B. Åkerlund - Stylist

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Exclusive: Riccardo Tisci and B. Akerlund on Madonna’s Grammy Outfits

During a mostly dull Grammy awards, Madonna provided a ray of high-fashion light. We have designer Riccardo Tisci and stylist B. Akerlund to thank. Tisci collaborated with Akerlund and Madonna on two custom Givenchy Haute Couture looks—a pastel and black corset dress for the red carpet and a crimson leotard, jacket, and cape for the stage—that brought something extra to the ceremony in a way only Madonna can.
“Madonna is a real life friend and working with her is always effortless, like collaborating with family,” Tisci explained. “We created a Matador inspired set of Haute Couture pieces to match her theme of “Living for Love.” I loved the idea of her as this Givenchy warrior in full Couture embroidery and color blocking.” Tisci’s creations took 50 people 2500 hours of hand-beading the couture tradition, according to Akerlund, but it was worth it. “M is famous for knowing how to take a risk in multiple fields at the same time, and as usual, we all saw how it pays off,” Tisci said of the performance.

“Me and Madonna love collaborating with [Givenchy] because we did the Super Bowl together, and we thought that it would be perfect to call Riccardo again,” Akerlund told Style.com. “They’re really good friends and we thought he’d be perfect to do the iconic [Matador look], and we wanted him both for the performance and the red carpet to do the theme.” The matador inspiration is a continuation from Madonna’s “Living for Love” video, and although toreadors appeared on the Dolce & Gabbana Spring 2015 runway and in Madge’s 1994 “Take a Bow” video, Akerlund wasn’t looking to current or past events for inspiration. “I think the whole relationship between the matador and the bulls is something that we find a beautiful relationship, and [we] played with that—how she’s killing off the bulls and she’s the matador standing in the end. There’s a beautiful story for why the matadors fight the bulls and that also reflects life.”
In addition to Givenchy, Madonna wore Miu Miu shoes, Lynn Ban earrings, and rings by Loree Rodkin and Elise Dray to perform and earrings and ring cuff by Yeprem and rings by Lynn Ban on the red carpet. Akerlund explained that even with shimmering Givenchy couture, there’s no such thing as too much sparkle for the Queen of Pop. “I love bling, so we always have lots of bling up to the last minute. I always like to do bling last because it’s hard to predict what might work for the performance and what she can dance with and all those things factor in the decision making of adding jewelry— everything goes down to the performance, if it works or not.”

Madonna’s team and the Givenchy team had been working together on the Grammy looks since Christmastime—“We and the Givenchy team are closely married,” admitted Akerlund of the process—and though they had other options for the night, the choice to go with Givenchy was clear. “It’s a gut feeling. I always go with my gut. I like it, she likes it. If I don’t like it she doesn’t like it. That’s how I weigh it. I’ve worked with her for like nine years now, so I feel like I understand what she likes and it goes along with my personal taste and what I like,” said Aklerund. “We’re definitely in a matador world,” the stylist proclaimed, “and we’re owning it.”

style.com
 
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US HARPER'S BAZAAR NOVEMBER 2013



"Madonna's Back"
Model/Star: Madonna
Photographer: Terry Richardson
Fashion Editor/ Stylist: B. Akerlund
Hair: Andy Lecompte
Makeup: Gina Brooke
Manicure: Naomi Yasuda





imcmagazine.com via.burbuja8910
 
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Cosmopolitan US May 2015 (50th anniversary issue:( Madonnna
Editor Joanna Coles
Photographer Ellen von Unwerth
Stylist B. Akerlund
Hair Andy Lecompte for Wella Professionals at the Wall Group
Makeup Gina Brooke for Intraceuticals











worldmags.net
jamsplay.com
via: dfl-001
 


All the Details on Madonna 's Costumes from "Ghosttown"

And speaking of that little meet-and-greet, if you've only got mere minutes to enjoy the end of the world, you might as well dress for the occasion. Enter in mastermind stylist B. Akerlund (who custom-designed Britney Spears's mind-blowing "Work b*tch" looks) for costume design. We chatted with Akerlund, who gave us all the details on Madge's sexy looks from the video.

What was the inspiration for these costumes?
My inspiration for the costumes was my husband Jonas Akerlund [who directed the video] and everything we love. We are a rock ’n’ roll family and this look is in our DNA.

What mood were you going for?
Rock ’n’ roll meets end of world, with a touch of shipwreck.

Tell us more about these shipwreck-influenced costumes.
The long coat was made with very thin leather supplied by Chrome Hearts and the rest was a combination of metal, leather, a green silk vest from A.F. Vandevorst, and knit and cotton from Greg Lauren. I really loved the texture that the various fabrics created.

What was Madonna’s favorite look?
I’m not sure Madonna had one favorite. She loved the silhouette all the costumes created—the top hat, the long coat, the corseted waist with tall boots.

What’s the coolest piece of them all?
The coat! It was my dream piece. Who wouldn’t want a buttery leather b*tch coat by Chrome Hearts covered in crosses?

What was the most exotic of the pieces?
Her vintage lace shorts and trashed Agent Provocateur bra that I burnt up. I actually lit the lace on fire and rolled it around in the dirt with the entire costume.
instyle.com
 

itunes.apple.com

Hard Candy
Art Director: Giovanni Blanco
Photographer: Steven Klein
Celebrity: Madonna
Stylist: B. Åkerlund
Makeup: Gina Brooke
Hair: Andy LeCompte






Hard Candy Digital Booklet / Warner Music
 

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