Discussion: The State of Kering

That’s so strange, they acquired two properties on Saint Honoré in Paris last year and are now trying to sell them. So interesting that they are looking to invest in New York now instead?
I don't think they are trying to sell the two properties on St-Honoré and Montaigne, there are still Gucci scaffoldings on the sites... It's probable they are doing a refinancing through real estate leasing companies though; ie they resell the properties to an ad-hoc company created specifically by a bank and they agree to rent the properties for 25 years, so the rent of 25 years covers the amount initially paid plus the interests. At the 25 years term, the properties come back fully to the company. So instead of paying the purchase in one time, they do it in 25 installments, to preserve the cash-flow. That's how companies usually finance their big real estate purchases.
In the case of Kering, they should be very cautious about their property deals, because they have to buy the remaining 70% of Valentino in a couple of years.
 
^^^ Interesting.

Kering takes two major Paris properties off market​

Five months after attempting to sell large stakes in two major Paris properties in prime central real estate, luxury giant Kering has quietly taken them off the market.

In an unexpected move, Kering put the two large properties – both boasting top-level retail locations - up for sale in June, barely six months after acquiring them. This spring, Kering acquired these properties on Paris’ two most vital high-end shopping streets, at 35 avenue Montaigne and 235 rue St Honoré respectively.

Both are currently undergoing radical reconstruction, to become major new flagships for two mega Kering’s brands – Saint Laurent and Gucci.

But, in a surprise move, the Paris-based luxury conglomerate put both properties up for sale in June. The group apparently hired Cushman & Wakefield to handle the transactions and was understood to be hoping to sell 80% of each of these prestige buildings.

Now, however the two trophy assets - 35 avenue Montaigne with 8,300 square-meters and 235 St Honoré, which stretches around the corner to include 12-14 rue Castiglione, with a total 8,000 square-meters – were both apparently unable to find purchasers. In effect, given weak market conditions, caused by high interest rates and overall global concerns, Kering was unable to find the price it sought for either of these two real estate assets.

According to CFNEW Immo, the well-informed French real-estate website, Cushman & Wakefield sent teasers to some 60 potential bidders. Reportedly, over a dozen possible buyers visited the sites, which are blends of retail and offices.

A spokesperson for Kering declined to make any comment on these property movements.


Formerly the Canadian Embassy in Paris, 35 avenue Montaigne currently boasts a three-story flagship of Valentino on its south side. In July, Kering signed an agreement to acquire 30% of Valentino for €1.7 billion from Mayhoola, an investment fund controlled by the Qatari royal family.

As noted, Kering paid €860 million for 35 avenue Montaigne, paying €250,000 per square-meter of retail space, and 40,000 per square-meter of office space. It has kept the largest retail space to build the world’s largest flagship for Saint Laurent.

As also noted, Kering paid €640 million to buy 235 rue St Honoré. Where Kering plans to open a giant Gucci store in 2025, designed by architect Franklin Azzi and modelled on its flagship and concept gallery in Piazza della Signoria in central Florence.

The plan to sell parts of the real estate did raise eyebrows and cause head shaking among real estate brokers and property investors in Paris.

“The whole plan seemed very strange. I suppose Kering thought that if they kept 20%, they would still control the retail space. But, if the purchaser wanted to resell the building, Kering has a right to legal first option in France, so cannot be evicted. But put it another way, why would anyone buy a building knowing that you can practically never evict your largest tenant?” sniffed one owner of multiple central Paris retail and offices spaces.

He speculated that the ultimate aim of François-Henri Pinault, CEO of Kering and scion of the controlling family, was gaining control of a few key retail jewels. And keeping them off limits from Bernard Arnault, CEO and controlling shareholder of the far larger LVMH, which has also been on a real estate buying spree. Case in point, the new Gucci super store will be located right across rue St Honoré from the chicest boutique of Louis Vuitton, LVMH’s crown jewel.

