DIOR'S NEW LOOK: Taking Dior Homme back to its couture roots, Kris Van Assche made tailored elegance the theme for his first advertising campaign — albeit with a hint of danger. "They look like young professional killers," joked Karl Lagerfeld, who shot three models in a Parisian apartment wearing Van Assche's ballooning, high-waist pants and pristine white shirts.
Van Assche described the images, which break in February magazines, as the "next step" for the brand — rather than a radical change — in its post-Hedi Slimane era. A budding photographer, Slimane lensed recent Dior Homme campaigns and favored an edgy, artsy approach.
"When one evokes 'elegance,' people tend to think you refer to something old-fashioned, boring," Van Assche said. "I am totally aware that we are living in a sportswear generation, but I feel it is my duty — at Dior Homme even more so than at my own label — to propose an alternative....I prefer to look at it as a challenge: make elegance radical."
That's the reason he selected Lagerfeld, who shoots campaigns for Chanel, Fendi, Dom Perignon and others. "Karl Lagerfeld represents in a very personal way this idea of 'modern elegance,'" Van Assche explained.
One subtle change is that the ads were shot in color, "though one could mistake it for black-and-white," Van Assche allowed. The models, all South American and in their mid-20s, are also slightly older than many recent Dior Homme spots.
Van Assche said his favorite image depicts a model at a window in a black suit with a satin collar detail on the lapels. "It best translates the message of modern noblesse," he said.
Dior declined to reveal budgets for the spring/summer campaign, but Van Assche said the media spend would be on par with a year ago.
MissMagAddict thanks!!! You know it does look very Dior-even considering what Dior was just a year ago-I can see the logo printed right next to them and it makes sense.
I was kind of hoping that the ads would make the collection more interesting, but I guess I was wrong. It's weird that Karl shot it, though, given his previous statements toward Van Assche.
I actually don't find these as radical as Van Assche may think they are. I love the idea of the first shot, with the lone model in the room beyond the door. That could have been very interesting and dark, minus the two models in the foreground, though I still think it works as is. The casting doesn't seem very good, IMO, nor does the hair.
i like them... it's classy and chic...
and yes it was shooted in a Salon Haussmanien, similar to the Salon where the collection were presented... but this one is lighter and more "minimalist"...
the one where the collection was shown was more conservative in a way... with a lot of boiseries etc.
but honestly to me, presented like this... it looks like a fashion editorial and not an ad campain... but i still like it...
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