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Chalayan introduces a men’s capsule collection of 22 styles for Spring/Summer 2015.
The collection consists of Moorish inspired weaves and jacquard patterns in light fresh colours seen in form of blousons, jackets, trousers, shorts and layered shirts providing rich ingredients for extensive texture mixing.
Prints are inspired by the idea of the “gaze” in Moorish environments where secret zones are looked at through apertures, in this instance revealing budding courgette flowers or hidden riad courtyards revealing shadows of tangerine trees on tiled floors. Another pivotal print is a display of tangerine trees themselves lined up in a Moorish water irrigation grid inspired by the church courtyards of buildings that were once mosques.
The collection is mainly smart/casual, with a minimal feel, whilst providing many ingredients for a more playful mix with prints and lightweight transparent fabrics.
The Chalayan man is someone who has a diverse range of interests and knows how to dress for the occasion but follows no particular rules.
The collection is conceived with a spirit of innovation, practicality and precision cutting combined with a sense of playfulness, inviting a variety of customer who can pick and choose to make the collection their own.
After a hiatus of some years, Hussein Chalayan's menswear is back by popular demand—and how we've missed it. Necessarily simpler than his womenswear, this collection still managed to reflect the same quirky sensuality as the Resort lineup that the designer was showing simultaneously: the same Moorish-tinged patterns, the same print of water irrigation systems, all looking leisure-like in short-sleeve shirts and Bermuda shorts. The pieces had the vague feel of the fifties that subtly infused Chalayan's resortwear.
Chalayan doesn't like men to wear "designed" clothes, so his focus here was on fabric and classic cut. But that doesn't mean he restrained himself from quintessential Chalayan-isms like the Transformer pieces: a shirt that turned itself inside out and elongated down around the waist, almost like a tribal skirt, or a smartly tailored black jacket with a white shirt stitched inside, which shrugged off to become something cape-like. Both items sound furiously designed, but their technical acuity saved them. The designer insisted they were very much part of the collection, and not the kind of showpieces his fans relish.
i know several men who would love to be able to shrug off their suit jacket during the summer months...
it's a hugely practical thing as well as an interesting design idea...
these look like they are immaculately cut and constructed...
not a lot of gimmicks- just lovely menswear...
i like it...
the colours and fabrics feel very fresh and cooling for warm weather...