As reported by FashionNetwork.com, both Kering and its larger rival LVMH went on a real estate shopping in the past year, acquiring an estimated €2.4 billion worth of buildings in central Paris.

Already, real estate gossip is focused on Kering next move. Will Pinault bid for building which will house the future Saint Laurent store - 123 Champs Elysees? Tempting, seeing as the avenue attracts 100,000 visitors daily, 70% foreigners.

The decision to take the two properties off the market, also comes as Kering successfully issued a £800 million bond, increasing its financial flexibility and diversifying its funding sources by accessing the sterling bond market for the first time ever in its existence.

In 2022, Kering had over 47,000 employees and revenue of €20.4 billion. Its remarkable stable of luxury brands includes Gucci, Saint Laurent, Bottega Veneta, Balenciaga, Alexander McQueen, Brioni, Creed, Boucheron, Pomellato, DoDo, Qeelin, Ginori 1735 as well as Kering Eyewear and Kering Beauté.
FASHION NETWORK
 

Gucci owner Kering fails to reverse sales slide​

Luxury fashion group reports 6% drop in fourth-quarter sales

French luxury group Kering failed to arrest a slide in sales in the fourth quarter, underlining the pressure on the company to revive the fortunes of its flagship Gucci brand. The company said on Thursday that revenues dropped 6 per cent to €4.97bn in the three months to the end of December, with sales of all of its major brands declining in what was a much more testing year for the luxury sector that boomed during the pandemic.

Sales at its Gucci, Bottega Veneta and Yves Saint Laurent brands were each down 8 per cent in the period from the final quarter of 2022. Kering, which is led by French billionaire François-Henri Pinault, said it had seen some “sequential” improvement in sales in North America and Asia-Pacific during the fourth quarter.

“In a trying year for the group, we strengthened our organisation and took significant steps to further enhance the visibility and exclusivity of our houses. We are focused on revitalising Gucci,” said Pinault, whose family controls the group. Kering said that an investment strategy focused on “supporting the long-term development and growth of its houses” would weigh on the group’s full-year operating income next year, which it expected would decline from 2023 levels.

“In a market environment that remains uncertain in early 2024, our continuing investments in our houses will put pressure on our results in the short term,” Pinault said. Kering’s group performance for the quarter was slightly above analyst expectations while the fall in Gucci sales matched forecasts, according to estimates compiled by Citigroup. The still lacklustre showing, however, is in contrast to larger rival LVMH, which managed to increase sales 10 per cent during the period even as the industry’s pandemic-driven surge deflated.

UBS expects luxury sector sales growth to slow to an average of 5 per cent in 2024, after delivering an average of 10 per cent organic growth across the luxury market each year since 2016. Kering has “a lot of hard work ahead”, noted Thomas Chauvet, analyst at Citi, saying that there was “greater-than-expected margin pressures at Gucci, Bottega Veneta and Balenciaga” in the second half of last year.

For the whole of 2023, Kering’s sales declined by 4 per cent to €19.56bn, while recurring operating income dropped 15 per cent to €4.75bn Gucci’s recurring operating margin was at 33 per cent in 2023, falling back from 35 in the first half of the year, as ambitions to turn around the brand were complicated by a tougher environment for the luxury sector. Collections from new Gucci designer Sabato De Sarno have yet to land in stores and so were not reflected in Kering’s results.

Gucci is one of luxury’s megabrands with more than €10bn in annual sales, but it has been outpaced in recent years by rivals such as LVMH’s Louis Vuitton and Chanel. Kering is also in the process of scaling back its wholesale operations, which should give it more control over stock and pricing in the longer term but was a drag on sales notably at Yves Saint Laurent and Bottega last year. Its jewellery divisions posted double-digit growth in the fourth quarter, while its eyewear division was a bright spot, hitting a new record of €1.5bn in sales for the year. Shares were up 0.9 per cent to €393.7 in early Paris trading.
FINANCIAL TIMES
 
Kering is planning on a brand elevation strategy with the shift from "creative luxury" to "timeless luxury". This includes a more aggressive marketing strategy for Gucci and potential rebrands for Balenciaga and Alexander McQueen.

