Numéro #179 December 2016 / January 2017 : Roos Abels by Txema Yeste

[zzzyao76]

MIRAGE

PHOTOGRAPHER: TXEMA YESTE
MODEL: ROOS ABELS
STYLING: BERNAT BUSCATO
HAIR: PASQUALE FERRANTE
MAKE-UP: TYRON MACHHAUSEN



visualizing.fashion

 

[Deleted member 116819]

Roos & Txema got in my opinion the title for the best editorial of 2016! Excellent covers & editorial, just stunning photography

 

[TREVOFASHIONISTO]

Great images, but would have loved to see a witch themed editorial where they arent all white.

 

[KateTheGreatest]

I don't like Roos's ed, the covers were so promising and the ed is disappointing.

 

[Valentine27]

^I feel the same. I was super excited by the covers, bought the Alexander McQueen one and when I opened the editorial pages, I was like "that's it?" Disappointed.

 

[June]

I like Roos and I think there are a few decent pictures in that ed but I'm not completely sold.

 

[sixtdaily]

I think it's a great editorial, just wish it was longer!

 

[LastNight]

These covers are amazing. I've only really discovered Txema Yeste's work this year but it's incredible - I'm loving looking through his stuff for Numnero. I'd love to see Vogue Paris work with him more, he's certainly producing much more dynamic and interesting images than certain other photographers are at the moment.

 

[gossiping]

loving roos' editorial the best!

 

[KateIsGr8]

Numéro is definitely the coolest magazine around. Every issue is like collector's item with the styling and photography. The photographers they choose always capture a mood and make the clothing flow so smoothly with the locations.

 

[Cute]

Love the editorials.

 

[atomicblue]

Numéro is definitely the coolest magazine around. Every issue is like collector's item with the styling and photography. The photographers they choose always capture a mood and make the clothing flow so smoothly with the locations.

It's funny because I remember a time on here (probably around 5-6 years ago now) when lots of people were saying how far downhill Numéro had gone and lamenting that it wasn't as good as its mid-2000s days. I didn't completely agree with that, but I do think there was a bit of a lull. Getting some new photographers on board in the last few years (Yeste, Bolofo, Bark, etc.) as well as getting more work from Aldridge again has helped things, I think.