72 Magazine Issue #2 Winter 2025 by Nick Knight & Ajus Samuel by Dan Jackson | the Fashion Spot

72 Magazine Issue #2 Winter 2025 by Nick Knight & Ajus Samuel by Dan Jackson

"Issue 2 is an evolution of the EE72 ethos. More than fashion, it’s a platform for art and culture, and an instinctive reflection of the moment we’re living in." -- Edward Enninful

For its sophomore issue, EE72 spotlights the modern visionaries redefining cinema today — from Teyana Taylor to Kristen Stewart, Eddie Redmayne to Harris Dickinson and beyond. We step inside the studios of this year’s Turner Prize nominees Nnena Kalu, Rene Matić, Zadie Xa and Mohammed Sami. Dan Jackson and Julia Sarr-Jamois capture fashion’s new, daring silhouette; then it’s off to Tokyo to meet LVMH Prize Fund finalist Soshi Otsuki, before heading to Paris where Pierpaolo Piccioli speaks to Anders Christian Madsen about his next chapter at Balenciaga.

Photographer Miranda Barnes photographs under-represented communities in America. We also examine the rise of the facelift — when to consider one, and who to trust — and in Shape Shifter, cult shoe designer Nina Christen reflects on her era-defining work for Loewe, Céline, The Row and Bottega Veneta, as she begins her new chapter at Dior.

Issue 2 arrives with a special dual cover: a 50/50 split between an exquisite punk rose by Nick Knight, complete with a black safety pin, and a striking beauty portrait of new face Ajus Samuel, captured by Dan Jackson with styling by Julia Sarr-Jamois and beauty by Lynsey Alexander.

Source: ee72.com
 
I like both of the covers. It will be a hard pick at the newsstand. I am leaning towards the punk rose.
 
The first shot suits the 'flowery' font of the 72 - but the second one looks all wrong.

For something that proclaims "a new vision", it cuts off the side of the eyes, and sticks the 72 on top of one - the impact of the close-up is lost. Minimal cover text and yet the text still manages to exist in opposition to the image.
 
2nd covers is just average, it just has one (the flash, glitter, grain) of two certain aesthetics I swear every shot using South Sudanese girls used (and the other was feathers, flowers, dead posing, one color backdrop) at some point exclusively. The rose... it being from Nick Knight, I can't even believe it. It's not memorable, it looks like just what Pinterest will serve you after a pinning "inspirational" images every "art director" references now.

I didn't even hear that Edward launched his own magazine, seems it wasn't even big news at all because if it was based on my casual following until few months ago I'd know... Seems it's as dull as I except.
 
Previews from the various stories inside of the issue. Source: ee72.com

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