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Early 1970s. Black and white check wool with white lace applique, side pockets and black organza lining.

ritchies.com
Early 1970s. Black and white check wool with white lace applique, side pockets and black organza lining.
1970s. Burgundy and black check baby doll-style day dress with black belt, Peter Pan collar and bow at neckline. Excellent condition (grosgrain ribbon hem has been added).
Late 1970s. Crushed velvet two-toned Japanese-inspired gown, top and sleeves in silver, from bust downward and cuffs in silvered black, with open v-back accented with tie, interior silk lining added.
Early 1980s. Black wool tightly knit modern design jacket; knee-length skirt; and brown wool long-sleeved top.
Lauren Hutton, in a Geoffrey Beene tattersall coat, shot by Irving Penn for Vogue in 1967.
Princess Ira Fürstenberg, in a T-back white minidress by Beene, shot for Vogue in 1969.
A model, in Beene's red baby-doll dress, shot by Irving Penn for Vogue in 1969.
A model, in Beene's panne velvet gown, shot by Gianni Penati for Vogue in 1970.
One of Beene's dresses, shot by Helmut Newton for Vogue in 1972.
A model, wearing a belted checked Geoffrey Beene dress, shot by Irving Penn for Vogue in 1973.
Beene, in 1976.
One of Beene's shirtdresses, with a quilted hem, shot by Arthur Elgort for Vogue in 1976.
A model, wearing Geoffrey Beene's trousers, shot for Vogue by Albert Watson in 1976.
Christie Brinkley, in a Geoffrey Beene silk crepe pajama outfit, shot for Vogue by Chris Von Wangenheim in 1977.
Lisa Taylor, wearing a mink vest by Geoffrey Beene, shot by Patrick Demarchelier for Vogue in 1977.
Beene, in his apartment, shot by Horst for Vogue in 1979.
1968-1969. Yellow pique dress with bands of black double-faced satin ribbon on the raised waistline and around the hem; high-waisted princess-line bodice with attached bib at neck front; bib extends over top of skirt and has six black buttons on either side of center front; rolled collar; short sleeves; mid-calf-length.
Background:
This dress was worn by the donor, the vice-president and fashion director at Neiman-Marcus at that time. Because of the way it is finished on the inside, this is a sample that would have come directly from the designer's showroom. Exhibited in Suiting Everyone: The Democratization of Clothing in America from 1974 to 1979.
condenaststore.comRed Geoffrey Beene Dress
Göreme, Turkey, is the location of this fashion photograph, which appeared in the December 1, 1966, Vogue. Perched atop a treacherous cliff, a model sports a deep- red linen dress by Geoffrey Beene. With an A-line shape and criss-crossed bodice, this style is a classic example of the celebrated mid-sixties shift dress. Photographer Henry Clarke makes inspired use of the location, using the brightly-adorned model as a focal point in an otherwise monochrome, rocky landscape. In doing so he enlivens the atmosphere while making the fashion especially dramatic.