Most Overpriced Designer? #2 - Page 56 - the Fashion Spot
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Louis Vuitton Spring Summer 2014


NN 14 PM Bag - £19,900.00

NN14 PM Belle De Nuit - £15,600.00

Last edited by Chanelcouture09; 04-03-2014 at 05:32 AM.
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ogepma's Avatar
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Salvatore Ferragamo Crocodile Coat $210000

Salvatore Ferragamo Alligator Jacket $125000

I don't even think it costs this much at Hermes, but I could be wrong.

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I suggest everyone head over to Moda Operandi and look at the Fausto Puglisi trunkshow.

highlights include this skirt for $61,190

this dress for $32,490

This shirt for $54,000

and this jacket for $32,485

I get that they are highly embellished, but the technique does not seem new or special in a way that justifies it (such as the recent Thom Browne or Mary Katranzou sales on MO). Its just a lot of shiny stuff for the price that you could get yourself some fancy, real bling.

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^It would be too expensive even if it was for free, if you ask me.

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Christian Dior Spring/Summer 2014


Jacquard Bustier Dress - £12,500

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Gucci crocodile clutch $13200
A bit overpriced for a small piece of croc double folded. Nine times that much and you have yourself a Burberry croc coat.


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rising star
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If I have to spend money on a crocodile coat, I'd go with Burberry. Those Salvatore pieces look nice but not special enough for such price.

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This Prada S/S 2014 coat is $53,140.

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Celine SS14 shoes - $3,010

Freja, Sean, Diaconu, Clément
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54000 for a prada coat? seriously, the fabrics just look exactly like those blankets imported from china. i have one at home to prove it.

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Originally Posted by congacon View Post
54000 for a prada coat? seriously, the fabrics just look exactly like those blankets imported from china. i have one at home to prove it.
It's not fabric, it's fur so that explains the price.

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This article may explain why the price of fashion is so expensive nowaday.

Fashion Inflation: Why Are Prices Rising So Fast?


From shoes to handbags to ready-to-wear, the price of designer fashion has increased precipitously over the last decade. What’s driving the rising prices? And how high can they go?

NEW YORK, United States — It’s easy to find a nice-looking pair of shoes for $40 these days, and even easier to find a trendy $40 dress. But while “fast fashion” prices are so light on the wallet they almost feel as though they’re going to disappear altogether, the cost of luxury goods continues to rise and rise, with no end in sight.

Currently on luxury e-tailer Net-a-Porter, there are more than 100 pairs of shoes priced over $1,000. (Two pairs of sparkly Christian Louboutins exceed $6,000.) And the price of Chanel’s famous 2.55 bag now rivals that of an Hermès Kelly. That is, an Hermès Kelly a decade ago. In the US market, the famous bag, which in the year 2000 started at $4,800, now starts at $7,600.

A nearly 60 percent price increase may seem excessive — especially when compared to the US Consumer Price Index (a measure of the price level of consumer goods, published by the US Bureau of Labor Statistics), which has increased by 27 percent over the past decade — but it’s typical in the luxury fashion category.

Indeed, in recent years, prices of luxury fashion products have grown at more than twice the rate of general inflation. In 2003, Carrie Bradshaw’s famous Manolo Blahniks cost $485. Exactly ten years later, the same style is $755, a 56 percent increase. (And several pairs of current season Manolos cost well above $1,000.) Ready-to-wear-dresses in the $10,000 and up range barely existed 10 years ago. Now they’re commonplace. In fact, popular luxury fashion e-commerce site Luisa Via Roma is currently selling a Fausto Puglisi embroidered tartan skirt for over $10,000 and a leather-and-bouclé Fendi dress for more than $13,000.

So what’s driving up the prices and how far can they go?

