Narciso Rodriguez S/S 2013 New York - Page 3 - the Fashion Spot
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*ana*'s Avatar
Join Date: Aug 2007
Gender: femme
Posts: 6,225
Maybe I haven't been paying enough attention to his collections lately, but I can't remember being this excited about a Narciso Rodriguez collection in recent seasons. I love the shapes and the colors - including the use of black and white (that dress in the 31st look for example ). I don't have enough time to see all the shows because I've been busy, so I kind of randomly choose some shows I think I might like, and fortunately I chose to see Narciso's today.

catchin' colds and missin' trains
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kati's Avatar
Join Date: Apr 2012
Gender: femme
Posts: 285

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HeatherAnne's Avatar
Join Date: Jan 2008
Gender: femme
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Barneys Senior Fashion Director Tomoko Ogura recently sat down with Narciso at the presentation of his Spring 2013 collection. After peeking at their conversation below, we have a feeling you’ll be counting the days until you get to don his vibrant palette of fuchsias and reds next year. We certainly are.

Tomoko Ogura: Tell us a bit about the inspiration behind the collection this season.
Narciso Rodriguez: There are always so many inspirations that go into a collection, but this season we looked at art from the fifties and sixties, from the modernist movement in Latin America and South America. It was so important to the graphics in the collection.
These great images inspired the boomerang bag, the shield shapes on the front of the dresses, and the very graphic quality to everything. Looking at this work, which changed the art world and inspired so many artists and designers to come, it was really like planting a seed. You see a floral pattern that’s so inspiring, you see embroidery; you start to layer in so many other ideas and emotions that are part of the process. So that one graphic element becomes many graphic elements in different ways. It became flowers, it became embroideries, it became the way that the clothing was cut—with triangular seams and darts to fit the body. And then the triangular theme also was a great inspiration for a new way of cutting on the bias. There’s a purity and simplicity there that is very modern.

I loved all the colors and the color combinations. A lot of them are really subtle, for example the magenta and the fuchsia or the rust and the browns that you used. Was there a particular strategy or thought process behind the colors that you chose?
A friend actually went to Cuba and sent me images from his visit. So I wanted to continue with the red and blood orange from fall—which is something of a signature—and do it brighter and stronger for spring and combine it with other reds and pinks and fuchsias—this big range of reds. Then in came all these photographs from Cuba, and the patina on the walls and the way things peeled away—years of color. And the blues and the greens—the green of the courtyard—all this lush green. So this other color story was layered on top of all the rich fuchsias and reds to give it another spin. And then within that came all the embroideries, in which there was endless editing through beads and colors and jewels. So you go from something very natural and earthy like the greens and the blues to something very bright and strong like the fuchsias and magentas.

Tomoko: I
t was beautiful. And can you tell us a little about the shoes that you chose—the bandage shoes? I loved those.
The bags and the shoes were again really inspired by that modernist movement and shape—black and white shape and how it’s dissected. You know I had done a bag years ago that I loved because it was very easy to carry. And we took that idea of a shaped bottom and turned it into a shield with a shaped bottom so that it’s not just a block but something very tactile and easy to hold. And all the materials we used are very rich—they just sit resting in your hand very comfortably. And the shoe was the same thing. It looks quite high, but the way that the triangular cuts point you in the direction of height without actually being as high as they look.

I love how they look from the front because they’re so graphic, with those multiband straps going down the leg. It’s great. And lastly, what are you looking forward to doing this weekend to relax?
I’ll be taking a long walk in the woods with my partner and 3 dogs.


Last edited by HeatherAnne; 19-09-2012 at 03:02 PM.
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tfs star
Join Date: Dec 2011
Location: Cairo
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love how simple yet elegant this collection is, dislike the shoes though!

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Join Date: Feb 2004
Location: London
Gender: femme
Posts: 2,791
As a long-time Narciso devotee I really hate it when he does prints. That teal velvet dress is dreadful. My favorite is look #3, the white deep-v dress with the red bandeau.

He didn't take much risk with silhouettes this time so the evening wear, particularly the last four looks, feel quite repetitive. The day dresses are the saving grace though. The shoes strangely aren't as strong as before.

On balance, a fairly safe Narciso collection, which means it is tops by NYFW standards.

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2013, narciso, rodriguez, s or s, york
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