Wow this is gorgeous. The shot of the models on the marquetry floor and the one of them inside the gilt frame are just stunning. I actually love how cluttered it feels. The lighting IS very severe but I think it works well with all the prints and embellishments.
What is cause of the bright white london sky in november tone everything seems to have these days: campaigns and shoots alike. Perhaps literally rose tinted but i recall campaigns from the aughts having more warmth and depth.
i'm not feeling it. i would personally like sarah moon or someone more ethereal to capture the original dries collections. but perhaps i'm just not catching the essence of the new direction for the brand. there's definitely a slight shift.
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