Interview Magazine Shutting Down, Files Bankruptcy

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From WWD:

Interview magazine is no more.

The magazine founded by Pop Art arbiter Andy Warhol nearly 50 years ago is shutting down today, according to now former employees, like senior online editor Trey Taylor, who wrote on Twitter of the closure. A representative of Brant Publications did not deny the magazine is closing, but declined to comment further. Repeated calls to the magazine’s office number were met with a busy signal.

A source said the closure was sudden and that a filing for Chapter 7 bankruptcy liquidation has been made. Court records are not yet available. A lawyer whose firm has represented Interview and Brant Publications in legal matters over the last year declined to comment on the magazine’s closure or the prospect of bankruptcy.

Earlier this month Interview was sued by its former editorial director Fabien Baron and his wife, stylist Ludivine Poiblanc, over more than $600,000 in unpaid invoices, and a source claimed that many lower-ranking editorial contributors had also gone unpaid. It’s also understood that Karl Templer in April left his position as Interview’s creative director because he was owed at least $280,000. Another source said the magazine “owes everyone money.”

Baron’s lawsuit is not the only one Interview is dealing with. Former sales representative and eventually associate publisher Jane Katz last year sued the magazine for unpaid wages of more than $230,000, along with claims that she was unjustly fired. Dan Ragone, who was Interview’s president for six years, also sued in 2016 for allegedly unpaid wages of about $170,000 and that case is still working its way through the courts.

When looked at from a publishing standpoint, it’s little surprise that Interview is shutting down. It seems the masthead has been slowly winnowed and not updated online. Without Baron and Templer, Interview was operating with major gaps in editorial leadership.

Brant Publications is owned by billionaire Peter Brant, who is a well-known art lover and Warhol fan. He and his then-wife Sandra bought Interview shortly after Warhol’s death in 1987 and Ingrid Sischy and Sandy Brant took the title over three years later, turning it into a must-read about the fashion and art crowd. Sandy Brant, who had been acting as chief executive officer and publisher, sold her 50 percent stake in its parent company to her former husband in 2008, and he”relaunched” it under Baron’s leadership. Brant’s daughter Kelly Brant has been running the publication as president for the last several years.

Austen Tosone, until now an assistant editor at Interview, wrote on Twitter that his six months at the magazine was “certainly a crazy ride.”

It's the end of an era. :cry:
 
It’s so sad. Someone should buy this magazine. It’s such a lost.

Karl Templer, Baron please buy this magazine!
 
What's sad about this is that they never really hit rock bottom, you see V, Love, A, and you kind of wish they would abruptly fold and save themselves further embarrassment. Interview wasn't anywhere near excellent but you could tell they revisited their codes constantly and tried to add some substance to the vain part of the society they catered to.
 
Not.surprised.one.bit

Very sad nevertheless, however without the strong leadership of Baron and Templer, there's no way they could continue, particularly with the hole being burnt in the finances department over there. I don't think anyone would want to touch it with a ten foot pole, despite the fact that the content remained solid throughout.

Now though...perhaps, just maybe, the time for a new serious fashion magazine has arrived? Or am I too optimistic?
 
This is actually devastating. Interview was far past it's glory days, but for a long time it was the best arts and culture magazine out of New York. It was my bible in the 80's and 90's. It lost it's way when it became too focused on fashion and Hollywood. The decline has been long and slow, but this sudden end is still shocking and sad.
 
Sad. Perhaps Conde Nast or Hearst will buy it?
 
How it will affect Interview Germany? They were still operating fine, while only US had issues with publishing. I think the German edition is operated under the license and has its own control?
 
^^^ Interview Germany is its own thing. Just like Interview Russia was.

First The Face, then L’uomo— and now Interview…

3 of the most influential dreammaking and high fashion worldbuilding publications that shaped my youth and continued to educate and inspire my high fashion outlook when they existed. Gone.

Without Fabien and Karl, Interview is nothing. Just let it die.

