Francisco "Ken" Peralta | Page 2 | the Fashion Spot

Francisco "Ken" Peralta

Another Givenchy exclusive for their campaign boy! :p

Givenchy F/W 13.14 Paris

Style
 
Givenchy's backstage with Saskia :heart:


Givenchy's Facebook
 
GQ U.K cover with Joan!! :woot::woot::woot::heart:


Givenchy's Facebook
 
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Whatever happened to his Givenchy campaign? Were his images never released or was it just a rumor to begin with?
 


UK GQ Style S/S 2013
'NUTHIN' BUT A 'G' THANG'

Ph: Matthew Stone
Styling: Matthew Josephs








Facebook/Intrepid London
 
Film by Bell Soto
Produced by No-name Productions
Art Direction: Glenn Johnson
Editing: Bell Soto & Glenn Johnson
Casting: John Tan for JTC Casting
Models: All at Wilhelmina



johntancasting.blogspot.com
 
Of course he's at Givenchy, :lol:

Givenchy S/S 2014 Paris


Style
 
He got the Armani Exchange Fall 2013 campaign!
DRAMA LESSON: A|X Armani Exchange’s fall campaign, inspired by an actor’s studio, was photographed by Robbie Fimmano in the cinematic backstage area of Loew’s Jersey Theatre in Jersey City. Styled by Karl Templer, the black-and-white images capture models Sean O’Pry, Paule Hoarau, Paolo Anchisi, Milou Sluis, Hind Sahli and Francisco Peralta wearing the new denim line that launches at A|X worldwide on Sept. 16.
wwd.com
 
ArmaniExchange Fall 2013 Campaign


armaniexchange.com
 
Uhhh, so nice to see him getting good work other than Givenchy related stuff, he looks lovely there.
 
Hamlet’s Soliloquy–Photographer Dilia Oviedo reunites with Wilhelmina model Francisco Peralta for a special series inspired by Shakespeare’s Hamlet. Joined by Gabriella (Major New York) in Jenny Polanco, Francisco wears Jose Jhan for his dramatic role. / Photo assistance by Ondina Sosa.

To be, or not to be, that is the question—
Whether ’tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? ‘Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there’s the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There’s the respect
That makes Calamity of so long life:
For who would bear the Whips and Scorns of time,
The Oppressor’s wrong, the proud man’s Contumely,
The pangs of despised Love, the Law’s delay,
The insolence of Office, and the Spurns
That patient merit of the unworthy takes,
When he himself might his Quietus make
With a bare Bodkin? Who would these Fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Country, from whose bourn
No Traveler returns, Puzzles the will,
And makes us rather bear those ills we have,
Than fly to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hue of Resolution
Is sicklied o’er, with the pale cast of Thought,
And enterprises of great pitch and moment,
With this regard their Currents turn awry,
And lose the name of Action. Soft you now,
The fair Ophelia. Nymph, in all thy Orisons
Be thou all my sins remembered.






thefashionisot.com
 

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