Racial Diversity In Modeling #3 - Page 20 - the Fashion Spot
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Brazilian models: why are all top models white?

By Declan Eytan for vogue.it
Nov. 3, 2016

Gisele Bündchen, Isabeli Fontana, Alessandra Ambrosio, Adriana Lima, Raquel Zimmermann. In a country where 50% of the population is filed under the black/mixed race black category, why is it that famous top models are all white girls?

Last week, Brazil’s fashion capital São Paulo hosted the 42nd edition of São Paulo Fashion Week. Considered by most to be South America’s premier fashion week, it’s widely praised for being a globally-acclaimed platform to both regional newcomers as well as established brands. Nonetheless, each season the same question arises, which depicts the overall state of Brazil’s emerging fashion industry: where are the black models?

The country has successfully launched the careers of industry favourites such as Gisele Bündchen, Isabeli Fontana, Alessandra Ambrosio, Adriana Lima, Raquel Zimmermann, Ana Beatriz Barros, Fernanda Tavares, plus Caroline Trentini. And those aren’t even all of them. When it comes to their darker-skinned fellow Brazilians however, the few which have been pushed by local mother agents and subsequently achieved international star status, can be counted on less than one hand: that is, Emanuela De Paula, Lais Ribeiro and Gracie Carvalho.

Even if some Brazilian models of African descent are walking their native country’s runways, they’re vastly outnumbered by their Causasian counterparts. This, in a country where more than 50% of its population is filed under the black/mixed-raced black category.

We reached out to Vogue Brasil Editor-in-Chief Daniela Falcão over the phone, to discuss Brazil’s struggle with equal opportunities for models of colour. Plus we took a closer look at what’s being done locally to heal the wounds of a nation which, to the outside world appears to celebrate its ethnic diversity, but on the inside seems reluctant to embrace it.

In the year 2009 São Paulo fashion week organizers agreed to impose quotas, requiring 10% of models appearing on the runway to be either black or indigenous. The quota has subsequently been repealed, but have you noticed an improvement in diversity since?

I can tell there’s been much improvement when comparing today’s situation on the Brazilian runways, to that of the year 2009/2010. But it’s far from ideal. It’s an endless discussion where on the one side, you have designers accusing the agencies of not providing them with enough black models. On the other side, you have agencies claiming they don’t provide designers with more black models since they don’t book them.

In a country as ethnically diverse as Brazil, featuring white models on magazine covers is considered the norm, while models of colour are considered the exception. How so?

Brazilian magazines don’t put black models on the cover as much as you would imagine. I remember that while I was in journalism school, I was taught that Brazilians don’t like to see a reflection of themselves on magazine covers. That Brazilians would look for something more glamorous, strongly influenced by a European aesthetic. It’s typical of the low self-esteem you’ll find in many formerly colonized countries.

Since 2011, Vogue Brasil produces an annual issue entirely dedicated to models of colour. Why is such an issue necessary in Brazil?

It was about changing attitudes. Many designers didn’t even consider the lack of black models an issue at first. We didn’t just want to create a buzz, and it’s not as though we only want to put a black model on the cover once a year. When we did it for the first time in 2011, we put Emanuela de Paula on the cover. This year’s issue featured Naomi Campbell as a cover girl. A positive thing to note, is that since that first issue in 2011, the initiative has been well-received in Brazil. We didn’t receive any negative feedback, and in terms of sales it also does well. In addition, it has triggered local modelling agencies to contact us as soon as they scout a black girl.

You’ve frequently placed Naomi Campbell on your cover, and for the February issue Vogue Brasil featured Jourdan Dunn on its cover for the first time. Why not use your covers as a launching pad for the careers of black Brazilian models however?

The Brazilian audience responds to models that it knows. It’s a shame, but I don’t have Brazilian black models that are known enough to put on the cover. This is why we use girls like Naomi, Jourdan and Joan Smalls. We do push for black Brazilian models to be featured in the front of book, and we aim to put 3 to 4 black or mulatta models on the cover each year. Throughout the year 2016 we’ve tried to cast as many dark skin black models as possible, which was a mission I set out with our fashion team. It’s not like it’s forbidden to use a white girl for a story, but when I notice our stylists have done three consecutive stories with a white girl, I’ll tell them to change things up.