There will also be the reintroduction of fragrances at Bottega Veneta, Balenciaga and Alexander McQueen to serve as entry point produts. This is probably in response to the success of Kering Eyewear, which has reached €1.5 billion in sales.

They've also bought several properties in Paris and New York in hopes of strengthening their DtC presence. This falls in line with them pulling their brands from Farfetch, following a sale to Coupang, as sales from aspirational clients continue to decline.
Kering CEO François-Henri Pinault Details Brand Elevation Strategy
The French luxury group said its turnaround efforts would continue to weigh on operating profit in 2024.

By JOELLE DIDERICH
FEBRUARY 8, 2024, 1:52AM

PARIS
— Kering is bracing for another year of financial pain as it pursues its brand elevation strategy against a background of slowing luxury spending, in the hopes that investing in the desirability of its marquee brands will attract the top-tier clients it needs to catch up to its sector peers.

The French luxury group said Thursday that recurring operating profit fell 15 percent to 4.75 billion euros in 2023, and it expects another decline this year, particularly in the first half. Kering plans to ramp up spending on advertising and events to support the ongoing turnaround of its star brand Gucci and rev up the ailing Balenciaga and Alexander McQueen labels.

“In a market environment that remains uncertain in early 2024, our continuing investments in our houses will put pressure on our results in the short term,” Kering chairman and chief executive officer François-Henri Pinault said in a statement.

“Our number-one imperative is to further cultivate our brand exclusivity,” he elaborated on a call with analysts and reporters, after Kering reported that revenues in the three months to Dec. 31 fell 6 percent to 4.97 billion euros, representing a decline of 4 percent in comparable terms.

The figures beat a company-compiled consensus of analyst estimates, which had called for an 8 percent fall in reported sales to 4.88 billion euros, and came amid a wider luxury slowdown and geopolitical uncertainty.

While Kering continues to lag competitors, the results marked an improvement from the third quarter, when group revenue fell 13 percent at reported exchange rates and 9 percent on an underlying basis.

Organic sales at Gucci, which is undergoing a revamp under CEO Jean-François Palus and creative director Sabato De Sarno, fell 4 percent in the fourth quarter, on the lower end of market forecasts. The performance did not reflect sales of De Sarno’s debut collection, arriving in stores this month.

In a bid to limit uncertainty around the direction of the brand, Pinault said that Palus, one of his most trusted deputies, would remain in place at Gucci, instead of serving in a transitional capacity as initially announced.

“In less than six months, he has made gigantic headways in assessing where we stand and designing the roadmap for the next years,” Pinault said.

“The top priority was to put in place a strong executive team inside the brand and Jean-François has proven to be a great leader for that,” he added, pointing to the recent arrival of Massimo Vian as chief industrial and supply chain officer. More senior appointments are expected to follow soon.

Still, Kering executives warned that progress would likely be slow.

“Of course, none of this will happen overnight. The assessment stage is nearly complete and the implementation phase in on the way,” Pinault cautioned. “We are moving with determination to get to the inflection point.”

Jean-Marc Duplaix, deputy CEO in charge of operations and finance, said recurring operating profit at Gucci was expected to fall by at least midsingle-digits in 2024, following a 13 percent drop the previous year. Gucci accounted for 68 percent of Kering’s operating profit in 2023.

“Revenues should not increase significantly for next year at Gucci,” he said, noting that sales are expected to pick up in the second half and describing initial reactions to De Sarno’s collection as “very encouraging.” In recent weeks, the relatively little-known designer has dressed the likes of Taylor Swift at the Golden Globes and Miley Cyrus at the Grammys.

