Henry Clarke - Photographer

Estella* · 20-07-2005

time for a little elegance again...

for british vogue 1956
from www.studio-international.co.uk/

Estella* · 20-07-2005

christian dior, 1950
from www.photography-now.com

Estella* · 20-07-2005

from the same site
charles montaigne, 1956

Estella* · 20-07-2005

again

bettina in pierre balmain, 1950

Estella* · 20-07-2005

'bar du soleil' 1961

**MulletProof** · 20-07-2005

i love that last image of Vogue (19161).

he seemed to capture the lifestyle quite well, no?.

Estella* · 20-07-2005

^yes, indeed.

i love this one (mullet, you might not like it?)
for elsa schiaparelli in 1951

Estella* · 20-07-2005

1951

**MulletProof** · 20-07-2005

haha, i like that photo, anna. very spanish i think.

i dont know if this is the place/time to confess it but i love looking at old pictures by pure nostalgia and sometimes, when looking at them from a photography amateur point of view, i cant see the different between each photographer, i feel like most of them (when shooting for magazines) were working under very limited ideas or something..just focusing on making the dress look pretty or photographing a good-looking woman with a great life. am i making any sense?

.what im saying is that i do appreciate the photographs because of the period they come from but...usually not the techniques.

i should be buried in hell, i know

Estella* · 20-07-2005

i thought it might be too kahlo-esque

i absolutely know what you mean (uha, i say that all the time today

)
i'm sure it is because of the limited ways to express yourself in commercial photography then...as you said.
on the one hand that's what we appreciate about it since it's very simple but qualitative work on the other hand it wipes out the differences...

though i must say i find that schiaparelli picture very modern in it's easiness,
when i first saw it as a thumbnail somewhere i thought it was maria carla by ruven afanador

**MulletProof** · 20-07-2005

i too thought that was maria carla!. they look very alike..might be one of the reasons why they use her so much in eds..

and oh..glad someone understands me. i wont be alone in hell at least

Estella* · 20-07-2005

this is clarke himself taking a picture... funny because he does not fit the image at all

Estella* · 20-07-2005

earthly goddess anna magnani

Estella* · 20-07-2005

the studio!

iperlchen · 20-07-2005

Cheesus. Finally my computer is loading this page!

Post #9 & #10 were both put very well, I don't think I have anything to add other than that I'll have to buy, eh, those papers from the church that keep you from landing in hell, what are they called in English?

I like the pic from '51, it's more lively than the commercial stuff. I wonder what she was telling the conductor (assuming he is a conductor), it doesn't look like she was commanding him to carry her bags. Hmm... maybe she's pulling a gun. Who knows! It were crazy times

#12 Olivier Theyskens! I like the "off camera" pictures. Thanks Anna!

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20-07-2005	11
MulletProof Take me drunk, I'm home Mod Squad Leader Join Date: Apr 2004 Gender: femme Posts: 24,433	i too thought that was maria carla!. they look very alike..might be one of the reasons why they use her so much in eds.. and oh..glad someone understands me. i wont be alone in hell at least __________________ Metal teeth of carousels. Last edited by MulletProof; 20-07-2005 at 04:09 PM.

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20-07-2005	7
Estella* a dim capacity for wings Design Team Leader Join Date: Oct 2004 Location: la rue Gender: femme Posts: 7,651	^yes, indeed. i love this one (mullet, you might not like it?) for elsa schiaparelli in 1951 __________________ mode schoepfung estella mare

20-07-2005	10
Estella* a dim capacity for wings Design Team Leader Join Date: Oct 2004 Location: la rue Gender: femme Posts: 7,651	i thought it might be too kahlo-esque i absolutely know what you mean (uha, i say that all the time today) i'm sure it is because of the limited ways to express yourself in commercial photography then...as you said. on the one hand that's what we appreciate about it since it's very simple but qualitative work on the other hand it wipes out the differences... though i must say i find that schiaparelli picture very modern in it's easiness, when i first saw it as a thumbnail somewhere i thought it was maria carla by ruven afanador __________________ mode schoepfung estella mare

20-07-2005	15
iperlchen daisy in my lazy eye Join Date: Oct 2004 Gender: femme Posts: 9,873	Cheesus. Finally my computer is loading this page! Post #9 & #10 were both put very well, I don't think I have anything to add other than that I'll have to buy, eh, those papers from the church that keep you from landing in hell, what are they called in English? I like the pic from '51, it's more lively than the commercial stuff. I wonder what she was telling the conductor (assuming he is a conductor), it doesn't look like she was commanding him to carry her bags. Hmm... maybe she's pulling a gun. Who knows! It were crazy times #12 Olivier Theyskens! I like the "off camera" pictures. Thanks Anna!