Often the level of diversity on runways and in advertisements, reflects the amount of ethnic diversity behind the scenes. Would you say that black Brazilian designers are strongly represented in your local fashion industry?

I never thought of that, but indeed. In Brazil, fashion is still something that is very much connected to the white elite. We don’t have a lot of black designers or stylists. As fashion is starting to become more popular however, it attracts more people from different ethnic and social backgrounds. When I look at my current team of interns for example, there is a much higher level of ethnic diversity than when I started this job 11 years ago.

How have you seen the attitude of Brazilian modelling agencies evolve over the past years, when it comes to their scouting practices?

Agencies were lazier in the past. When they’d scout for models they would only look in the Southeast region of Brazil – which is the land of white girls. It’s the richer part of the country and it’s where Brazil’s fashion industry is based. Most who live in this part of the country are of Italian or German descent and many of our top models come from this region. So it’s not just a matter of skin tone, where you come from is also a factor. Step by step this is changing, as more girls are being scouted in the North region of the country as well. Our stylists are constantly on the lookout also, so we’re changing the trend of waiting for the agencies.

Are local mass market brands more likely to feature black models in their ad campaigns, compared to upmarket brands?

For advertisements, they often want the famous Brazilian models. They’ll go for Isabeli Fontana, Alessandra Ambrosio or Gisele. You’ll see very few new faces in local ads. So the challenge is to make the black girls more famous by having them appear on the runway constantly and in the magazines.

So how do you see the situation developing in the next 3 years?

The first step is to increase the level of diversity on the runway. The second step is to increase the level of diversity on magazine covers. I’d say we’ve accomplished our goal once we’re able to put black models on the cover without anyone even commenting. In Brazil there is no reason for black not to be considered mainstream.


Last edited by sixtdaily; 08-11-2016 at 04:23 AM.
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I always asked the same question to myself. Brazil is so beautifully diversed but at the same time so white.

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^ I´m sorry but her answer is a lot of bunk. ``The Brazilian audience responds to models that it knows. It’s a shame, but I don’t have Brazilian black models that are known enough to put on the cover. This is why we use girls like Naomi, Jourdan and Joan Smalls. [...]´´like seriously? Come on what a lame attempt of an excuse. I hate when Vogue editors hide behind those answers: just have the guts to say you have NOT done a real effort woman, at least be real.

C 시원한 KOREA high fashion magazine
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Nice to hear Ysaunny Brito had the most successful Vogue Mexico cover of 2016!! So while Daniela, who luckily left Vogue Brazil, may bang on that Brazilians only respond to who they know, it's nice to see the rest of LA embrace someone new!

Lineisy had all the makings to be the leader of the Dominican pack, much like Gisele was for Brazilians, Natalia/Natasha for the Russians, or Lara/Doutzen for the Dutch. But unfortunately her unassuming attitude and terrible print presence won't help at all.

‘Dominican Power’ on the Catwalk

A wave of new models from the Dominican Republic are scoring major campaigns and runway gigs at fashion week. But what — or who — is really behind their unstoppable ascent?

By Graciela Martin
March 10, 2017 05:20

PARIS, France — Before boarding a flight to Paris where she would tear up the runways for Dior, Saint Laurent and Louis Vuitton, Manuela Sánchez posted a very important photo on her Instagram feed while working in Milan.

“Dominican power backstage,” wrote the season’s breakout star, next to a snap taken with fellow Santo Domingo-native Lineisy Montero at the Missoni show. Adding a few muscle-flexing emojis for good measure, she then thanked Montero “for opening the door to a new generation of (afro) Dominican models in the fashion industry.”

Sánchez is part an alluring army of new models from the Dominican Republic making an invasion in all the fashion capitals. Firm favourites during fashion week and increasingly cast for major ad campaigns, this season saw even more hail from the small Caribbean nation. Nearly 20 brands hired three or more Dominican models at the Autumn/Winter 2017 shows, including big hitters like Marc Jacobs, Burberry and Prada. So if they seemed everywhere, it is because they were.

