Did Steven take well to being told to re-shoot?
No, it takes quite a lot of convincing, but he understand, you know. That's why we have a good relationship. Because I respect his work and he respects my magazine.
Did you know when you first know him this was going to develop into such a long-lasting and defining relationship?
Actually the reason I started working with Steven was probably because I've never seen a man so beautiful in my life. I do think he's the most beautiful man. I remember when I met him in the Eighties... Steven come to my hotel to collect the clothes [for a shoot] himself. And when he walked in the room, even my husband then - who's completely for women - looked at me and said, 'I've never seen a man so beautiful'. It was beyond. And he is very shy, super shy,. But very nice. Such a very nice person. It's a fantastic collaboration.
[from Franca Sozzani interview inside the last Industrie - by me]
about that little comment about copyrights etc. and places like tFS.
the copyright issues on tFS (and other media abt fashion) has always captivated me, not to the point i try to get informations about it really.
i have scan/snap-ed all i could i thought would interest this place. because i see it more as sharing and spreading the art of fashion. conde nast and steven meisel are the only ones i really know (in fashion) for their not-appealance about scans and other bank-image.
but sharing fashion heritage seems to be something Vogue US understood since they open their own Conde Nast bank image of archive i think.
for 1500$ a year, I think, you can have access to every VOGUE! $1500, seriously!?!?
Conde Nast is always one that is complaining and turning the "underground" into "business". Fashion and Internet systems.
From when/where or how is a fashion photograph consider an artwork ; thus is under the control of a image right law? how "law" consider sharing onto internet and the links with image rights?
they even have a vogue"pedia" (based on wikipedia, i guess - who is a non-profit business!!!!!). anna wintour isn't in it, btw. awkward.
The future is stupid
The Fashion Media A-List - Some short mentions & then interviews with...
Sasha Charnin Morrison
Stephan Moskovic & Wayne Sterling
Come Dine With Me - What happens at Dave stays on the walls
Portraits by Dave
Still-Life Photographs by Thomas Lohr
At Home With Jefferson
Photographs by Boo George
The Transformers - Interviews with...
Interview by Elizabeth von Guttman
Photographed by Terry Richardson
Styled by Katie Grand
The Making of Miranda Kerr
Interview by Lee Carter
Photographed by Willy Vanderperre
Catherine Baba, Edie Campbell, Alice Dellal, Michele Lamy, Camilla Lowther, Leonor Scherer
Photographs by Juergen Teller
Story by Elizabeth von Guttman
Styling & Casting by Zoe Bedeaux
Versace Archive - Saskia de Brauw
Photographed by Josh Olins
Styled by Clare Richardson
The Women Behind The Men - Interviews with...
The Shopkeeper of China - Andrew Keith
Interview by Murray Healy
Portrait by Catherine Servel
The Way She Moves - Stephen Galloway
Interview by Erik Torstensson
Portrait by Inez & Vinoodh
The Last Page - A Day In The Life of Joseph Altuzarra
Love is what you want.
|#4, franca, industrie, richardson, sozzani, terry|