^^^ Technology isn’t the problem. CC, and in particular PS is such a frighteningly wonderful, powerful instrument— when employed with skill, careful and thoughtful strategy, expertise and restrain.
In the talented hands of the likes of Nick, Sølve, Mert & Marcus, Liugo & Iango at their very best, it’s a stunning marvel of the human’s minds’ limitless imagination matched by the precise, technical skills and expertise to push the boundaries of PS to such stunning, creative highs. It’s no different than how some film post-production like Weta and Laika have consistently employed CGI to groundbreaking, visionary levels to rise the standards of digital artform, while bad CGI is easily accessible. That’s the difference between the Greats and Rafael’s very basic level of PS-skills; God, that multi-colour gradient he uses over and over with those Dior campaigns is tragically hilarious at this point. I think he has some decent concepts, but they’re so generic— and downright juvenile, and his influences are so obvious, it’s not even acceptable as tributes: They’re blatant rip-offs— just like Ibraham’s “styling”.
But this era isn’t at all about talent nor skills.