While girls of Dominican descent are not entirely new to the high echelons of fashion — Omahyra Mota, Arlenis Sosa and Rose Cordero set some precedent — it was the success of Montero what paved the way for the newest guard.

Passionate Scouts in the Caribbean

“Lineisy marked a before and after; she opened the door to a new generation of models that are now seen in all of the international runways,” says Sandro Guzmán founder and director of Ossygeno Model Management, the mother agency of most top Dominican names, like Montero, Balmain star Ysaunny Brito, Luisana González, and Versace favourite Richie Beras, to name just a few.

Although their efforts may have only paid off recently, bringing Dominican women to the forefront of fashion is the culmination of more than 10 years hard work for Guzmán and another model agent from the Dominican Republic, Luis Menieur.

New Faces editor of Models.com, Rosie Daly says it has been greatly due to the “visionary and directorial scouting” of these two men. Menieur was behind Arlenis Sosa's success and scouted Sánchez as well as rising stars like Genesis Vallejo and Liany Gómez. “They’ve given the fashion industry what it wanted before we even knew that we wanted it," she adds.

“Many go off straight to do exclusives, like Lineisy with Prada or Luisana González with Louis Vuitton, but they were ‘made’ in Domincan Republic," says Guzmán.

Both Montero and González landed contracts with Next and Ford, respectively, right out of the Ossygeno Models Contest (formerly the Elite Model Look for which Guzmán has held the local franchise since 2006). The event also served as a springboard for Kenzo campaign star Amelia Rami, Mulberry’s Chanel de León and many others. “Now international agencies are constantly in touch awaiting the next great discovery,” says Guzmán.

A few noteworthy male models have also taken the industry by storm. Most, if not all, have walked for Givenchy, including Ossygeno’s Oscar Lasarte and Keudy Pérez and Menieur’s Keith Hernández, Rafael Pérez and Francisco Peralta. The latter also starred in a campaign for the French house, as well as Armani.

A Unique Genetic Cocktail

The Dominican Republic has been hailed ‘the new Brazil’ thanks to its growing reputation as a wellspring for beautiful models. But given that the Spanish-speaking nation only shares a small island in the Caribbean with Haiti, it is on an entirely different scale. With just 10 million people, it has only a tiny fraction of the Amazonian country’s 202 million population.

Brazil’s network of agencies and its established fashion industry gives casting agents a much greater pool of potential beauties to draw from, but it has not always surfaced models as diverse as its multi-ethnic society. Many successful international faces from Brazil have been of light-skinned European ancestry.

Like most of Latin America, the Dominican Republic is made up of a diverse racial mix. The difference, however, is in the genetic cocktail of the country. More than 70 percent of the population is mixed race – mainly with African, indigenous Taíno from Hispaniola and European roots.

“What makes the Dominican Republic very appealing is the ethnic mix of people; you can get a great spectrum of girls and even boys,” says casting director James Scully.

Models.com's Daly sees the Dominican Republic as a “wildcard”. “There's no predicting the type of beauty that will come out next, which is exciting,” she says. But it is [the models'] versatility that is as important as the "vibrancy and energy” they bring to a shoot or show. “Dominican girls can embody both the classic beauty of black women and va-va-voom qualities of Latinas and so much more, they can be quirky or hard-edged or very soft, intellectual, androgynous, ultra feminine,” she adds.

The new editor of Vogue Mexico and Latin America, Karla Martinez, agrees: “These girls have a more citizen-of-the-world look; they could be from the Dominican Republic, but they could also be French or American.”

And with the United States being home to almost one million Dominicans, it is no surprise America has spawned talents like Long Island-raised Dilone, who has fronted campaigns for Stella McCartney, Versace and Balmain, and Dominican-American twins Jan Carlos Díaz and Hector Díaz who have worked for Valentino and Zara.

“Hispanic women have been underrepresented in fashion for quite some time; it’s refreshing to see the evolution of a culture in an image that has always deserved to be featured prominently,” says Kyle Hagler, president of Next Models New York.

