Chloé F/W 2025.26 Paris

I do think what she did is consistent with the brand's flou aesthetics, but it is a bit dated with those ruffle skirts/dresses and silk blouses when the revival of the boho trend has not been quite successful, but I am no longer nostalgic with the old Chloe.
 
Chemena’s direction for Chloe isn’t my personal favorite but I cannot deny it’s beautiful and well done. She has absolutely nailed it yet again with beautiful, feminine, and desirable clothing.

Casting deserves a nod. What a fabulous lineup of debut, new faces, and seasoned girlies. That’s how you sustain careers while creating them.
 
there are lots of good pieces and the bags look nice too. it’s an interesting work she’s been doing and it feels Chloè enough for me.
she could’ve went for an even stronger cast but at least we had a couple of surprises with Eniko and one of my forever favourites, Hilary Rhoda! I would love her to be on the campaign.
 
Who is is this Tish girl ? She gives me some Wednesday Adams vibes...

The Paddington is officialy back.
 
The real cool girls that the Dolce & Gabbana’s cool girls wish they were.
This feel very close to Stella’s Chloe which is my personal favourite.

Those furry tails on every single look are beyond ugly, what was she thinking?
 
I love the outerwear and the hint of old-school Révillon, and the spencers and the bags, but I am getting tired of too many sheer, laced, ruffled or slip lingerie dresses, especially for Fall/Winter.
I think Gaby Aghion and Karl used to be more pragmatic and to offer a more complete wardrobe.
Where are the trousers ? the Chloe customers I know do like feminine and girly trousers when they pop up in their office thrice a week.
 
I was also surprised by the lack of trousers, but I think that is one of the statements of this collection.

In a way, Chloé is covering part of the territory of Maria Grazia's Dior (ruffles, lace, sheer romantic dresses, more flou here, more column at Dior), but Kamali does it in a way much more cohesive, interesting and true to the heritage of the house.

And whereas Maria Grazia told you to be feminist with a slogan on a tshirt, I think showing a finger to the trousers might be the real feminist gesture.
 
I was also surprised by the lack of trousers, but I think that is one of the statements of this collection.

In a way, Chloé is covering part of the territory of Maria Grazia's Dior (ruffles, lace, sheer romantic dresses, more flou here, more column at Dior), but Kamali does it in a way much more cohesive, interesting and true to the heritage of the house.

And whereas Maria Grazia told you to be feminist with a slogan on a tshirt, I think showing a finger to the trousers might be the real feminist gesture.
This is actually quite a powerful statement, considering that a common theme in modern feminism is the complete rejection of the idea of masculine ideals of power.
 
I liked it!
Tbh, I was rather surprised by how Fashion it felt. It looked very bold and very approachable at the same time.

I’m a bit more reserved when it comes to casting. I love seeing grown ups and mature women on the Chloe catwalk. It makes the clothes look modern. When they looks like 15yo girls, it’s less desirable.

The way they carried the Paddington was also cringe and made the silhouette dated, much like when Hedi Slimane made his models carry his bags the same way in his show in the US.

The lace dresses do nothing for me but I really liked the rest. She is consistent.
 

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