I actually think the stiffness is very appropriate. The clothes themselves are very stiff...they have a body entirely of their own so I find it very fitting that for this campaign, they are having Charlotte pose with the clothes instead of posing against the clothes. I don't know if that makes any sense...I mean, in the shot of her in the black coat, the black coat's sleeves actually hang like that...she's not forcing them into that position.
exactly. i'm in love with this campaign
__________________ catchin' colds and missin' planes
The stiffness looks intentional, definitely, so I'm on-board with that but... how do celebrities feel, I wonder, when photographers photoshop their faces out of existence? (What's the point of using them otherwise?) The nose bump in the second **** is the only thing that saves Charlotte's face as being as...well faceless as the first. I do like her eye expression. Blank but there seems to be some banked emotion behind it.
__________________
"I'm not sorry... I'm sorry that I didn't make it clear that it was a joke. But I can't be sorry for what I said—it's against my nature." Lars von Trier
Love the last one posted in the pale blue dress, stunning shot!
__________________ Daria,Erin,Isabeli,Crystal,Karen,Lara,Querelle,Coc o,MariaCarla,Guinevere,Natasha,Karmen,Lindsey,Elis e tFS 2012 Book Challenge- Reading: Mockingjay by Suzanne Collins- Completed: 08
The ads look much better in print . The almost lifeless, cold quality of the screen captures is more muted in print -- more touchable while at the same time still slightly alien. Full fan of this campaign now. Two thumbs up, Mr. Ghesquiere, if you're reading this .