Alexander Wang F/W 12.13 New York

[Not Plain Jane]

I see it not so much as a post-apocalyptic collection, but more as one that focuses on the path towards it. The protester moving towards global downfall.

I can see what you mean: the protester silenced too, with the mouths covered. At first I thought "no voice" but then I thought "protection" once I saw the military looks. Anyhow, I think the collection had a smart vibe to it. I liked that aspect of it - the concept.

 

[maxlinden]

Full Show

 

[ALAUU]

That was single-handedly the stupidest show I've ever seen. What was the two sections about? And then they walk all over the place and stand in front of a mirror? I know it was supposed to be an edgy, cool concept, but that was all lost on me. The clothes were okay, but the concept of the show was distracting.

 

[KKnardi]

I like the "don't say" outfits, the music was amazing, leather!!!!!!!!!!!!!!!!!!!!!!!

 

[Not Plain Jane]

To each her/his own indeed. I loved the mirrors, the way the models were doubled and tripled as they walked past them. The way the stood in front of them and turned around. Thinking even just from a marketing-buying perspective, it actually gave people a chance to see the clothes from different angles. The splitting into two parts, I'd agree, was a little confusing, but maybe it was like a sequel. The lighting could've been a tad sharper. Other than that, I liked the choreography.

One of the things I always loved about McQueen - he really put on a "show" above and beyond the clothes themselves. Made you think. At least Wang attempted something here, to move beyond the usual, and I'd rather see someone fail well than not try at all. Just my opinion though.

 

[christian zh]

I like some looks, but the rest...

 

[Big Jay]

Some nice leather coats, jackets etc. Nothing special or anything we haven't seen before. Wearable, saleable but not exciting. I'm sure his season will be packed with other stuff to want.

 

[Wolkfolk]

To each her/his own indeed. I loved the mirrors, the way the models were doubled and tripled as they walked past them. The way the stood in front of them and turned around. Thinking even just from a marketing-buying perspective, it actually gave people a chance to see the clothes from different angles. The splitting into two parts, I'd agree, was a little confusing, but maybe it was like a sequel. The lighting could've been a tad sharper. Other than that, I liked the choreography.

One of the things I always loved about McQueen - he really put on a "show" above and beyond the clothes themselves. Made you think. At least Wang attempted something here, to move beyond the usual, and I'd rather see someone fail well than not try at all. Just my opinion though.

ITA with you.
As far as i'm concerned the stage direction is one of the main reasons why I liked the show. Last season he already used the mirrors and the fact that it gives a total view of the outfits really pleased me. But this time he almost added a metaphysical message to them. The ways the girls stopped and looked at them in the second section, the fact that there was 2 section + the music reinforced my idea of Apocalypse. If people wonder why he split the show in 2 parts well I actually think that the second group of girls represented a small group of survivors, almost like a new human race. That's maybe why they were staring at the mirrors, to re-discover themselves but maybe also to confront what they've done since many people think the #1 responsible for the destruction of the planet is the human being. Maybe I'm going too far but I really see this show as an art installation almost like Alexander McQueen use to do.

 

[KKnardi]

ITA with you.
As far as i'm concerned the stage direction is one of the main reasons why I liked the show. Last season he already used the mirrors and the fact that it gives a total view of the outfits really pleased me. But this time he almost added a metaphysical message to them. The ways the girls stopped and looked at them in the second section, the fact that there was 2 section + the music reinforced my idea of Apocalypse. If people wonder why he split the show in 2 parts well I actually think that the second group of girls represented a small group of survivors, almost like a new human race. That's maybe why they were staring at the mirrors, to re-discover themselves but maybe also to confront what they've done since many people think the #1 responsible for the destruction of the planet is the human being. Maybe I'm going too far but I really see this show as an art installation almost like Alexander McQueen use to do.

I agree with you, I would like to believe this was his vision with the show. "going shopping...."

 

[Not Plain Jane]

You have such interesting ideas Wolkfolk! I really like your take on the second part.

