On the photography front (because I track this assiduously) Vogue still has occasional hits. Jamie and Ethan in a way are both platformed and nurtured by US Vogue. They got good assignments to showcase and perfect their craft consistently throughout the past decade. Especially Jamie, I think he really has been deemed in some circles to be reminiscent of a modern Penn (Anna's all-time favourite, everybody's really) Even Issey Miyake, Penn's powerhouse client seems to think so, they've been shooting everything under the sun with him for a few years now continuing their winning streak with a true master.
But I'm fuming mad at Annie. The Vitz was grooooooooomed by literally everyone since the 80's from Rolling Stones to Vanity Fair to be the next great American photographer and this horrific picture is what she decided to honor her working relationship with Vogue and the readers who put her on that pedestal? I mean I know I'm in the minority here but I stiil look at Vogue first and foremost for the pictures. Without strong images, I don't feel motivated to read what they have to say. Annie always got the best budget and the best subjects to work with... She represents American Culture in all areas: high fashion, music, cinema, the arts, politics, sports, even royalty.... in such a wholesome way. In that her career is irreplaceable, I understand why Anna gave her the last cover, she's a great asset. What I don't understand is why can't she muster up some courage and inspiration for this last outing with Anna? Why can't loyalty in such an ephemeral field be rewarded with an appropriate amount of reciprocal excellence? Annie has "a tendency to waver at crucial moments" is how Fitzgerald put it, Tender is the Night. She smears her own legacy and Vogue's with this. I was, before this cover came out, thinking of saying sth about how Chloe should keep Annie a US Vogue staple for high-end reportage pieces. Not anymore. Nowadays I run for the hill when I see her filters, it's like Braille.