(Fabien and Karl not being paid by the billionaire owners… I guess it’s not something that only happens to just us lowly nobodies…)
 
bye Interview Magazine :(

5b0467b19b868_INTERVIEWUSA2013.jpg.888cd4977b6c889581acb1da3155d354.jpg

bellazon
 
I've subscribed continuously since February 2005, so this is a pretty big disappointment for me. It was nice to have at least one US mag with some edge, compared to the conservative mainstream American magazines.

With its Warhol history, the magazine would be a nice vanity play for someone.
 
It would be good if someone buys it and instead of making a monthly magazine, decide to turn it as something similar to CRFashion Book or Mastermind. A high-end exclusive publication almost like Visionnaire...
But it needs someone who is totally independent and who can bring all of the creatives of the industry on board.

Maybe LVMH, Richemont, Kering or Chanel. With one of those on board, I guess exclusivity contracts for potential contributors is obsolete.
 
Maybe LVMH, Richemont, Kering or Chanel.

Sorry Lola, but what a terrible idea. The essence of this magazine goes against what you're suggesting. Isn't it bad enough that the indies which most on here consider to above the Vogues and whatnot already have these conglomerate names tattooed on their backside? Now you want to go one step further and actually let them own magazines?

Interview by LVMH or Kering will be like John Galliano by Gaytten!
 
Last edited by a moderator:
^^
My though was more «*who can really put money for a magazine like that if a billionaire passionated by Andy failed*».
Can the Andy Warhol foundation take the control back? Or at least people from the art world?
 
I think a small collective could buy it like what happened with Holiday magazine. I'm scared to say a fashion stylist because they generally make such terrible EICs. Carine's the exception because she's got complete control over her magazine despite her small firm falling under the Hearst umbrella.
 
Interview Magazine Poised to Relaunch, Bypass Creditors

The magazine likely owes millions to its many, many creditors, but could dodge paying up, despite Kelly Brant’s plans to relaunch the title.

By Kali Hays on June 1, 2018

The idea of Interview magazine relaunching quickly and under the ownership of some former high-level executives at the title has many scratching their heads. Such is the nuanced world of bankruptcy.

“I don’t understand how this isn’t illegal,” is how one source put it, after noting that Interview owes money to a string of high-profile photographers, along with many lower-level editorial employees and freelancers that found themselves not only unpaid, but out of a job when the title last week filed for Chapter 7 bankruptcy, a liquidation.

But the title, founded by Pop Art arbiter Andy Warhol in 1969, seems already headed for a relaunch under a new holding company, Crystal Ball Media, according to an internal memo published by The Daily Front Row. The rub is that CBM was formed by Interview’s president Kelly Brant, the daughter of Interview’s wealthy current owner Peter Brant, and Jason Nikic, who was Interview’s chief revenue officer but signed the memo as publisher. Should Interview relaunch in September, as the memo suggests, Nick Haramis will stay on as editor in chief, while Mel Ottenberg, a stylist well known for working with Rihanna, seems to have already joined as creative director, a position previously held by stylist Karl Templer.

As president and chief revenue officer, Brant and Nikic had a hand in not paying many people who worked under them before Interview filed bankruptcy, including Templer, who is said to be owed $280,000 and left in April over lack of payment. Former editorial director Fabien Baron claims to be owed nearly $700,000 and also left this spring over lack of payment and called out Brant specifically as having control over payment in his subsequent lawsuit. Former associate publisher Jane Katz last year sued the magazine for unpaid wages of more than $230,000, along with claims that she was unjustly fired, and Dan Ragone, who was Interview’s president for six years and in April became president and chief financial officer of Daily Front Row, sued in 2016 for allegedly unpaid wages of about $170,000. A source said Interview also owes money to photographers Craig McDean and Steven Klein.

Representatives of Interview and CBM could not be reached for comment, nor could Ottenberg. Baron and Templer were not immediately available for comment.

While there are about 300 individuals and companies with outstanding payments owed who are now creditors of Interview, leaving it easily millions of dollars in the hole, with a Chapter 7 bankruptcy, the possibility of any being paid is slim. If anyone is paid, it will first be Interview’s still unnamed secured lender, likely Peter Brant, whom a company spokeswoman told WWD last week has been floating the title as it’s been operating at a loss for some time.

