Fashion_Girl22
Active Member
- Joined
- Jun 8, 2008
- Messages
- 5,194
- Reaction score
- 9
Can't wait to see Armani....hard to out do a show lie this one the same day...

(telegraph.co.uk)Hilary Alexander
The British couturier, John Galliano, turned the thigh into the new erogenous zone in his haute couture collection for Christian Dior in Paris this afternoon.
Thighs that were trim, taut and terrific were the focus of attention in sexy, pencil skirts made of see-through stretch-tulle, while crinoline-ball gowns featured rippling “windows” of chiffon and hand-embroidered sheer lace.
The essential accessory in both cases was a pair of matching silk boy-shorts.
The now-you-see-it, now-you-don’t approach drew applause and cheers from a celebrity turnout which included the singer, Janet Jackson, the supermodel, Claudia Schiffer and the actresses, Marisa Berenson, Liv Tyler and Eva Mendes.
Underlying the attention-seeking transparency, however, was a meticulous attention to sculptural cut and architectural shape, inspired by M. Christian Dior’s original “New Look” of 1947 and his curvaceous “Bar” jacket, and the iconic first super-model, Lisa Fonssagrives, wife of the fashion photographer, Irving Penn.
Galliano re-worked these themes with a modernist touch, which at times veered towards the gladiatorial. He used wide corset-belts in studded black patent, fuchsia leather and pastel snakeskin, which flared out into winged peplums at the hip, to emphasise the extreme hourglass shape of tailored day-suits and coats with full skirts.
The metal, gilt and crystal studs were repeated on matching, head-hugging, leather cloche-hats and helmets and on the multi-strapped shoes with mirrored cone heels.
A vibrant leopard-print created exotic drama amongst the parade of flesh-tone, gem-like colours, cream and black and white.
Suits in leopard-print silk featured jackets with elaborate necklines, embellished with bows which trailed around the body or were tucked into the waist of pencil-skirts, and 50’s-style, full-skirted cocktail dresses in the big cat-pattern, were worn off-the-shoulder, and encrusted with crystals.
Galliano’s Grand Entrance creations included tiered ball gowns in delicate waves and tiers of ruffled cream, apple-green, shell-pink and midnight-lace silk and organza, hand-beaded with crystals and silver.