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#181 |
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rêverie
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Fashion Illustration by Ruben Toledo for Details Magazine, August 1988, " 7th Ave. Says Women Will Wear Nothing But Pants This Fall Season", Pencil on paper ![]() [dept.kent.edu]
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... they lived and laughed and loved and left ... pseudo-oz~ tintin! |
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#182 |
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Of a bastard line.
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It is meat with bone: articulated, dynamic, forceful. My admiration for Degas' After The Bath is in what you notice is not only the voluptuouness and ease of the female flesh (the de-ossified, passive flesh of Degas' techer, Ingres) but also the spinal column. You will find at the very top of the spine that the spine almost comes out of the skin altogether. And this gives such a grip and twist that you're more conscious of the vulnerability of the rest of the body than if he had drawn the spine naturally up to the neck. He breaks it so that this thing seems to potrude from the flesh. In Degas Muscles(Dancers, Bathers, Horses and bourgeois Sitters) perhaps for the first time in the nineteenth century, have "origin and insertions;" Degas has almost a chiropractor's sense of how bones rotate in the sockets of the joint, how they become heavy or tense, how the body's centres of gravity are multiple and not just one, and how these centres form a dynamic constellation of points as they move through space ... After The Bath, Woman Drying Herself(C.1888/92) Edgar Degas wikimedia.org ![]() Last edited by Multitudes : 02-04-2007 at 08:27 PM. |
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#183 |
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V.I.P.
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Matisse, The Piano Lesson, o/c, 1916. One of the paintings I'm discussing in my Modern Art class.
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#184 |
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fashion elite
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Gustav KLimt - The blood of fish
![]() artland.co.uk
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Personal Blog: http://cornershoptalk.blogspot.com/ Picture Blog: http://whawhe.blogspot.com/ |
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#185 |
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rêverie
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^
Naum Gabo detail of; Model for Constructed Head No 3 (Head in a Corner Niche) 1917 cardboard, reassembled 1996 61 x 48.5 x 34.5 cm ![]() [annelyjudafineart.co.uk]
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... they lived and laughed and loved and left ... pseudo-oz~ tintin! |
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#186 |
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fashion elite
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"I.E.D #2" by james w. johnson
![]() juxtapoz.com
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nothing |
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#187 |
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fashion elite
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distorted nude by david lynch
![]() wgsn.com
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nothing |
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#188 |
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rêverie
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"Fishes of Honolulu" hiroshi yoshida, 1925 ![]() [hanga]
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... they lived and laughed and loved and left ... pseudo-oz~ tintin! |
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#189 |
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fashion elite
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Wladislaw Podkowinski: "La Folie" (1894)
wikipedia
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If you want to be understood... Listen. Please support our Picture Collection! http://www.thefashionspot.com/forums...ion-52666.html |
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#190 |
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you never know...
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![]() Ron Mueck Mask II, 2001-2002 Mixed media artknowledgeknews.com |
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#191 |
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Of a bastard line.
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I always hope to be able to make a great number of figures without a narrative. I don't want to avoid telling a story, but I want very, very much to avoid to do the thing Valéry said - to give the sensation without the boredom of its conveyance. And the moment the story enters the boredom comes up. The painter who was able to portray groups of people in a picture without falling into the boredom of narration, in my eyes, was Paul Cézanne. Seven Bathers(C.1900) Paul Cézanne ![]() artprintcollection.com ![]() Last edited by Multitudes : 08-04-2007 at 09:00 PM. |
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#192 |
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Press escape to continue.
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![]() Béla Kondor, Hungarian painter, poet, photographer, and avant-garde graphic artist. b. 1931 d. 1972 hung-art.hu
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“Above all, remember that the most important thing you can take anywhere is not a Gucci bag or French-cut jeans; it's an open mind” Gail Rubin Bereny |
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#193 |
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vertebrae by vertebrae
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#194 |
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fashion elite
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Michael Kvium (blindt billede 1991-92)
![]() kunstonline.dk
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Personal Blog: http://cornershoptalk.blogspot.com/ Picture Blog: http://whawhe.blogspot.com/ |
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#195 |
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rêverie
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![]() Unidentified artist (‘M.G’) Fatal Effects of Gluttony: A Lord Mayor's Day Night Mare, published by Thomas McLean 4 November 1830 Handcoloured lithograph Lent by the Guildhall Library, Corporation of London [tate.org.uk]
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... they lived and laughed and loved and left ... pseudo-oz~ tintin! |
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