Saint Laurent was down 5 percent, dragged down by sales declines in North America and Western Europe; Bottega Veneta lost 4 percent, despite “encouraging signs” in Asia-Pacific, and the “other houses” group, which includes Balenciaga and Alexander McQueen, reported a 5 percent decline, impacted by a drop in wholesale revenues.

The Kering eyewear and corporate division bucked the trend with a 7 percent increase in comparable sales, following the integration of niche fragrance brand Creed. “Creed’s high level of profitability offset start-up costs at Kering Beauté,” the group reported.

By comparison, sector leader LVMH Moët Hennessy Louis Vuitton reported a 9 percent jump in organic sales in its key fashion and leather goods division in the fourth quarter.

At Kering group level, Duplaix described a soft start to 2024, weighed down by the later timing of Chinese New Year.

“The consumption trends in China and Asia-Pacific globally in January are a little more complex to navigate and clearly more uneven. When it comes to all the other regions, we don’t see significant changes compared to the fourth quarter of 2023, although 2024 started on a more muted trend,” he said.

In the fourth quarter, retail revenues in the Asia-Pacific region rose 8 percent in comparable terms, while growth in Japan moderated to 13 percent after several very strong quarters. Retail revenues were down 11 percent in North America and fell 8 percent in Western Europe, though this represented an improvement compared with the prior three months.

Though it was a transitional year for Kering, due to the ongoing impact of a public relations crisis at Balenciaga and the replacement of longtime creative director Sarah Burton at McQueen, the group invested in production capacities and flagships, including the world’s biggest Saint Laurent store on the Avenue des Champs-Elysées in Paris.

Capital expenditures rose 15 percent to 1.2 billion euros, and Kering spent an additional 1.4 billion euros on acquiring three buildings in prime locations in the French capital, including a building on Rue de Castiglione that will house a Gucci flagship set to open in early 2026, and another location for Saint Laurent on Avenue Montaigne.

In addition, it revealed last month that it had paid $963 million for a prime location on Fifth Avenue in New York City.

However, Duplaix noted that directly owned boutiques represented only a handful of the company’s global network of roughly 1,800 stores, and suggested that Kering could link forces with external partners to finance such acquisitions, as it did in 2019 with its Japanese headquarters in Tokyo’s Omotesando district.

The executive said the group plans to increase spending on communications by a double-digit percentage in 2024, while advertising and promotion costs as a percentage of sales would be “significantly” above 8 percent.

Francesca Bellettini, deputy CEO in charge of brand development at Kering and CEO of Saint Laurent, said that while the group remained cautious for 2024, it is starting to see results from its brand elevation strategy. For instance, Bottega Veneta had a strong fourth quarter in the U.S., gaining market share, she reported.

“Of course, the aspirational client is the most prominent part of our client base. But what we have been focused on, particularly in the last few years, building on the desirability of the brands and the elevation strategy, is to increase the number, the value and the share of our top customers,” she said.

“Our goal for the future is to continue to grow both, with the aspirational part growing less than the top, and the top growing very fast. The results of 2023 in this respect are very promising,” Bellettini added.

Pinault noted that Boucheron enjoyed another year of double-digit growth in 2023 and would be entering the U.S. market this year. “This clearly illustrates the dynamics of the segments that are focused on timeless luxury, rather than the creative luxury that we have developed massively in our houses,” he said.

At the same time, Kering plans to provide more entry-price products for its brands, with the planned launch of a high-end fragrance range at Bottega Veneta this year, to be followed by Balenciaga and McQueen perfumes in 2025.

Pinault said that attracting high-net-worth individuals requires offering more exclusive products in equally prestigious settings. While this might be costly in the short term, the alternative would mean permanently lagging behind companies like Hermès, which has found a seemingly crisis-proof niche in the top-tier segment.

