And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.
Your lovers are not dead, I know. They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth! And so,
Set wings upon your argosies! Set horses to
your ebon car!
Back to your Nile! Or if you are grown sick of
Follow some roving lion's spoor across the copper-
Reach out and hale him by the mane and bid
him be your paramour!
Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass
And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,
And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate breasts!
Why are you tarrying? Get hence! I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.
Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,
Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
Away! The sulphur-coloured stars are hurrying
through the Western gate!
Away! Or it may be too late to climb their silent
See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.
What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student's cell?
What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?
Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?
Get hence, you loathsome mystery! Hideous
animal, get hence!
You wake in me each bestial sense, you make me
what I would not be.
You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.
False Sphinx! False Sphinx! By reedy Styx
old Charon, leaning on his oar,
Waits for my coin. Go thou before, and leave
me to my crucifix,
Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
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SOMEONE DIGGING IN THE GROUND, Rumi
An eye is meant to see things.
The soul is here for its own joy.
A head has one use: for loving a true love.
Legs: to run after.
Love is for vanishing into the sky. The mind,
for learning what men have done and tried to do.
Mysteries are not to be solved. The eye goes blind
when it only wants to see why.
A lover is always accused of something.
But when he finds love, whatever was lost
in the looking comes back completely changed.
On the way to Mecca, many dangers: thieves,
the blowing sand, only camel's milk to drink.
Still each pilgrim kisses the black stone there
with pure longing, feeling in the surface
the taste of the lips he wants.
This talk is like stamping new coins. They pile up,
while the real work is done outside
by someone digging in the ground.
le rêve est réalité...
Last edited by electricladyland; 22-01-2008 at 10:43 PM.
Would definitely have to be Helen of Troy Does Countertop Dancing by Margaret Atwood (so much so that I have the last part of it tattooed on me!)
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, arse (my spelling, as it's er, censored here, sorry!), inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
This is a torch song.
Touch me and you'll burn.
This is a torch song,
touch me and you'll burn.
Soul receives from soul that knowledge, therefore not by book
nor from tongue.
If knowledge of mysteries come after emptiness of mind, that is
illumination of heart.
le rêve est réalité...
Your Little Voice by E.E. Cummings
your little voice
Over the wires came leaping
and i felt suddenly
With the jostling and shouting of merry flowers
wee skipping high-heeled flames
courtesied before my eyes
or twinkling over to my side
with impertinently exquisite faces
floating hands were laid upon me
I was whirled and tossed into delicious dancing
with the pale important
stars and the Humorous
How i was crazy how i cried when i heard
and tide and death
Phenomenal Woman by Maya Angelou
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
-- Maya Angelou
"As we grow old… the beauty steals inward." - Ralph Waldo Emerson
The future is stupid
A Story That Could Be True
by William Stafford
If you were exchanged in the cradle and
your real mother died
without ever telling the story
then no one knows your name,
and somewhere in the world
your father is lost and needs you
but you are far away.
He can never find
how true you are, how ready.
When the great wind comes
and the robberies of the rain
you stand on the corner shivering.
The people who go by--
you wonder at their calm.
They miss the whisper that runs
any day in your mind,
"Who are you really, wanderer?"--
and the answer you have to give
no matter how dark and cold
the world around you is:
"Maybe I'm a king."
i like my body when it is with your
by e.e. cummings
i like my body when it is with your
body. It is so quite a new thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like,, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh . . . . And eyes big Love-crumbs,
and possibly i like the thrill
of under me you quite so new
More money, less integrity.