First, let’s consider the rough costs of producing a luxury product. Gross margins for luxury companies typically hover around 65 percent — that sounds like a lot, but it’s what shareholders now expect. It also means that a $3,500 bag costs roughly $1,225 to produce and bring to market, all the way from materials to sale. There are many steps along the way that contribute to the final price. There are the costs of raw materials, design, manufacturing and fulfillment. Then, at retail, there’s the cost of prime real estate and sales staff. And finally, there’s marketing: those glossy fashion adverts cost a pretty penny to produce, let alone to place. Over the past 10 years — and particularly since the end of the recession — many of these costs have increased dramatically.

Raw materials are more expensive and more scarce than ever before. Cattle prices (which are relevant to leather goods) will rise in the US by 7.3 percent in 2013, according to market research firm Allendale. And in the years since the global financial crisis, cotton prices have risen to previously unheard of levels, with demand from China pushing them even further in 2013 — to $93.08 in June 2013, a 13 percent increase year-on-year. Both Louis Vuitton and Hermès have recently invested in Australian crocodile farms to ensure their supply of the expensive skin, while Kering, in March, acquired Normandy-based crocodile tannery France Croco for the same reasons.

Rising labour costs are a factor, too. The wages of private-sector workers in China (where many brands manufacture) increased by 14 percent in 2012, according to China’s National Bureau of Statistics. Over the past 10 years, monthly average wages almost doubled in Asia, with an 18 percent increase in Africa, and 15 percent in Latin America and the Caribbean (also important manufacturing centres) according to a report released by the UN’s International Labour Organisation. And it’s not just emerging markets. In France, labour costs will, this year, reach their highest levels ever, according to the OECD.

Perception and desirability play a huge role in the pricing game, too. The more expensive something is, the more exclusive and, therefore, desirable it becomes. Burberry, for instance, said as recently as March that it would raise prices to increase its appeal to the upper end of its customer base and attract new, wealthier customers.

For some brands, the anticipation of markdowns is another factor. “Brands’ biggest fear is having to mark things down,” says New York retail consultant Robert Burke. Though a few luxury brands, like Hermès and Louis Vuitton, do not discount, it’s typical for most fashion retailers to mark down at least a portion of their product in order to efficiently clear inventory. One need look no further than the department stores and monobrand boutiques currently offering discounts of more than 70 percent on Spring product to see that customers can, with the requisite strategy and patience, easily buy a pair of $1,400 stilettos for a much more palatable $300. “People who are on the really cutting edge of fashion might buy pre-season [at full price] but many folks wait for the discounts,” says journalist Ellen Ruppel Shell, author of Cheap: The High Cost of Discount Culture.

“Designer brands repeatedly going on sale may eventually be forced to artificially inflate prices to counter the margin pressure,” notes Matthew Walker, Creatures of the Wind chief executive, who served as president of The Row from 2008 to 2011. Though this could “lead to price resistance and eventually impact brand loyalty,” he cautions.

But perhaps the most powerful driver of fast-rising luxury fashion prices is the fact that there are simply more people who are able to pay up. The number of high-net-worth individuals (HNWIs) in the world increased by 9.2 percent in 2012 to 12 million people, with combined total assets of $46.2 trillion, according to a report by Capgemini, a management consultancy. North America still hosts the largest number of HNWIs (3.73 million people, up 11.5 percent year-over-year, with $12.7 trillion in assets, up 11.7 percent year-over-year), but the number of HNWIs in the Asia-Pacific region increased by 9.4 percent, during the same period, to 3.68 million, with total assets up 12.2 percent to $12 trillion.

Yes, the rich are getting richer. But is there a limit to what a sane person — billionaire or not — is willing to pay for a pair of shoes? “The question is, how high is high?” Burke asks. “These are people who have their jets outfitted in Hermès leather and Loro Piana vicuna. If demand is there, brands will continue to move up.”

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I come in just to have fun, I love, love and admire clothes and designers even my clothes are old and I dont have money for new ones and I have to reinvet them every season it is funny see these incredible prices I could buy a house where to live in peace with that money.

Please visit and like (if you like it) my Cholochic, thank you!
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Originally Posted by mackos View Post
If that's true then I don't know how high Chanel people must be. Why on earth would someone ever pay that much for this dress?
Because in somene's eyes, cash is just some other kind of paper.

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