lollicandy
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well, we live in depressing times. his last ready-to-wear collection focused on the dress-up-and-play-poor period of marie antionette's life -- and we all know how that ended. the most recent couture collection pared away almost all flash and dazzle giving us a decidedly unhappy and pessimistic presentation. his last ad campaign waxed super-serious and somber in the vermont countryside. his cruise collection referenced the novel/film "death in venice." so yes, karl lagerfeld has taken chanel to an appropriately fatalistic place to reflect the times in which we live.
I understand what you are saying, but in China I don't feel this great feeling of fatalism and depression. At all. So to see this rather somber collection in of all places Shanghai, which is buzzing from the hype of the Shanghai Expo in 2010, Obama's visit, optimism for China's future, just doesn't make sense to me. I'm not saying that he should pick some devastated town or country to show the collection, but maybe this was not the right setting for showing the collection? It didn't seem to fit for me, it's anachronistic.
Zazie, I agree with you about Dries. He gets "ethnic" influence, esp. with texture, without resorting to cheesy, cliched tactics like this.
ilaughed, i know it's not the "real" China. But at the same time after reading that article in WWD online with Karl, I can't understand why he bothered to do this collection. He seems so uninterested in China, what Chinese workmanship is (or rather was), and seems to dislike Shanghai (he didn't venture out of his hotel room). I'm not seeing much inspiration but he is cashing in on the ascendancy of China and influx of mainland Chinese luxury good consumers. It's that part of the equation I'm really unhappy about.
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. He is a real poet and has real appreciation for the good side of the cultures he explores. Sadly, his efforts are not as lauded as this farce by Chanel, within or outside China.
Think Prince Charles, the Stud
and Camilla Parker Bowles...