“I think it would be very damaging to have a stop-and-go policy and say, ‘OK, it’s hard, we’re taking a break and we’ll start again when things get better,’” he said. “We’re sufficiently healthy financially to be able to absorb this pressure on results in the short term in order to secure the future of our houses.”
Kering Pulls Brands Off Farfetch in Wake of Sale to Coupang
Jean-Marc Duplaix, Kering deputy CEO in charge of operations and finance, said Farfetch "is not a strategic partner for us.”

By SAMANTHA CONTI, JOELLE DIDERICH
FEBRUARY 8, 2024, 11:54AM

LONDON —
Farfetch is waving goodbye to the Kering brands, part of a raft of changes at the platform since its sale to Coupang last year.

WWD has learned that, going forward, the Kering brands will only be available via third-party retailers selling on the site. Farfetch declined to comment.

On Thursday, Jean-Marc Duplaix, Kering deputy chief executive officer in charge of operations and finance, said Farfetch had always been a “small player” in the Kering universe.

During a briefing at Kering headquarters, he told reporters: “Today our brands are present only through e-concessions, which had been negotiated in recent years. E-commerce at Kering accounted for around 12 percent of revenues in 2023, which is less than previously, since the pressure on aspirational consumers impacted e-commerce more than physical distribution.”

Within that 12 percent, Duplaix added, “Farfetch has always been a small player for us, one partner among many. So our exposure to Farfetch is already extremely limited, in fact, since it is a percentage of 12 percent.”

Duplaix said Kering “will not comment further on the state of our relations with Farfetch. It is not a strategic partner for us.”

The news that Kering is leaving the platform comes 24 hours after The Neiman Marcus Group said it was ending its working partnership with Farfetch.

As reported, Neiman’s informed WWD on Wednesday that the Bergdorf Goodman website and app will no longer be re-platforming onto Farfetch Platform Solutions.

In addition, plans for the Neiman Marcus and Bergdorf Goodman divisions to join the online Farfetch Marketplace have been dropped. The BG website and app did not go live with FPS.

In December, Compagnie Financière Richemont cut its ties with Farfetch immediately after the company was sold to Coupang. As reported, Richemont had already negotiated the sale of Yoox Net-a-porter to Farfetch, and had tapped Farfetch Platform Solutions to work with the other luxury brands in the group.

Although Coupang has been in charge for less than two months, they’ve already dug deep into the business and made their priorities clear. Farfetch will return to its roots in connecting retailers and fashion customers online, and driving sales.

In a note sent earlier this week to the brands and boutiques on the Farfetch platform, Bom Kim, Coupang’s founder and CEO, said it was time to “move forward and work together to redefine the customer experience for luxury clients everywhere.”

He added: “We need to rededicate Farfetch to creating an amazing experience for customers, helping them discover the best boutiques, curators and brands, in an elevated environment.

“We’re confident Farfetch will make significant strides towards delivering impeccable experiences for luxury customers globally and, in turn, drive great results for our partners and the Farfetch business alike,” he said.
Kering Eyewear 2023 Sales Reach 1.5B Euros
In an exclusive interview, president and CEO Roberto Vedovotto mapped out the strategies that have allowed the company, which celebrates its first decade in business this year, to become the second-largest luxury eyewear manufacturer in the world.

By LUISA ZARGANI
FEBRUARY 9, 2024, 12:01AM

MILAN
— Kering Eyewear president and chief executive officer Roberto Vedovotto is not one to look in the rearview mirror, but reporting a milestone 1.5 billion euros in sales last year and marking the 10th anniversary of the company in 2024 are good enough reasons to take stock of the path carved out so far.

Kering Eyewear was a pioneer in changing the business model for luxury groups with regard to the eyewear category, straying from the well-trodden licensing business model. Vedovotto, who was previously CEO of Safilo Group for 10 years, exiting that company in November 2013, remembers being met with much skepticism in the early days.

“People were wondering if we would be able to put together the manufacturing capacity and to actually make it work since the eyewear industry is very complex and had been super stable forever. It is an industry where nothing really changed for many, many years. And to do this, it took a lot of audacity and courage,” he said, crediting Kering chairman and CEO François-Henri Pinault’s belief in the project.

