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#121 |
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front row
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A Renaissance of Style
Photographed by Tommy Ton Styled by Aurora Sansone Models : Suzanne Diaz, Tatiana Cotliar ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() scanned by me |
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#122 |
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front row
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No Crime to be Rich
Photographed by Solve Sundsbo Styled by Katie Grand Models : Ana Beatriz Barros, Alessandra Ambrosio ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() scanned by me Last edited by MAGstyle : 05-09-2010 at 11:36 AM. |
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#123 |
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V.I.P.
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a renaissance of style is one of the best editorials this year for me
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#124 |
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-- aGGravaTion de caS --
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I really like the mood of the ed with Tati and Suzanne... suz is really gorgeous.
They are making a great duo, very nice to see this edito.
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'We're French! We smoke, we show flesh, we have a lot of freedom' Carine Roitfeld
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#125 |
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V.I.P.
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No Crime to be Rich reminds me of the Spring/Summer 2008 Louis Vuitton campaign, I love it.
The colours are gorgeous and I love the styling. Which is unusual for me, since its styled by Katie Grand. Never Enough looks phenomenal, to say the least. I've never been more attracted to Alessandra! I'm a sucker for that styling. I'm kinda disappointed with Raquel's editorial. But that Yves Saint Laurent shot is just.. woah . |
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#126 |
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Take me drunk, I'm home
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This would be such an excellent issue if it wasn't for the touch of evil provided by Katie Grand and Anna Dello Russo in 'No Crime to be Rich' and 'Never Enough' respectively, not only the titles and the entire execution is something to feel pity for but also the sequence of all these gorgeous autumn stories and the mood created is killed right there. The fact that they are two of the busiest women in fashion and that people feel compromised to hire them in order to create hype or validate their magazine through their vulgar approach to trends is just.. really sad.
I agree with gossiping, A Renaissance of Style is quite the highlight here.. I love how individual, slightly eccentric but still coherent each look is and Tommy Ton does such a good job at creating a balance between capturing what makes these clothes so special and a sort of mundane atmosphere in his photos. Is this the first time he works for a major publication btw?, he should do it more often.. thanks for all your scans, MAGstyle.
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Metal teeth of carousels. |
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#127 |
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V.I.P.
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I have to have this fantastic issue, best one this year from Vogue Nippon.
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#128 |
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you soft and only
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^ I agree, especially welcome after September.
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#129 | |
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fashion icon
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Quote:
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#130 |
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fashion insider
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^same here! simply amazing
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#131 |
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trendsetter
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^really? idk 3rd and 4th are good (typical tommy ton attention to details) but the rest are just meh....idk if Hans did it . it might look good
but yeah "No Crime" is worse.... |
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#132 |
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tfs star
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Tommy Ton should stick to his blog
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#133 |
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face of fashion blogging
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so in love with the tommy ton edit; good to see them allowing him to adapt what he does on his blog to a magazine editorial.
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READ: http://jeremydante.com TWEET: http://twitter.com/jeremydante TUMBL: http://jeremydante.tumblr.com WATCH: http://youtube.com/jeremydantealexander |
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#134 |
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front row
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indeed.
that ed is just too "meh". the photography is meh. the only thing that saves the ed is the styling. adr should keep her blogger friends OUT of the magazine. and i don't see how that ed is something ~new~ and ~groundbreaking~ i love the sorrenti and the sundsbø ed! the sorrenti ed is so wonderful...i love the shot that had lots of skulls, it's so romantic and gore-y at the same time! love ![]() |
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#135 |
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V.I.P.
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This is one amazing issue in print. I've had a whole new appreciation for Never Enough and No Crime to be Rich.
Vogue Nippon is always worth the purchase, when it comes with supplements. The Fendi magnets are kinda.. interesting too. HQ Cover and Supplements: ![]() *scans by vogue28 |
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