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Adam Lippes Resort 2015

marcBarna

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Adam Lippes said he believes in a "multiseasons" approach to his resort collection, which he prefers to call pre-spring. So along with the requisite cotton, silk and denim, he included brushed cashmere for long robelike coats and a light-as-a-feather faux fur for a chubby wrap.

Both Lippes' silhouettes and prints were inspired by artistic musings, specifically the work of French artist Willy Daro, whose organically shaped lamps and tables were reflected in fluid long coats; full, high-waisted pants, and floaty chambray tops.

While Lippes' first allegiance is to sportswear, he stressed that evening is becoming more important to his line. His long and stark dresses were elegant, yet still had a sporty appeal.



wwd
 
JUNE 02, 2014
NEW YORK
By Brittany Adams

Continuing to evolve his refined vision of American sportswear, Resort found Adam Lippes in a relaxed mood influenced by French visual artist Willy Daro's decorative objets, which fuse together natural metals and stones. That inspiration was reflected in the collection's emphasis on organic shapes, particularly evident in easy pieces such as paper-bag-waisted trousers, fluid silk slip or wrap dresses, and soft double-knit merino ponchos. Daro's works also gave rise to the graphic foliage print found on Lippes' boxy, thigh-grazing shift, which would look terrific with a pair of flats. Keeping in mind the season's early November delivery window, Lippes was sure to offer plenty of transitional outerwear to take his customer into the colder months. Highlights included an unconstructed topper cut from ivory wool, backed in duchesse, as well as "monastic," robe-like coats (in either boudoir-ready satin or luxe, brushed cashmere) with open slits along the sides that imparted a dynamic movement. Elsewhere, Lippes continued to elevate denim—a relatively new category that has met with retail success—in the form of boxy chambray tunics and indigo wrap skirts, which communicated an easy elegance that wasn't too fussy.

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