“Today, if people don’t see themselves represented they will go and find it somewhere else; you don’t have to see [models] in a fashion magazine anymore,” adds Scully. “That’s making their presence a lot more appealing to clients and potentially to people who hire them for a show or advertisement.”

Guzmán notes that young Dominican girls — who “at 12 years of age are gifted a hair straightener” — now look up to models like Montero. They are more vocal about celebrating their ethnic traits and embracing their natural curls, he says.

Carlos Lamarche, journalist and contributor for CNN en Español, agrees that beauty perceptions are slowly changing, but argues that the Caribbean nation still faces strong racial prejudices. “Even after all of Arlenis Sosa’s international success, she’s never done a campaign in the Dominican Republic,” he adds.

Scully remembers a time when he could count on one hand the number of times a black model opened a major menswear show. “[But] now seven, eight, nine shows open with black models. That's a big deal and we've come a long way in that sense [and] the whole boom of Dominican models just reinforces that fact."

The current fashion climate, besides pointing to a wider representation of racial diversity, is becoming a celebration of individuality in a much broader sense and Dominican models are a good example of that. Scully argues that the relevance of social media and the emergence of brands like Hood by Air and Vetements with a certain sub-culture aesthetic have led to the search for more “individual” casting.

Ivan Bart, president of IMG, which represents Dominican talents like Gucci favourite Elibeidy Danis and Jillian Mercado, a disabled Dominican-American model with muscular dystrophy, believes this is the way forward.

“As much as it’s now about the Dominican Republic models it's about so many others [who] are having great moments in great places in different backgrounds, in different sizes, different stories and we'll just keep pushing all the conversations," says Bart, who recently signed hijab-wearing Somali-American model Halima Aden.

The Personality Factor

Clearly, the rise of the Dominicans connects with the broader conversation on diversity currently taking place in fashion. But for many insiders, it goes beyond physicality altogether. “Today [a model’s look] is appreciated with a more intelligent view, where other values, qualities and personalities are taken into account,” says Pamela Ocampo, editor-in-chief of L'Officiel Mexico.

Having an attitude "you can fall in love with" is an important trait many Dominican models have, according to Jose Duran, director of Viva Models Barcelona, who represents Manuela Sánchez. “It’s key to getting your foot in the industry and staying there,” he says.

Luisana González, also thinks their personality and presence is key. "I think that's what makes us stand out," she says. But according to Ysaunny, there is something even more important. "We're always in a good mood and prepared to work," she adds.

Indeed, like the wave of Russians before them, most of the Dominicans in this wave have become known for their strong work ethic. For many who find success, it is a rags to riches story, as many come from very humble backgrounds. According to an undisclosed casting industry source familiar with fees, some of the Dominicans now command a day rate in the tens of thousands of dollars.

“Now [Dominican] families dream their lives will change if their girl finds success with a modelling career,” says CNN’s Lamarche, who is producing a documentary on the personal stories of the country’s top models, which is expected to be released later this year.

Next Models' Saint Laurent star Hiandra Martinez is aware of the responsibilities that come with being a role model. She takes pride in the fact that she and others have helped put the Dominican Republic on the map. "It’s a great motivation for young people who want to excel," she says.

The Dominican model moment also represents a wider Latin American movement which, aside from Brazil, includes Argentinians, Puerto-Ricans and Mexican models, according to Ocampo. “I think it's not only Dominicans, it's Latin American women in general," she says. Clearly, with other nationalities showing up in recent seasons like Argentinian Mica Argañaraz or Mexican faces like Issa Lish and Mariana Zaragoza, some believe the Dominican boom could help open the door to more talent from the region.

"Designers [in the region and] in general are more open-minded about beauty and [aware] that women of various backgrounds are buying their products,” Martinez adds, crediting Instagram with some of the progress.

The Vogue Mexico and Latin America editor-in-chief adds that last year her magazine received a great response to Joan Smalls and Mariana Zaragoza's cover and that Ysaunny Brito's April cover was one of the most successful of the year.