And the apparently strategic move to put Interview straight to liquidation and then within days announce a prospective relaunch is undeniably cynical — as is Nikic’s suggestion in his memo that publicity of the bankruptcy has led to a gain of 15,000 Instagram followers and reach to “a whole new audience of young people” — but there seems to be nothing illegal about it.

“There’s nothing inherently wrong,” Debra Dandeneau, global co-chair of restructuring and insolvency at law firm Baker & McKenzie, said of a company’s principles moving to buy up a liquidating company’s assets.

Dandeneau, however, explained that Chapter 7 was “an unusual step” because the bankruptcy process is immediately handed over to a court-appointed trustee, who gets paid based on a percentage of whatever value is squeezed out of the assets, which in this case are probably few. For Interview, there’s the brand name and probably a subscription list, but little else that could be sold.

“It’s just very, or somewhat unusual to file a Chapter 7 because that’s like saying we just want to walk away and you have a company that really doesn’t have any assets, but it’s an interesting strategy,” Dandeneau added. “From their perspective…it’s better to just throw it up for sale, then it’s cheaper to bid for the primary assets.”

And given Brant’s familial relationship to Interview’s current owner, Dandeneau said it’s “quite possible” that some kind of easy deal for the assets could be struck.

In the memo, Nikic said CBM was “in the process” of acquiring Interview’s intellectual property, without saying what exactly that entails or from whom. One source speculated that Peter Brant may hold Interview’s trademark personally or in a another holding company not involved in the bankruptcy. There are about two dozen current and expired trademarks for Interview, a handful of which originate with the entity DCP-BMP Media Lender LLC. It’s unclear who owns that entity, although BMP Media Holdings is another Brant-owned entity that’s filed Chapter 7 bankruptcy, so it seems safe to speculate that it shares an owner. If DCP-BMP turns out to control the main Interview trademarks, CBM could have a pretty easy time of getting what it needs to relaunch under the same moniker.

A trustee incentivized to find money could turn up as a bump in the road for Kelly Brant’s new holding company, should another bidder emerge with a better offer. Another bump could be the right that the creditors have, which is to, as a group, push for a new trustee, if they feel the current appointee isn’t savvy enough about their industry. The likelihood of this is again slim, however, as Dandeneau noted this tends to only become an issue when creditors are experienced financial types.

But should Interview relaunch after essentially skipping out on fees to hundreds of players in the fashion and publishing industry, is it possible that it will have the same allure for prospective contributors? Will anyone be willing to risk working for people who have shown at best an indifference to timely and full payment to their partners and employees? As Warhol himself said, “Art is what you can get away with.”

Source: WWD.com
 
This quick relaunch is either unadulterated, unbridled arrogance— because when you rip off even the biggest names in the industry and brush its all off so casually, or… undisclosed settlements are under way with the bigger names that were/are unpaid to mend past offences. I can’t imagine stiffing Fabien, Karl and Steven and relaunching so quickly without being blacklisted by the these and other bigger names. Andy may have said that "art is what you can get away with". But he also said "be nice to everyone, because you never know if that nobody is going to be the next famous somebody"...

They better relaunch with the aim to blow everyone away (pleas please please not Rihanna on the cover)… If they pull a US GLAMOUR or US VANITY FAIR brand of let’s-get-down-with-the-kid amateur hour nonsense, get ready to fold again LOOOL
 
Who's going to even want to work for them if that's how they operate?
 
Was that awful Lexus ed in the Dec/Jan issue related to their money problems? Because talk about product placement...
 
this was happening for years; i remember going to a dinner with the booking assistant from Interview, and he bragged that the magazine had no intention of paying models, bragging that the magazine pays "no one" -- which was an odd brag to make over cocktails with a creative agency head and myself, a then model agent. that was in 2016, so the closure all makes sense.

not revealing names, that booking assistant is at another magazine, meanwhile, when he said "no one" he really meant "no one" -- without fabien & karl this magazine was destined to plummet. a shame, they did really amazing creative things, fabien will be forever iconic for what he's done for this magazine, karl as well. terrible.
 

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