 

[Ives927]

You can't say the guy doesn't know how to put on a show. His production is always bigger with each new season.

But honestly, take away the hype, production, supermodels, the clothes are mediocre. He definitely knows how to make cool jackets that 'fashionistas' and the 'downtown girl' would die to have. A. Wang knows his market and audience well. He sells and I think that's all it matters and come downs to. He's commercial.

I still think the guy and his clothes are way over-hyped and doesn't bring anything new to the table.

 

[ParisFashionMuse]

i enjoyed the show but not the collection

 

[Scott]

haven't camilla stærk and a.f. vandevorst already done the whole mirror concept already? to me it doesn't feel so fresh or new.

i'm kind of close to Mullet's opinion,in that sometimes i think he has great ideas but they never seem to evolve into anything. it always ends up looking a bit tired and uninspired.

 

[trikekos]

A little bit pretentious but still a cool show I guess.

 

[mimirose]

I can see what you mean: the protester silenced too, with the mouths covered. At first I thought "no voice" but then I thought "protection" once I saw the military looks. Anyhow, I think the collection had a smart vibe to it. I liked that aspect of it - the concept.

This analysis is really thought provoking. My first interpretation of the masks and those PVC/plastic hoods was related to a global pandemic and quarantine. A lot of the outfits felt quite clinical with those long, white plastic coats and the protective layers. The black sleeveless puffer vest and following looks (especially that worn by Zuzanna Bijoch and that gorgeous ridged duffle coat) was very reminiscent of modern Hong Kong action cinema and those 'girl seeking revenge against the world' films of the early nineties.

Absolutely love Wolkfolk's interpretation. Personally I really liked the show although it might seem a little pretentious at points. The staging was ingenious and from a purely aesthetic perspective the boots, fabrics and those bags were just lovely.

 

[Prairie]

ITA with you.
As far as i'm concerned the stage direction is one of the main reasons why I liked the show. Last season he already used the mirrors and the fact that it gives a total view of the outfits really pleased me. But this time he almost added a metaphysical message to them. The ways the girls stopped and looked at them in the second section, the fact that there was 2 section + the music reinforced my idea of Apocalypse. If people wonder why he split the show in 2 parts well I actually think that the second group of girls represented a small group of survivors, almost like a new human race. That's maybe why they were staring at the mirrors, to re-discover themselves but maybe also to confront what they've done since many people think the #1 responsible for the destruction of the planet is the human being. Maybe I'm going too far but I really see this show as an art installation almost like Alexander McQueen use to do.

I see it in the same way you do.
And I really enjoy Wang's gentle hint that only super people will survive.

 

[JuiceMajor]

trying to channel Givenchy but not trying to be obvious....disaster!

 

[thiago:)]

I do acutally like the way he worked with leather. Some pieces are great.

 

[Not Plain Jane]

This analysis is really thought provoking. My first interpretation of the masks and those PVC/plastic hoods was related to a global pandemic and quarantine. A lot of the outfits felt quite clinical with those long, white plastic coats and the protective layers. The black sleeveless puffer vest and following looks (especially that worn by Zuzanna Bijoch and that gorgeous ridged duffle coat) was very reminiscent of modern Hong Kong action cinema and those 'girl seeking revenge against the world' films of the early nineties.

Absolutely love Wolkfolk's interpretation. Personally I really liked the show although it might seem a little pretentious at points. The staging was ingenious and from a purely aesthetic perspective the boots, fabrics and those bags were just lovely.

Very much agree with you. Intriguing thought about the revenge films too - definitely there was a "tough chic" vibe to the collection! B)

 

[StoneSkipper]

It's not bad per se, but it's too much for it's own good. All the set up, the models, the venue, the mirrors, the music, the guests... the production set up makes you think the clothes that come out are fantastic, when they really are subpar.

That being said, the collection is not bad at all. I like the laser cut coats at the beginning, the draped details are pretty good and make a good contrast with the apocalyptic feel. But it just doesn't live up to the bar it sets itself.