Undoubtedly, the rise of Dominican models provides a hopeful outlook for more inclusive show casting, although Hagler argues that there’s still room for improvement. "The presence of Dominican women in fashion indicates the industry is realising the importance of diverse cultural balance in imagery, but we have a lot more work to do in making the playing field fair amongst all races and cultures," he says.
Source: https://www.businessoffashion.com/ar...320d-417355313

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^ Dominican girls are so professional & get the job done without much drama ...Manuela Sánchez looks a great prospect really impressed me this season she has a presence about her ...Also Ysaunny is class personified she loves her job ...Lindo is the leader of this pack so consistent on the runway over the last 3yrs ...


Last edited by Scouting Snapper; 11-03-2017 at 11:18 AM.
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Dior Cruise felt extremely white washed.

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Originally Posted by modelista View Post
And then there's Victoria Beckham.. :facepalm:

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How many seasons has The Row not cast a single model of color?

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Gucci f*cking forgot about non white models now. Someone go ring their bell

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Sigh, it's 2018.

massimogiorgetti: DREAM TEAM 🖤❤️💙
barbaranicolicasting: ❤️✨❤️
random__production: 🙏🏻💥😍

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Considering that the cast was made up entirely of Italian university students, this could either be indicative of a major racial problem in Italian universities, or maybe Barbara's pretty terrible. Probably both.

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If the cast is Italian students, i can understand. We sometimes have to face the reality of a country.
I think that France, Germany and Great Britain are the most diverse countries in Europe. Even more than that, those are countries were minorities are well integrated.

I believe that every designer and every country should take seriously the question of diversity and it shouldn't be only on the runway but, i don't want it to be a kinda "forced" thing were people from the US dictates what should be done.

The diversity question in Europe enroll a lot of deeper issues that have been put under the table or that people don't want to talk about.

Us, black people sometimes sees diversity as "black people on the runway" but actually in Europe, a white french man born in France with Spanish parents see diversity in using an eastern european guy. I hate to use the word but from someone from the south of Europe, "exotism" can be a swedish blond guy, a russian or georgian man or brazilian guy.

Speaking of that, Gosha was terrible in terms of diversity. I wonder if eastern european people get a pass because of all the stigma they suffered for a longtime before becoming "hype".

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Meet the pink-haired, Chinese Australian model taking the fashion industry by storm

Fernanda Ly has arrived on a wave of Asian models who are increasingly making their mark on Western fashion and beauty. With four, soon to be five, covers of Vogue under her belt, she is fast becoming an industry favourite

PUBLISHED : Thursday, 15 February, 2018, 6:19am
UPDATED : Thursday, 15 February, 2018, 2:52pm

Patty Huntington
15 Feb 2018

A teenager 1.7 metres (5 feet 7 inches) tall with a mane of My Little Pony hair doesn’t automatically scream “future superstar”. Yet an equally petite – for a model – London waif by the name of Kate Moss caught the eye of Storm Models’ Sarah Doukas at New York’s JFK Airport in 1988. And in the same way, there was something about 17-year-old, pink-haired Chinese Australian Fernanda Ly that immediately grabbed Doll Wright, director of Priscillas Model Management, in Sydney in 2013.

Ly, now 22, is now one of the biggest international success stories in Australian modelling over the past three years. She has campaigns for Louis Vuitton, Dior and Kate Spade under her belt and has been featured on four, soon to be five, Vogue covers.

Her modelling career began after she was spotted in The Galeries shopping centre on Sydney’s George Street by a stylist, who asked if she’d ever considered modelling. The then 17-year-old high school student from Sydney’s western suburbs sent in some images to Priscillas and was signed on the spot – much to the horror of her parents.

“They’re happy for me now because obviously I’ve made it, but in the beginning it was [considered] an unacceptable sort of thing. They’re very traditional,” says Ly of her parents, who migrated to Australia from Vietnam in the 1980s.

Wright had just returned home from a four-and-a-half year stint in New York working for Ford Models and Elite Model Management, and was on the lookout for the Australian industry’s next big thing. “I thought, ‘wow’ – I loved everything about her, her clothes, her look,” she says.