Kering Eyewear revenues last year climbed 35 percent, compared with 1.1 billion euros in 2022. Sales of 1.5 billion euros are wholesale, since the company does not have any retail store and has no plans to pursue this avenue, said Vedovotto.

Reflecting the contribution of Maui Jim, which was consolidated Oct. 1 two years ago, and the newly acquired scale, operating profit rose to 276 million euros, a margin of 18.4 percent of revenues, compared with 203 million euros in 2022.

Growth at constant scope was extremely solid in all main markets, and was driven in particular by a very strong upturn in Asia-Pacific and strong growth in Europe.

“The reason why I thought we could have done something different was that, of course, the eyewear industry is huge, it is underpinned by growing trends and it is very profitable,” continued Vedovotto. “Moreover, sunglasses represent a relatively accessible form of luxury and have one of the best conversion rates within the accessories in the luxury industry, representing a great opportunity for brands to attract new, aspirational clients.”

Pinault asked Vedovotto to follow three guidelines while internalizing the category: “Make sure it stays much closer to the DNA of each brand, guarantee the highest possible quality for the product, and aim at a selective distribution to make sure that our products are in the places where they belong.”

The results registered so far are “the best testimony that if you have passion for what you do, if you work hard, and you are very committed, if you work as a team, and you enjoy what you do, the sky is the limit. Of course, we need to always stay super humble and cautious as market conditions are volatile,” said Vedovotto. “We are confident that we can keep growing, progressing, and doing better for all stakeholders: our people, our shareholders, our customers, our partners and our suppliers.”

Sales in 2015 amounted to 10 million euros. The company has logged a compound annual growth rate of 87 percent since then.

Local chains and the “three Os” (opticians, optometrists and ophthalmologists) constitute the main channel for sales under license by brands managed by Kering Eyewear, representing around 50 percent of total sales in both 2023 and 2022. The company also cited a continued recovery in travel retail.

At the end of June last year, Kering Eyewear acquired French company UNT(Usinage & Nouvelles Technologies), one of its key suppliers in the production of high-precision components, a key step in the company’s industrial development and innovation strategy. This followed the acquisition of Manufacture Kering Eyewear — previously Manufacture Cartier Lunettes — in France in 2017 and the purchase of a stake in Trenti Industria Occhiali in Italy in 2019.

The acquisitions have helped Kering Eyewear grow, but Vedovotto outlined the three phases of the company’s growth strategy, which passed through developing eyewear for the Kering Group’s houses, followed by a partnership with Compagnie Financière Richemont, developing eyewear for Cartier and their other brands. The third stage, started in 2021 with the acquisition of Lindberg and continued in 2022 with Maui Jim, was to add proprietary brands.

Asked about future acquisitions, he said “of course, we always keep our eyes open,” but he added that Lindberg and Maui Jim are “quite complex,” and are in an integration and transition phase. “Our goal is to preserve each of their DNAs, and to invest to help them further develop, in order to make sure that we are able to meet customers’ needs, expanding them internationally and towards a much broader consumer target.”

For example, he said, Lindberg has been very successful in Northern Europe and Vedovotto believes there is the possibility to expand further in other areas, and to reach out to younger audiences. The same applies to Maui Jim, which is “extremely successful, very profitable, but mostly in the United States.” The goal is to expand the brand internationally.

Maui Jim just launched Collection ‘Ekahi, and its advertising campaign with global ambassador Evan Mock is aimed at reaching a younger clientele. “We thought it was very important to maintain the heritage of Maui Jim, and Evan was the perfect guy as he is from Hawaii, we share the same family values, but, at the same time, he’s also an international and very eclectic person, a younger talent. He lives in New York. He’s an actor and he’s a model. He’s an influencer, a skater, and a surfer,” said Vedovotto.

