tigerrouge
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- Feb 25, 2005
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Have any of the approaches implemented during the past five years - when Anna was in full control - yielded any appreciable improvement in any of the print editions of Vogue under direct Conde Nast control? So how is someone not renowned in the industry for anything print-related going to turn things around?
We could maybe argue that Vogue France is showing signs of a revival, based on the installation of someone who seems to have been given some editorial freedom (is it an experiment?) but otherwise, every step has led to a degradation of print and a prioritisation of digital.
I wouldn't class Vogue Italia's recent visual makeover as an improvement, because that depends on personal taste, and it's still infested with reprints.
We could maybe argue that Vogue France is showing signs of a revival, based on the installation of someone who seems to have been given some editorial freedom (is it an experiment?) but otherwise, every step has led to a degradation of print and a prioritisation of digital.
I wouldn't class Vogue Italia's recent visual makeover as an improvement, because that depends on personal taste, and it's still infested with reprints.




