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26-01-2012
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Vogue Italia August 1997
The Young Girls by the Sea
Photographer: Steven Meisel
Fashion Editor: Lori Goldstein
Models: Amy Lemons, Audrey Marnay, Maggie Rizer
Make-Up: Pat McGrath
Hair: Garren


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07-02-2012
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Vogue Italia February 2012: Laura Kampman by Steven Meisel


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"Keepin' It Surreal"
Model: Laura Kampman
Photographer: Steven Meisel
Stylist: Karl Templer
Hair: Guido Palau
Makeup: Pat McGrath
Manicure: Jin Soon Choi
Set Design: Mary Howard




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08-02-2012
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^ that ed and cover are amazing! its one of my favorite Vogue Italia, covers in a while.

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10-02-2012
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CRASH #58
THE BEAUTY: SPRING 2012

photographer: Schohaja

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“The greatest glory in living lies not in never falling, but in rising every time we fall.” ― Nelson Mandela

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16-02-2012
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Vogue Italia January 2002
Portraits

Ph: Steven Meisel
Models:
Liya Kebede, Christy Turlington, Carolyn Murphy, Linda Evangelista,Anne Catherine Lacroix, Stella Tennant, Carmen Kass, Jacquetta Wheeler, Anouck Lepere, Karen Elson, Caroline Ribeiro, Valerie Sipp, Erin Wasson, Liberty Ross, Hannelore Knuts, Bridget Hall, Mariacarla Boscono, Maria Carmen Hillestad, An Oost, Trish Goff, Amanda Moore, Gisele Bundchen, Devon Aoki, Natasha Vojnovic, Naomi Campbell, Shalom Harlow, Meggie Rizer, Marisa Berenson, susana Macasova, Stephanie Seymour, Donna Mitchell.
Fashion Editor: Lori Goldstein
Make-up: Pat McGrath




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16-02-2012
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16-02-2012
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22-02-2012
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GUCCI RTW 2012 2013
vogue.fr


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22-02-2012
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22-02-2012
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GUCCI RTW 2012 2013
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24-02-2012
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Prada fall rtw 2012 2013


Senior Beauty Editor Celia Ellenberg's take:
There's something that should be said about the lighting in most backstage areas at most fashion show venues from New York to Paris. It's unforgivingly bright—and purposely so: the better for makeup artists to see their canvases. So what does this mean for the final beauty look? It can look drastic up close, yet incredibly seamless on the runway. And so it went today at Prada.

"We've been here since noon," Pat McGrath exclaimed before the 6 p.m. presentation commenced, referring to the "busy" face that required a tricolor layering effort on lids. "Mrs. Prada wanted a very strong eye," the famed face-painter said. And McGrath obliged her, layering an orange greasepaint over blocked-out arches and sweeping a black greasepaint through the crease and up toward the brow bone. Upper and lower lash lines were then rimmed with alternating strokes of black and purple pencil. "They're all colors from the collection," McGrath explained of her pigment choices—right up to the theatrical white foundation she blended from the outer corner of the eyes around the temple, and the ivory paint that helped straighten out the liner.

"They're virtual dolls," Guido Palau offered, putting a label on it. "Very manga," the Redken creative consultant continued, describing the different colored extensions he was adding to emphasize the "synthetic feeling" of it all. "[I chose the extensions] based on which colors clashed best with the girls' natural hair," he said. (A long table was littered with opened packages of red, platinum white, and black hues for him to choose from.) Coating hair with Redken Thickening Lotion 06 Body Builder and blow-drying it backward, Palau smoothed strands away from the hairline with its Hardwear 16 Super Strong Gel "so it stayed back," and then applied its Iron Silk 07 Ultra-Straightening Spray before straight-ironing the entire head. A final mist of Redken Forceful 23 Super Strength Finishing Spray ensured that everything remained superbly structured. "Real girls do this to their hair," Palau admitted of the ombré streaks that have risen in popularity over the past few seasons on and off the catwalk. "But the perfection here becomes the 'unreality.'" Leave it to Prada to make something played-out cool again.
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24-02-2012
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Prada fall rtw 2012 2013
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