The second outfit, on this second day of our Agathe's House shoot, is a head-to-toe Prada look from a collection equally praised and reviled for its dolly-mixture sweet innocence. Here, a sixties silk shift is weighted down with fishscale palettes and topped with a fox-fur stole.

That archive Meadham Kirchhoff look is our closer - we've wrapped for the day, but will be back from 11:00 BST tomorrow 7 June 2011 with more action from the set! Stay tuned!

Lily Donaldson is back in the make-up chair, where dolly references abound - although we're thinking of the quirkily oversized heads of seventies Blythe dolls rather than primped and preened Barbie perfection. Of course, hair and make-up can only distort Lily's features so much, thus Nick Knight will be turning to trademark visual trickery to eventually transform Donaldson into a fashion doll with a difference, born of this unique collaboration between Knight and Dinos Chapman.

We've seen the dollhouse inspiration of our title expressed throughout this two-day shoot, but perhaps less immediately evident has been the influence of cult eighties film Café Flesh, another key reference for this collaboration between Nick Knight and Dinos Chapman's. To underline that source, however, we have drafted in glamour model Dani Thompson to give a sexy slant to the 'twisted childhood' concept of the developing editorial. Here, Dani models vintage lingerie, a custom 'rat mask' by Gary Card, and towering Mugler heels that owe more than a passing nod to the wares of Fredricks of Hollywood ('Alien Hookers' was a phrase I tossed out after the show). A sweet contrast to Dani's sexy, Lily Donaldson epitomises innocence in a broiderie anglaise dress from Rodarte, pointy-point Manolo Blahnik slippers, and sweet clip-on bow and Peter-Pan collar combo. Although that bow is latex, and the collar's a Vuitton leather number. Maybe not so innocent after all...

Our third look is the perfect Pollyanna ensemble - a mini-crini hooped petticoat, hand-stitched ruffled bra and trompe l'oeil Mary Jane boots by Prada
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In Mary Kantranzou

Capped by me