Willy's body of work (and I'm not talking only about his Jil Sander phase) has proved that he's perfectly capable to shoot for any house regardless of its size. I think people often fail to see that it's not just about casting, garmets or a photographer but the concept.. art direction, this looks like a clashing of interests, Raf's team combined with the interests/compromises/legacy/teams that are already in place at Dior, and it is evident in the fact that I doubt Willy would experiment too much for this particular gig and this looks nothing like what he's done previously (except for the silhouette emphasis), so his work has obviously been toned down a lot to probably/unfortunately meet certain parameters already established.
I like the humor of it.. the miniature feel and how the colors are being worked almost as splashed dots. Other than that, the search for identity is still going and it's going to take a while.. both sides need to risk it, so that creative freedom actually happens and it provokes something in the viewer, the way the work of all the people involved always has..