In my opinion those photos posted by mikeijames do not belong in this thread.
Those pieces you displayed may not be couture in the strict Chambre Syndicale definition of the word, but what you seem to be forgetting or ignoring is that those pieces (save for the Ferretti, I can't speak for that one) are made using couture handwork. I'm almost certain that those Dolce dresses were embroidered by the same ateliers that work on the couture (Lesage most likely since they did those multicolor dresses from S/S 07). That Nina Ricci gown was probably made mostly, if not entirely, by hand in house. Let's not forget that Theyskens helped invent the concept of demi-couture, using couture workmanship on RTW.i appreciate your opinion....
i just don't think that most ready-to-wear houses "justify" their pricing solely based on the materials and production. the pieces i listed didn't come from a couture collection where they spent weeks working on one garment using the most expensive techniques/materials in the world. fashion is a business like any other that prices their stuff based on what the market will bear.
you will never convince me that the house of balenciaga put more thought into that one tweed jacket than chanel couture did. i don't believe that dolce and gabbana truly put more work nor expensive materials into that gown than houses like dior couture or elie saab couture. that's why i believe these pieces belong.
Those pieces you displayed may not be couture in the strict Chambre Syndicale definition of the word, but what you seem to be forgetting or ignoring is that those pieces (save for the Ferretti, I can't speak for that one) are made using couture handwork. I'm almost certain that those Dolce dresses were embroidered by the same ateliers that work on the couture (Lesage most likely since they did those multicolor dresses from S/S 07). That Nina Ricci gown was probably made mostly, if not entirely, by hand in house. Let's not forget that Theyskens helped invent the concept of demi-couture, using couture workmanship on RTW.
I mean, to say that those prices are so high simply because the designers can mark them up and someone in the world would be foolish enough to pay it is insane, especially considering that the dresses, at least, were made to order.
The vast majority are over priced. What we need is a thread that talks about designers that price their things decently.
Totally agree that Balmain's totally overpriced. I don't understand why?!
The vast majority are over priced. What we need is a thread that talks about designers that price their things decently.
The images you chose to discuss were not standard ready to wear by any means. They're not a sequined party dress with shoulder pads or a pair of platform shoes. The implication that the prices for the garments you used as examples were so high simply because the designers could price them that high is completely unfair since all of those pieces, including the Ferretti, involved a good amount of painstaking and meticulous handwork. The Dolce, Nina Ricci, Chanel and Balenciaga all involve couture-level workmanship, whether it's on the surface or beneath it, and I just don't think it's correct to assume that those pieces cost as much as they did just because someone somewhere is rich enough to buy them without thinking twice about it. Something like that Nina Ricci gown is not the kind of thing that would appeal to someone interested in buying clothes that scream "look at how much I spent" because looking at it you would never guess that it cost as much as it did. That kind of piece wouldn't appeal to someone conspiculously trying to flaunt wealth through clothing, it would appeal to someone who has a real appreciation for and knowledge of fashion instead of "luxury".a couple of points: first, in the world of luxury, we do not deal with the typical rational consumer in the same way we would in other portions of the marketplace. for the conspicuous consumer -- which, let's be honest, comprises a large part of the fashion customer -- price indicates and triggers something aspirational in their mind. in harpers bazaar, they had an article some time back about these texas women who flew to new york twice a year to shop at carolina herrera: when the ladies picked up the dresses that cost a couple grand, they didn't bat an eye, when they looked at the price for a coordinating belt -- a mere $200 -- they thought something must be wrong with it and didn't buy it (i can concede that that behavior has modified itself with the recessionary pressures on the luxury market, but the point remains). further, the fashion industry, like any other, remains a very competitive field: one MUST take into account what others charge for similar items so that they don't leave money on the table with their customers.
with respect to the couture and demi-couture, we know that chanel owns many of these couture shops so the prices -- for the most part -- should display a modicum of stability. however,we all know prices vary wildly as we move from house to house often depending on whether they have a marquee designer or not.
let's take the other end of the market: this y-3 jacket hit the stores at $3865 (i could snap up a tom ford jacket for less) and these rick owens high-tops sell right now for $1300 (i mean, this gets into berluti pricing).
(sources: gilt.com and barneys.com)