Vevean Oviette - Illustrator

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Life Dates 1902-1986
Birth Name Emma Schwarzbauer
Place of Birth Graz, Austria
Place of Death Vienna, Austria

Born in Graz, Austria, Vevean Oviette’s given name was Emma Schwarzbauer. She first traveled to the United States in 1923 and crossed the Atlantic several times during her twenties and early thirties, alternatively listing her professional affiliation as a creative one—singer or artist—or as a governess.

By 1936, she changed her name to Vevean Oviette for unknown reasons—no marriage is known, and the artist never explained. It is at this point that her artistic activities increased substantially. Oviette studied at the Art Students League with George Bridgman (1938) and at the Franklin School of Fine and Applied Arts, New York (1938-40), using her training immediately thereafter as a newspaper illustrator in Dallas, Texas.

Back in New York by 1942, Oviette pursued additional coursework at the Art Students League, enrolling in the Fashion Sketch Class—at points in her career, she worked as a fashion illustrator—and commercial design with Howard Trafton. After the war’s conclusion, Oviette shifted her focus to the fine arts and traveled to Paris to study with Fernand Léger, who remembered her quite clearly in a statement he gave for her first duo show at the Argent Gallery in 1948: “She deserves all your attention and care for she has a lot to say.”

Upon her return to New York in 1946, she focused her energies on training in the graphic arts, pursuing instruction in lithography with Adja Yunkers at the New School for Social Research (ca. 1946-9), lithography and etching with Will Barnet at the League (1946), and engraving with Stanley William Hayter at Atelier 17. Although there are no specific dates for her association with Atelier 17, it is likely she was there towards the end of the decade given the dating of her known intaglio prints and participation in the studio’s group show at the Laurel Gallery (1949). As evidenced by prints like Kopfstudie (head study) and the reviews of her 1948 show at Argent Gallery, Oviette built her semi-abstract still lives, landscapes, and figure studies through line and tone.

So excited was she by engraving that she actually voyaged to Paris to study with Hayter’s teacher, Josef Hecht, before his death in 1951. Oviette entered her prints into four Brooklyn Museum annuals (1949, 1950, 1952, 1955) and other regional exhibitions. Bertha Schaefer Gallery gave her a solo show in 1954, featuring works she had made during travels to Austria and the south of France. In the late 1950s, Oviette worked at Condé Nast as an illustrator for Vogue and taught at Parsons School of Design. Ultimately, she returned to the country of her birth—even though she had become a naturalized American citizen in 1945—and became a member of the Secession Graz.
atelier17.christinaweyl.com
 
US Vogue May 15, 1956
In Clover Pink/Clover-leaf Green

Illustrator Vevean Oviette


vogue archive
 
US Vogue February 15, 1956
Navy Blue: As of Now

Illustrator Vevean Oviette


vogue archive
 
US Vogue February 1, 1956
Vogue Patterns For the Newest Separates: The Sheath, Plus

Illustrator Vevean Oviette


vogue archive
 
US Vogue May 15, 1956
Most Fashion Dash—City Whites

Illustrator Vevean Oviette
Photo Roger Prigent
Models Anne St. Marie, Unknown


vogue archive
 
US Vogue March 1, 1956
New American Blonds

Photo John Rawlings
Illustrator Vevean Oviette
Models Jean Patchett, Sunny Harnett


vogue archive
 
US Vogue May 15, 1956
Beginning Here: a 12-page Look at Summer Dress News

Photo Roger Prigent
Illustrator Vevean Oviette
Models Dovima, Evelyn Tripp, Anne Gunning, Unknown


vogue archive
 
US Vogue March 1, 1958
New Avenues of Knitting—City Looks

Photo Richard Rutledge
Illustrator Vevean Oviette
Models Mary McLaughlin, Unknown


vogue archive
 
US Vogue April 15, 1957
Eye-Shadow Blues: 26 Beautiful Applications

Illustrator Vevean Oviette
Photo Karen Radkai
Models Lucinda Hollingsworth, Jessica Ford, Mary McLaughlin


vogue archive
 
US Vogue January 1, 1958
Nice Piece of Change: Good Buys all under $25

Illustrator Vevean Oviette
Photo Henry Clarke
Model Marie-Hélène Arnaud


vogue archive
 
US Vogue May 15, 1956
Most Fashion Dash—City Whites

Illustrator Vevean Oviette
Photo Roger Prigent
Models Anne St. Marie, Unknown


vogue archive
 
US Vogue May 15, 1956
Beginning Here: a 12-page Look at Summer Dress News

Photo Roger Prigent
Illustrator Vevean Oviette
Models Dovima, Evelyn Tripp, Anne Gunning, Unknown


vogue archive
 
US Vogue February 1, 1958
Good Buys In Fashion Figures

Photo Jerry Schatzburg
Illustrator Vevean Oviette
Models Mary McLaughlin, Jessica Ford, Unknown


vogue archive
 
US Vogue July 1957
12-Months' News — In July; Turning-Point Prints

Illustrator Vevean Oviette


vogue archive
 
US Vogue June 1956
Inexpensive Luxuries in Fashion

Illustrator Vevean Oviette
Photo Roger Prigent
Models Lucinda Hollingsworth, Sunny Harnett, Unknown


vogue archive
 
US Vogue August 15, 1956
Vogue Patterns | New Scope—In and Out of College

Photo Paul Himmel
Illustrator Vevean Oviette
Model Unknown


vogue archive
 
US Vogue August 15, 1956
T-shirt Tights—New Young Stockings

Illustrator Vevean Oviette


vogue archive
 
US Vogue October 1, 1956
The Woman with a 2-Coat Wardrobe

Photo Frances McLaughlin
Illustrator Vevean Oviette
Model Unknown


vogue archive
 
US Vogue November 15, 1956
Late-day Formula: Dark Beauty

Illustrator Vevean Oviette


vogue archive
 
US Vogue June 1955
Good Buys

Photo Leombruno-Bodi
Illustrator Vevean Oviette
Models Barbara Mullen, Unknown


vogue archive
 

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