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Old 26-07-2008   #346
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amazing

bravo futuristic!
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Old 27-07-2008   #347
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Much for it! I'd wear it all!
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Old 29-07-2008   #348
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I really liked this collection.

Simple but tough.
 
Old 11-08-2008   #349
Juicy

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I was really obsessed with the samurai jackets and now I'm even more after seeing one on Anna


Aja Mok's scan
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Old 12-08-2008   #350
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I love those latex dresses + the samurai jackets! I also like that white/turquoise dress under the blue samurai jacket. And the latex booties with the rock crystal on the back=LOVE
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Old 12-08-2008   #351
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Quote:
Originally Posted by Spike413 View Post
Those finale dresses are hand painted and embroidered by the same ateliers that do work on couture collections (Lesage, Genevieve-Cotte, Lanel....), hence the price.

As far as the patent leather jackets, that kind of stuff happens to all patent leather. It scratches easily and shows creases....it's not just Balenciaga's pieces that it would happen to.
that's absolutely true, and in addition, samples are sent around to so many places that oftentimes they are damaged in between and show wear. it's highly unlikely the vogue italia shoot mentioned was the first time that coat was worn.
 
Old 14-08-2008   #352
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I like alot of the dresses but the rest isn't really my style.
 
Old 17-08-2008   #353
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I love the whole Balenciaga thing, but sometimes, I tell myself that Ghesquiere just goes into Balenciaga's archives and just re-cut former Cristobal's work... or other fashion designers...

Am I wrong ?
 
Old 17-08-2008   #354
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^ which archive could you compare this collection to ?
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Old 17-08-2008   #355
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Personally the only Ghesquiere collection where I found myself thinking he simply xeroxed archival designs was F/W 06 with all of those dolman sleeved cocoon coats , stiff ruffled peplums and neat little jackets.

Other than that I think he's very careful in making sure he doesn't reproduce the archives, but rather reinterprets them. I mean, aside from the shape of the tweed jackets he showed in this collection (which are a signature Balenciaga look), and if you squint your eyes those three shiny silvery dresses with the sculpted fronts, nothing in here looks like anything Cristobal himself would have made.

And to be fair, most designers that design for an old couture house have reworked signature pieces. Karl is constantly reworking and perfecting the boxy tweed jacket at Chanel (and his RTW versions usually look like the ones Coco herself designed). Galliano has reworked the nipped waist padded Bar jacket at Dior dozens of times, not to mention his countless takes on the full skirted ball gown. Tisci has done some really beautiful takes on the Bettina blouse at Givenchy.

So if Ghesquiere is open for criticism because he isn't completely revolutionizing iconic Balenciaga pieces for today, then shouldn't all of the other designers that are working for legendary houses be held to the same standard?
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Last edited by Spike413 : 17-08-2008 at 11:43 AM.
 
Old 17-08-2008   #356
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This collection is the exact style of things I think of when I think of Balenciaga.
 
Old 18-08-2008   #357
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Quote:
Originally Posted by Spike413 View Post
Personally the only Ghesquiere collection where I found myself thinking he simply xeroxed archival designs was F/W 06 with all of those dolman sleeved cocoon coats , stiff ruffled peplums and neat little jackets.

Other than that I think he's very careful in making sure he doesn't reproduce the archives, but rather reinterprets them. I mean, aside from the shape of the tweed jackets he showed in this collection (which are a signature Balenciaga look), and if you squint your eyes those three shiny silvery dresses with the sculpted fronts, nothing in here looks like anything Cristobal himself would have made.

And to be fair, most designers that design for an old couture house have reworked signature pieces. Karl is constantly reworking and perfecting the boxy tweed jacket at Chanel (and his RTW versions usually look like the ones Coco herself designed). Galliano has reworked the nipped waist padded Bar jacket at Dior dozens of times, not to mention his countless takes on the full skirted ball gown. Tisci has done some really beautiful takes on the Bettina blouse at Givenchy.

So if Ghesquiere is open for criticism because he isn't completely revolutionizing iconic Balenciaga pieces for today, then shouldn't all of the other designers that are working for legendary houses be held to the same standard?

I agree with you. I love Ghesquiere's work, really, but I was not totally sure that he just takes a pen and draws all those beautiful garments and amazing silhouettes. He works with archives and it's ok, I mean, when you work for such a big label (as Lagerfeld for Chanel ). I can't blame him, when you have to keep the spirit of a big "maison" such as Balenciaga and it's better like that ( I didn't like when Tom Ford worked for YSL, where there was no respect ).
 
Old 18-08-2008   #358
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Quote:
Originally Posted by IloveDiorHomme View Post
I love the whole Balenciaga thing, but sometimes, I tell myself that Ghesquiere just goes into Balenciaga's archives and just re-cut former Cristobal's work... or other fashion designers...

Am I wrong ?
Cristobal used Legos for the shoes? hahaha
 
Old 13-09-2008   #359
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the cocoon silhouette is it Look now!
Balenciaga's influence is everywhere in 09 SS now.
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Last edited by 4n98 : 13-09-2008 at 09:00 AM.
 
Old 11-10-2008   #360
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That collection is extremely amazing and so inspiring.I love all these volumes and the architectural side of it.I think the hair and make up fit great with the outfits...Ghesquiere made a good job.
Balenciaga never disappoints me
I also liked the music of the show.
 
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