The irony to have Jane Birkin moaning in a very frigid collection.
I think this is a very grown up collection from MGC, which is surprising because all the tropes of 1960’s youth are there. And in a weird way, having 17 years old girls for this show is a bit weird. This is a collection that needed a cast of 25 years old women.
In this collection I really saw the influence of Marc Bohan. And overall I think it’s obvious that she connects more with the heritage of Bohan than Dior, Saint Laurent, Galliano or Ferre.
There’s this idea of comfort, timelessness and conservative style. Bohan’s Dior was very timeless, comfortable, conservative but it had sensuality, something that is missing here…
I think the opening look is strong (it has that attitude from Galliano’s 2008 spring RTW show), I surprisingly love the two silk « Miss Dior » printed shirt. Look 4 is also great and the eveningwear is also very good…
Unfortunately, this collection will be just another collection because of the ugliness of those big « MISS DIOR » on coats, jackets, skirts! It’s horrible!
Logos on clothes is difficult. You have to be very inventive. While it worked on the shirts, it’s a disaster elsewhere.
I can respect the idea of making clothes that are simple but maybe infuse more fashion to it.
The words Cathy Horyn
used to describe the Versace collection could be applied to MGC’s work for Dior.
I love and I respect commercial fashion but some reason, she just do it in the worst way that seems to lack creative integrity.
What is this. These are hardly clothes who wants a short sleeve trench in fall ? A leopard ponyhair short set ?
You would hate me for this but I would actually love to have that trench coat (look 8)!
I think it’s a great piece. It arrives in stores on late August so it can work for September and thankfully, forever. It won’t be dated in the spring of 2025 either…lol