Maui Jim “has the best sunglass lenses in terms of eye protection in the world. I think this is a time when people want to make sure they live longer and better. And protecting your eyes is an important part of that. So we are here to try to make it better for everyone. I think there is a brighter future in front of our specific industry.”

Lindberg and Maui Jim are “very important because these two brands are the best in the market for prescription and sunglasses, respectively.” Lindberg, he said, “has been changing the industry because it is the first prescription frame fully made in titanium, making it extremely light and comfortable to wear all day long. And very importantly, there are no screws, which is truly unique.”

He touted Maui Jim’s UV protection, anti-glare, and anti-reflection as “something that does not exist in the market. On a day like today, certainly cloudy in Italy, you wear a pair of Maui Jim outside and you see colors, you see things that you wouldn’t see with another pair of sunglasses. And that immediately puts you in a better mood. And that is true also of course when you are outdoors, in nature or at the sea.”

The executive confirmed the goal was to strengthen the control of the supply chain and “have the flexibility to work with the best partners around the world in terms of competences, specialized in terms of materials and techniques.”

In Trenti, “we doubled the workforce and more than doubled the volumes that we produce, investing in improving the performance, making sure that we pay attention to the community, and that we hire additional people in order to make the processes better and more efficient.”

Maui Jim and Lindberg are complementary to the portfolio of Kering Eyewear brands, which range from Zeal Optics, Cartier, Gucci, Saint Laurent, Bottega Veneta and Balenciaga to Chloé, Alexander McQueen, Montblanc, Dunhill, Alaïa and Puma.

“I think that the industry has consolidated and that, going forward, there might be additional consolidation. Furthermore, I think this will remain a healthy industry, also thanks to a significant part of the business which is very stable: prescription frames. There is always a need for increasingly better products and the awareness on visual protection is increasingly higher as protecting your eyes is key, and going forward it will be even more important.”

He admitted the market in 2024 will be “challenging, the geopolitical situation is not easy. In Asia, I think that we need to be very careful, especially with reference to further growth of some of the main markets, which have slowed down. So we need to make sure that we keep offering the best product and the best service to our customers.” With the elections and the macroeconomic environment in the U.S., “we need to remain vigilant. And I think that in order to keep being successful, you need to have the best product, the best collection, and the best technical characteristics.” For these reasons, he said “we need to remain super humble, and to have our feet very solidly on the ground.”

Asked about possible dream projects going forward, he said, “I would like to keep performing like this. And we know that it is very difficult, given the size of the company and given the challenges around the world. But that’s what I would like to do.”

More sustainable collections are a key objective for the company, “focusing on reducing the consumption, empowering people, and fostering innovation. It’s really what we’re trying to do because we feel strongly about this. So for us, the three pillars of our company — Care, Collaborate, Create — are very closely interconnected. The best is yet to come, as my motto is never, never, never give up. I think that the real luxury that I have is that I’ve always been working with very supportive shareholders. And this is rare.”
Source: WWD
 
Yeah the Gucci here in Boca Raton mall is dead. Dead. LV next door is as busy as can be. LV is hotter than ever.


I just learned that all the Balenciagas in S Florida - so Aventura Mall and Sawgrass Outlet. Are all totally understaffed. Theyre hiring for every position from stocker to security to all levels of management. Its noticeable how dead that Balenci at Aventura is. Its a giant store with only 2 reps on a Saturday and the store is empty. Even the Fendi across the hall was busy.

Chartreuse and Burgundy? Baby Kering is down badddddd.
 
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They deserve it for the Demna situation. Oh and forcing us to be subjected to Kim K … and making people think high fashion people actually accept her.

Like as Fashionistas we need to regain our clout by going back to being something to aspire to.
 
I miss the Gucci boutique decor during Frida’s era.
 
bernard's revenge for pinault stealing mcqueen. he's such a girlboss
Pinault stole mcqueen? I viewed it as Arnault didnt really have anywhere for him to go with JG at CD. I dont recall how many brands LVMH had at this time but I recall Fendi, Pucci and Celine. He couldnt have gone to any of those brands. LV didnt have RTW until 1999 and I still think MJ is perfect at LV.

