The Row F/W 2022.23 New York | the Fashion Spot

The Row F/W 2022.23 New York

Agree with @avonlea002 , nothing new, but everything looks great and styles great too. This is exactly my vision of the post-Philo modern woman, looks like a subtle logical continuation of minimalism. The stylist did a great job.
 
Absolutely love everything! The Row is very good since few seasons. I bet they have a new design team.
 
I love look 6! And I love that combination of brown with a blue shirt!

It’s very Celine by Phoebe meets Daniel Lee’s BV (but more the pre-collections).

I haven’t liked a The Row collection in a long time but I really like it.
The icing on the cake would have been to see a croc embossed brown coat!
 
Such a delicious collection. Absolutely love it! So many excellent and desirable pieces. Love the styling!!
 
Honestly this is what Hermes or Jil should be. I’m glad they’re filling up the niche. I also enjoy the mens.

the collection is pretty, it’s very practical. The color brings a necessary differentiator for them, although not original. The green turtle neck feels too raf. But all in all, very desirable. I also feel they’re one of the few designers who understand oversize truly- here it works. I suspect it’s because of their height. I respect them, they’re sticking to it, no concessions.
 
Honestly this is what Hermes or Jil should be. I’m glad they’re filling up the niche. I also enjoy the mens.

Interestingly, Nadège Vanhee-Cybulski used to be the design director for The Row for some years. Yet despite this, they seem to have surpassed her in both ideas and refinement.
 
superb minimalism and that full pale-yellow final look is just the perfect ending.

I guess I need a new coat.
 
While I think it is not bad I would put them at the same category as Margaret Howell. Good styling exercise not necessarily the brand or design
 
^ except Margaret Howell isn't even about styling, just simple, feel-good pieces that you can wear for years. But yeah, this is 80% styling.. one that has all the artificiality and soullessness of an influencer who now needs to be taken seriously and only dresses so she can match her strategically curated black and beige, random latte, Didion and jeanneret-packed instagram. I mean, the green scarf, how many times does it need to be reproduced? care to change the color a bit? it would achieve the same 'accent' purpose that you want. But nope, it's not think for yourself here, just.. MUST be grouped with the Lemaires and Phoebes of design!, we keep screaming we're almost the same people are now starting to believe it!

As for the other 20%.. the actual pieces, it's beyond me just who would spend their money on something boxy for the sake of being boxy you can just go COS, or potentially good you can then just go to the original source (Lemaire, old Céline, etc).
 
I don’t often comment on sets or settings of collections, but I loved the look book.

Incorporating the style description, number and color into the photograph was so clever.

Great clothes too.
 
I wish I have all the money in the world to buy this collection. This feels like there's emotion in their clothes.
 
I don’t often comment on sets or settings of collections, but I loved the look book.

Incorporating the style description, number and color into the photograph was so clever.

Great clothes too.


Actually way back when Margiela the man was designing, this lookbook is exactly how it looked like. Down right to the fonts.

That said, this collection is a nice one, albeit not original, its a likeable one.
 
Actually way back when Margiela the man was designing, this lookbook is exactly how it looked like. Down right to the fonts.

That said, this collection is a nice one, albeit not original, its a likeable one.

I often saw the wording on the side of the image, not below, but yes nice catch!
 
Is this what you call sophisticated, elegant, chic without trying to hard, cool... Yes, it is.
 
I don't know, while the presentation format might be borrowed from Margiela, it's missing a bit of character to me. Perhaps it's in the textiles or the colors they've been using as of late, but I find their collections to be quite pedestrian looking as of late - It's all pretty 'flat' and generic, what I'd expect from a brand like Max Mara - Which is why the comparison to COS comes up over and over again with The Row.

Their collections from a few years back would sometimes have the charm of an old-world vintage chicness, just as much as Margiela's work - even at Hermès - would have his quirky touches. This type of photography/lighting does nothing in their case to elevate the product!
 

Users who are viewing this thread

New Posts

Forum Statistics

Threads
214,808
Messages
15,276,521
Members
88,877
Latest member
unpredictable
Back
Top