dontbeadrag
Well-Known Member
- Joined
- Mar 4, 2016
- Messages
- 1,648
- Reaction score
- 5,460
Becomes even more obvious how Edward wants to be Anna. Not only with Angie here, but those editorial and cover choices. It reeks of some Testino-ish and Leibovitz-ish energy just minus the colour editing and retouching, especially that shot with the dogs, uncanny resemblance to US Vogue style.
Overall, a total disgrace to fashion fans with this dull content, and a total offence to the Vogue UK heritage. Looking at Edward's issues, I cannot even identify his style, everything is too different, cover subjects are all over the place, some musician and actresses of the moment mixed with iconic models, then some social and political figures, all Wintour-ish choices, but we know Anna picks the best, the most relevant ones, all the time it is someone at the top of their game right now.
I thought we were going to have actual identity for Vogue UK with Meisel, especially that his covers are the best and most memorable ones. M&M more or less worked too, especially their studio covers with Oprah, Taylor, and Irina, but all else fails, it is all over the place.
The only thing that saves this edition is that it is British and it has a lot of money - they can afford huge names to work with. The rest is a total mess with a lack of identity, it's the personal styles of photographers that work for Vogue UK save it.
Overall, a total disgrace to fashion fans with this dull content, and a total offence to the Vogue UK heritage. Looking at Edward's issues, I cannot even identify his style, everything is too different, cover subjects are all over the place, some musician and actresses of the moment mixed with iconic models, then some social and political figures, all Wintour-ish choices, but we know Anna picks the best, the most relevant ones, all the time it is someone at the top of their game right now.
I thought we were going to have actual identity for Vogue UK with Meisel, especially that his covers are the best and most memorable ones. M&M more or less worked too, especially their studio covers with Oprah, Taylor, and Irina, but all else fails, it is all over the place.
The only thing that saves this edition is that it is British and it has a lot of money - they can afford huge names to work with. The rest is a total mess with a lack of identity, it's the personal styles of photographers that work for Vogue UK save it.
