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#346 |
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backstage pass
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amazing
bravo futuristic!
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http://edv1028.blogspot.com/ |
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#347 |
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backstage pass
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Much
for it! I'd wear it all!
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#348 |
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tfs star
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I really liked this collection.
Simple but tough. |
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#349 |
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Juicy
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I was really obsessed with the samurai jackets and now I'm even more after seeing one on Anna
![]() ![]() Aja Mok's scan
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How does music fit the clothes? It doesn't fit. It lifts the clothes into a selected world - Frédéric Sanchez |
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#350 |
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front row
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I love those latex dresses + the samurai jackets! I also like that white/turquoise dress under the blue samurai jacket. And the latex booties with the rock crystal on the back=LOVE
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Don't ever waste your days, doing not what you dream to do. |
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#351 | |
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backstage pass
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Quote:
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#352 |
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front row
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I like alot of the dresses but the rest isn't really my style.
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#353 |
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front row
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I love the whole Balenciaga thing, but sometimes, I tell myself that Ghesquiere just goes into Balenciaga's archives and just re-cut former Cristobal's work... or other fashion designers...
Am I wrong ? |
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#354 |
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└ ♪♫♪
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^ which archive could you compare this collection to ?
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#355 |
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Shady
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Personally the only Ghesquiere collection where I found myself thinking he simply xeroxed archival designs was F/W 06 with all of those dolman sleeved cocoon coats , stiff ruffled peplums and neat little jackets.
Other than that I think he's very careful in making sure he doesn't reproduce the archives, but rather reinterprets them. I mean, aside from the shape of the tweed jackets he showed in this collection (which are a signature Balenciaga look), and if you squint your eyes those three shiny silvery dresses with the sculpted fronts, nothing in here looks like anything Cristobal himself would have made. And to be fair, most designers that design for an old couture house have reworked signature pieces. Karl is constantly reworking and perfecting the boxy tweed jacket at Chanel (and his RTW versions usually look like the ones Coco herself designed). Galliano has reworked the nipped waist padded Bar jacket at Dior dozens of times, not to mention his countless takes on the full skirted ball gown. Tisci has done some really beautiful takes on the Bettina blouse at Givenchy. So if Ghesquiere is open for criticism because he isn't completely revolutionizing iconic Balenciaga pieces for today, then shouldn't all of the other designers that are working for legendary houses be held to the same standard?
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We’re all fascinated with corruption, the more glamorous the better - Rick Owens my blog; updated Oct 4th - random musings of a fashion fiend Last edited by Spike413 : 17-08-2008 at 11:43 AM. |
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#356 |
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tfs star
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This collection is the exact style of things I think of when I think of Balenciaga.
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#357 | |
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front row
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I agree with you. I love Ghesquiere's work, really, but I was not totally sure that he just takes a pen and draws all those beautiful garments and amazing silhouettes. He works with archives and it's ok, I mean, when you work for such a big label (as Lagerfeld for Chanel ). I can't blame him, when you have to keep the spirit of a big "maison" such as Balenciaga and it's better like that ( I didn't like when Tom Ford worked for YSL, where there was no respect ). |
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#358 |
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rising star
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#359 |
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backstage pass
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the cocoon silhouette is it Look now!
Balenciaga's influence is everywhere in 09 SS now. ![]()
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http://edv1028.blogspot.com/ Last edited by 4n98 : 13-09-2008 at 09:00 AM. |
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#360 |
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windowshopping
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That collection is extremely amazing and so inspiring.I love all these volumes and the architectural side of it.I think the hair and make up fit great with the outfits...Ghesquiere made a good job.
Balenciaga never disappoints me ![]() I also liked the music of the show. |
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