Until mid-2013, top Australian models tended to be in the mould of either blue-eyed blonde beach babes such as Gemma Ward, Abbey Lee Kershaw and Julia Nobis, or sultry, porcelain-skinned brunettes such as Catherine McNeil and Miranda Kerr.

Coming up quietly behind them on the books of Australia’s biggest agencies, however, was a new generation of ethnically diverse girls who were more reflective of Australia’s multicultural melting pot. According to the 2016 Census, nearly half of all Australians were either born overseas or have at least one parent who was.

Four members of this new, diverse Australian model pack are about to be celebrated on the April 2018 cover of Vogue Australia. Alongside Ly will be Sudanese Australian Achol “Akiima” Ajak, Serbian Australian transgender superstar Andreja Pejic, and indigenous Australian Charlee Fraser.

While any Vogue cover is a tremendous honour, so far only Vogue Japan and Teen Vogue in the US have dedicated their front covers to a solo Ly – a point not lost on Ly vis-à-vis the Chinese edition.

“Vogue Japan put me on their cover solo much faster than Vogue China did [at all], despite me actually being Chinese,” she said. “The Japanese people are much more welcoming to me, rather than my own Chinese people. It’s quite funny.”

After booking some initial modelling work in Australia, Ly took a leave of absence in 2014 from her interior architecture and spatial design studies at the University of Technology Sydney to focus on modelling full-time, moving to New York in early 2015.

Her big break came in March 2015 via a worldwide exclusive Wright brokered with Louis Vuitton’s casting director, Ashley Brokaw, for the brand’s autumn/winter 2015/2016 womenswear show in Paris.

Ly walked out third after industry icons Freja Beha Erichsen and Liya Kebede in a knee-length white fur coat and the industry did an instant double take.

A catwalk image of Ly from the show appeared on page one of fashion journal WWD the next morning, while Vogue.com ran a “Who’s that girl?” profile on her within days. Meanwhile, i-D dubbed her “the model with the mostest at autumn/winter 15 fashion month”.

It was the start of a multi-season Ly love fest at Louis Vuitton, with Ly booking the brand’s autumn/winter 2015/2016 campaign, closing its cruise 2016 show, opening the spring 2016 show and booking the accompanying spring 2016 campaign. She has since become a regular at Louis Vuitton shows in Paris and around the world.

By June 2016, after four Vogue covers and editorial shots with top photographers such as Patrick Demarchelier, Mikael Jansson, Mario Sorrenti and Steven Klein for titles including Vogue US, CR Fashion Book and Love Magazine, Ly had landed a coveted spot on the “Top 50” models list on models.com.

“Ashley Brokaw is the reason why I have a career now, along with Doll – and of course Louis Vuitton,” Ly says. She has since walked for many other luxury brands, notably Dior, which booked Ly for its autumn 2017 and spring 2018 shows last year, and for its autumn 2017/2018 campaign.

Ly currently lives in New York with her best friend, Japanese model Yuka Mannami. Flame-haired Korean Ho-yeon Jung is another model mate.

Having lots of Korean friends has inspired Ly to study Korean, after learning Japanese at school. She speaks Cantonese with her parents, but can’t write it, hence is not on Weibo. Instagram is Ly’s social media platform of choice, using the “@warukatta” handle, a Japanese phrase meaning “it was bad”. She has 188,000 followers.
Fashion activists: the models who confront, empower, promote diversity and raise awareness

Ly has arrived on a wave of Asian models who are increasingly making their mark on the Western fashion and beauty industries. She is one of three Asians on models.com’s Top 50 list, alongside Jing Wen and Sora Choi (Liu Wen and Fei Fei Sun have since graduated to models.com’s even hotter “New Supers” and “The Money Girls” lists, joined on the latter by Soo Joo Park and Sui He).

“I think it’s interesting that it took fashion so long to actually put Asian girls into their shows. Their shows weren’t actually reflecting their consumers,” Ly says. “Wouldn’t you want to see so many more Asians? Because I’m pretty sure they spend the most money. It’s a weird thing. It’s changing very, very slowly. But it’s happening, which is good.”
Source: South China Morning Post

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