Mutterlein said:I don't know, ideas of elegance, couture, refinement, and beauty that were characteristc of Monsieur Dior have really been detached from what John has done. John definetly stirs the crowd but a lot comes from cheap gimmicks, flashy colors, and revealing clothes, nothing truly substantial. This is not what Monsieur Dior did. Theyskens, Elbaz, and Ghesquire receive so much praise not because they are quiet and reference the archives but because they continue the essential values of the house and interpret them in a modern and relevant way. Galliano did push the house into the 21st century and totally revived it but his formula for theatrics, celebrity indulgence, and gimmicks has run short which is evident by his recent and drastic change in approach. I liked it in the beginning when John used Dior as a forum to work out ideas of Couture and it's relevance and not so much about flashy clothes for spoiled rich girls with poor taste (dior surf chick ahem).
great post..
i absolutely agree, Hedi could do much better he's modern, i find Galliano too much 'on his own cloud' he's very irrelevant with planet earth, he's been cought in the poor taste/sell bags gap, so NOT Dior
viewing his fw05.06 shows both for Dior and Galliano label, he seems a tiny bit more alert this season, as if someone rang him a bell or as if he finally saw the red light blinking..
to be prefectly honest, i never really liked his work, but only when he first came out with his graduate collection..and that was then.. today, seeing photos of 'vintage' pre-Dior Galliano i wonder what did i saw in him then..
i believe he should be replaced asap, he's like a caricature so not fresh, so very predictable