The Red Carpet Highlights of... The 78th Annual Cannes Film Festival 2025!
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I love how Anna is already being mentioned twice as being to blame for this. The theme “Hope” is incredibly broad and you can claim it thematically applies to just about any image you create. Very hard to make the case that anyone’s creativity or vision was stifled by such a generic brief. Anna’s September issue is very lackluster, imo, but at least she commissioned acclaimed artists to paint covers, and those covers featured images of women wearing fashion. I didn’t love it but it had some artistic value, IMO. She can hardly be blamed that Vogue Portugal decided a wrinkled scrap of polyester represented hope. Most editions didn’t even choose images with a clear interpretation of the theme “Hope”, so their success or utter failure rests entirely on the shoulders of the individual teams that produced them.
Anna is Condé Nast's Global Content Advisor and Chief Creative Officer on top of being Editor In Chief of US Vogue lol so yes: she is in charge and gets her part of responsability/blame for this.
Can u post the edits?Review - 368 pages (And that says A LOT)
Esperanca Poética (20 pages)
Photo: Alessandra Esposito
Stylist: Pablo Patané
Além Fonteiras (20 pages)
Photo: Paolo Zambaldi
Stylist: Stephanie Kherlakian
A Luz Ao Fundo Do Túnel (10 pages)
Photo: Luca Meneghel
Stylist: Leonardo Caligiuri
United We Hope (16 pages)
Photo: Eva Wang and Antoine Bedos
Stylist: Joana Dacheville
Bright Young Things. Hope For The Future. (18 pages)
Photo: Branislav Simoncik
Stylist: Sasa Thomann
We Are Family (20 pages)
Photo: Alva Galim
Stylist: Alba Melendo
Lamento Sertanejo (20 pages)
Photo: Frederico Martins
Stylist: Larissa Marinho
Beauty section:
Esperanca Média de Vidas (10 pages)
Photo: Ruo Bing Li
Stylist: Xuyuner Qi
High Hopes (12 pages)
Photo: Kurt Stallaert
Stylist: Gloria Perales
I received the issue today and If you ask me, one of the most consistents september issues of this year. I don't care about the cover, the editorials are good enough and the diversity doesn't look forced (cof cof 100 covers, 100 people). Apparently all models are locals (I didn't see a familiar face) and extra points because they managed to create the editorials like Covid doesn't exist, so there's no photo via Zoom.
Yes, I'll take some photos and post them when I get home.Can u post the edits?
Done!Can u post the edits?
Never judge a Vogue by its cover, hahahamade me forget about all those bland editions. really good job!