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photographie.comCécile Bortoletti lives and works in Paris.
At the end of the 80’s, she studies cinema and photography at the university of Paris VIII. She follows Claudine Eizykman course and Gilles Deleuze seminar.
She discovers the French experimental artistic scene, starts to take part of it actively, and becomes the assistant of the theatre producer and movie director Marc’o with whom she works during several years.
She also produces experimental movies in super 8 and 16mm and starts to work as a photographer. Along with David TV, Agathe Gris and Helena Villovitch, she creates the MOLOKINO band to promote what they call the “expanded cinema”, namely “projections – performances” that aim at upsetting the classical relation that exists between the audience and the screen. The MOLOKINO band is consequently being invited in most of the places related to the alternative culture as well as in the main European modern museums and art institutes.
She also gets involved in the creation of the “101” magazine which opposes all practises of the “different” cinema, from the political movies to the installation/performance and to all experimental and video art levels.
At the beginning of the 90’s, she plays a great part in different projects linked to the young generation of fashion designers and she initiates collaborations with Bless, Charles Anastase, Martin Margiela, Marjan Pejovski…
She publishes her photographic works in magazines such as Self Service, Crash, Purple, Studio Voice, Big, Barfout as well as in Libé Style, 20 ans, Jalouse.
She continues to collaborate with those magazines regularly while keeping up with her film-maker activity.
At the end of the 80’s, she studies cinema and photography at the university of Paris VIII. She follows Claudine Eizykman course and Gilles Deleuze (philosoph) seminar.