Vogue Greece October 2019 : Emily Didonato, Julia Hafstrom & Denise Gouch

[JPineapple]

Emily by Kat Irlin



Julia by Dionisis Andrianopoulos



Denise by Boo George

 

[tigerrouge]

I'm not getting the Shakespearean connection, but I do love how the first cover makes Emily look like a Monaco royal, driving alone in the evening to consider whether she's taken a wrong turn in life, in more ways than one.

 

[MON]

What a poor offering from Vogue Portugal!

oh wait.

I am sick and tired of these editions all looking the same

 

[TheoG]

Should have just been Julia if it were up to me.

 

[Miss Dalloway]

Oh wow, they all work actually! But yeah, how about we all go back to doing only 1 cover, and have all our effort put into making that one decent!

 

[FashionMuseDior]

I love love Emily's cover, such a cool effect

 

[modela]

OMG ! Stop with the fricking multiple covers !! UGH !

 

[aracic]

Emily's cinematic cover is really the only one that deserved to be printed, other two are barely editorial worthy. However, there's still no identity with Greece. Usually I'm able to tell apart international covers, with the exception of eastern european and portuguese editions, which are really the same thing. Here I see Emily covering Vogue Arabia, Julia on the cover of Vogue Portugal and Denise on... well, no one would actually use that as a cover. The point is, this edition is unnecessary. It doesn't bring anything new to table and it's boring. It existed like 10 years ago, and it ceased to exist. Too bad they felt the need to resuscitate when literally no one asked for it.

 

[KateTheGreatest]

See Emily Play

Photography: Kat Irlin
Model: Emily DiDonato
Styling: Anna Katsanis
Hair: Brittan White
Make-Up: Joseph Carrillo
Manicure: Geraldine Holford
Set Design: Stewart Gerard


awake smile

 

[Phuel]

Really dig Emily’s cover (Denise’s is unintentionally hilarious: looks like she’s haggling at a farmer’s market or screaming at a poor assistant…). Was looking forward to a sweeping cinematic narrative that would be akin to Tom Ford’s Nocturnal Animals, at least going by the covershot.

WTF is this jumbled monstrosity attempting to pass off as an edit LOL The overuse of overlays is tedious and goes nowhere in terms of any fashion story, looking more like shots taken by someone hiding in the bushes. And there’s no fashion— just her portraits. Resembles the kind of crap i-D would try to pass off as a fashions story. Mess.