If looked at as a collection of editorials, they make no sense except in a Numéro way (i.e. offers an abundance of creativity.) Paris looks surprisingly sharp, effortlessly pulled off the styling. Yeste's oversaturation feels saturated and.. not needed, although not at all unpleasant. Summer Dirx has an attractive ease. Roversi wannabe's ed feels redundant (after Elizavetta Porodina I wonder who needs this much Roversism when the original is hyperactive and still miles ahead?)
Nuit Féline is the most potent story for me, though perhaps easily overlooked. Shooter understands how to balance spaces and lighting and girl into desirable new compositions. Actually more surreal than the formulaic Yeste story.
Glad Jadi Weg nabbed an ed, the absolute standout at Chanel Spring '25 couture despite being unknown.