[flyme2themoon]

Peter Som
Makeup: Tom Pecheux
Hair: Eugene Souleiman

Quote:

by Catherine Piercy THE CREDITS: Makeup, Tom Pecheux for M.A.C. Hair, Eugene Souleiman for Wella Nails, Sunshine Outing for Zoya MAKEUP: “There are a lot of bright prints in the collection, but also a bit of a ’60s feeling,” says makeup artist Tom Pecheux of the hazy violet eyes, flushed cheeks, and rosy-nude lips he created backstage. “We just wanted the girls to look cool, young, and fresh.” HAIR: “Bad hair and bad girls from very rich families,” said hairstylist Eugene Souleiman with a devilish laugh. “Julie Christie with a dash of Courtney Love thrown in.” That translated to loose, rumpled waves shot through with worn-in streaks of lavender, orange, and pink. THE TOOLS: ON EYES: Pecheux created soft, Twiggy-like contours around the eyes using blended down shades of plum (M.A.C. India Ink shadow) and burgundy (M.A.C. Fig 1 shadow) pigment in the crease, then traced the lower lashes with a neat eggplant-colored line (M.A.C. Chromagraphic pencil in Rich Purple). “It’s powerful but pastel,” he said. ON CHEEKS: To create the look of a girlish flush, he swept sheer shades of apricot (M.A.C. Peaches) and coral (Fleur Power) across cheeks. ON LIPS: “It’s a soft rosy-nude cream,” said Pecheux, who dabbed the lip color (M.A.C. Innocence, Beware!) down to a stain. HAIR: Souleiman’s cool bedhead—created by blowing the hair smooth with Wella Perfect Setting spray and then dousing it with the company’s texturizing Ocean Spritz—was uptown come undone. Before sending models off to first looks, he clipped in haute punk hair extensions (dyed by New York colorist Aura Friedman in advance of the show) just along the hairline for a single hit of face-framing color. NAILS: Zoya’s sheer beige polish (in Erin) looked neat and natural with Som’s colorful prints.

Source: vogue.com