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#136 |
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tfs star
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WOW. They look even more jawdropping in movement. LOVE LOVE LOVE IT.
I haven't notice how cool the shoes are. Last edited by cesarcmma : 28-09-2008 at 05:59 PM. |
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#137 |
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flaunt the imperfection..
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i like the black and white...i have to say...
though i think it is extremely lacking in construction overall.... ie- tisci @ givenchy, mcqueen, gesquiere @ balenciaga have all done versions of this.... but the execution was impeccable in all those cases.. and having seen it executed to that level just underscores the areas where this collection falls short... though i do like the general feel and concept... but without the proper execution... i agree with another poster who said this could be an over-the-top student show from antwerp...imho... though, for editorial purposes it will certainly work...because you can get away with more in a pic... i'm sure pop, V and numero will all be shooting some of this.... ![]() *with regards to wearability.. i'd really like a pair of two tone leggings...and there is an asymmetrical jacket i would love to own....so...i do think that there are elements of practicality and wearability to be found if one looks closely and is brave enough to wear them... ![]()
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‘Perfect symmetry is ugly…I always want to destroy symmetry’
Rei Kawakubo of Comme des Garcons Last edited by softgrey : 28-09-2008 at 06:26 PM. |
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#138 | |
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front row
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Quote:
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__________________
ali mic | arlenis | camille m.l. | charlotte d.c. | ernesta pet | hanne-gaby | heloise | hyoni | kate somers | iek the cat | imogen m.c. | kinga raj | laragh mc | morwenna | myf shep | simona mc
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#139 | |
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fashion elite
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Quote:
Many of the pieces require lots and lots of sewing know how that only a few designers like Mcqueen ever utilize. Is it as good? Well it really wouldn't be, not yet. And the level of execution is not much worse than Mcqueen's first debut in Paris. The song ins the finale is "Goodbye Horses" by Q Lazzarus. It's notoriously Buffalo Bill's theme song from Silence of the Lamb. Also, Christopher Kane used it in his show for fall. |
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#140 |
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backstage pass
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Hmm...there's something quite clean and bare bones about what he does. It doesn't feel particularly clever, it doesn't seem as if there's anything up his sleeve. There's earnest hard work throughout his collections and it doesn't feel as if he's believing his own hype. He still approaches, designs, creates as someone underground, underappreciated, an undergrad. It's hard and uncomplicated but it feels genuine to how he's presented himself and I think, in the long run, that's what's important. These young british designers have so much pressure on them as far as their predecessors go, the fashion system in the uk, the economy, the pull of paris and the fact that there isn't anything as young and exciting happening anywhere else (within the four city system). They're more powerful than they know and it seems to me as if Pugh is carefully weighing his options, openly engaging and searching and refining, trying to build something permanent, rejecting the overnightsuccess b.s. and simply keeping his nose to the grindstone.
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"On the one side I think the individual is the priority, but I'm obsessed with repetition. Visually, that is the most beautiful thing there is. Individuality is in your mind."--Raf Simons |
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#141 |
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broken
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#142 |
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V.I.P.
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^omg i love that picture.
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I can't see other people's signatures just so you know.
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#143 |
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broken
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details
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#144 |
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broken
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#145 |
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broken
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#146 |
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broken
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#147 |
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broken
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#148 |
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broken
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#149 |
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On Your Video Phone
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Thanks! I love those shots from the side and the back. It's an interesting effect, really. When you squint, you can only see the black half and it's really cool, actually!
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"DIOR, NOT WAR!" - My motto |
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#150 |
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tfs star
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Thanks for the details shots I was about to ask where to get them.
The shots from the side really made the outfits even better to the eye. I can't stop looking at this collection. |
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