I miss the Gucci boutique decor during Frida’s era.
Was that the golden louvres with golden GG. I think that was an iconic store front and was disappointed when they altered it.
 
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Pinault stole mcqueen? I viewed it as Arnault didnt really have anywhere for him to go with JG at CD. I dont recall how many brands LVMH had at this time but I recall Fendi, Pucci and Celine. He couldnt have gone to any of those brands. LV didnt have RTW until 1999 and I still think MJ is perfect at LV.
well i think arnault would have ideally liked lee to stay on at givenchy. but he was certainly pissed that pinault nabbed him; it's covered quite a bit in the kingdom of dreams docu
 
I think Arnault was more mad about losing Gucci than losing McQueen.
Lee was maybe sneaky in the way he left but Arnault biggest failure was and is Gucci. Without that fight, he would have a total domination of the industry…

Arnault has understood that in order to maintain the strength of his brands, they needs to become lifestyle brands. Looking at that Gucci store, Pinault is not there yet. This is a fashion brand that will always be permeable to the changes of Creative Director.

The rebrand of Bottega Veneta by Blazy seems more intelligent for the long term.
 
The new Gucci store that opened in Soho is so ghastly and done with such a poor taste level. LVMH really does surpass Kering in terms of elevated store designs and in creating that timeless luxury ambience.

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That yellow
The new Gucci store that opened in Soho is so ghastly and done with such a poor taste level. LVMH really does surpass Kering in terms of elevated store designs and in creating that timeless luxury ambience.

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That yellow thing looks like something my cat would vomit...
So they want to leave "creative luxury" to go "timeless luxury", the lack of creativity and fantasy from Sabato de Sarno is totally assumed, but I do think they are picking up a very wrong and outdated stratetgy, because 1) they are not and never will be Hermès or Loro Piana, 2) they are cheapening alot of their products (rubber-coated leathers, that new clasp to replace the iconic piston on the Jackie, etc.) and 3) creativity has proven to increase the desirability of the merch (see Ghesquière and Pharrel at LV, I don't agree with all their designs, but they sure do drive customers to the stores in drove).
 
It's interesting to see the wheel turning in the industry and Kering being in that not-so-hot moment with many of their star brands feeling quite weak in comparison to LVMH's.

Even one that still has a rather positive perception from the outside like Bottega Veneta, I'm told is not performing as well as it could (allegedly they sell their Andiamo bag well, but shoes and RTW are not moving at all). I doubt their perfume is going to be so much of an "entry point" per se, if the positioning is confirmed to be the one I was told recently...

Time will tell... The wind might be more in their favour if the new McQueen becomes a sensation, and the new chapter of Balenciaga makes the brand feel fresh again. Then perhaps Gucci will be Kering's Dior, with a creativity at level zero but decent sales.
 
i don't want to see the day when mcqueen becomes the new 'sensation' like balenciaga or gucci did. as a regular client myself, it would be the last straw for me. it's not a cash cow or workhorse in the same way gucci is.
 
^ That's sort of forgetting the past, from that McQueen skull scarf that was on every socialites in the 00s to more recently kids equating McQueen to sneakers with that one popular style they had. They'll only let it be a "creative" brand if that new guy gives them a it bag or a it shoe. Fashion is a business, everybody needs to make money to sustain their brand...

Saint Laurent is doing good but it's a brand that has nothing to prove and that's reliable, Gucci is openly boring and slowly sinking, Balenciaga seems to be following that same path, Bottega has a good perception from the public but isn't the pinacle of excitement, nobody cares about Brioni. Kering for sure needs a hot brand, and only McQueen can be that for them.
 
the fact that kering's survivability now rests on the shoulders of... the former head of jw anderson rtw :rolleyes:

end of days :hardhead:
 

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