Child_in_time
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At Giambattista Valli, elle.com
Announcing... The WINNERS of the 2025 theFashionSpot Awards:
Designer of the YearCongratulations to ALL of our worthy winners! Thank you to our tFS forum members who voted and participated.

but I really loved that trade-mark of hers... But let's see
I absolutely loved her at V&R btw! She still looked amazing in all that white make-up.



March 4, 2009
Despite the continual barrage of exquisite bone structures and expertly crafted hair and makeup that have been on display over the past few weeks, we’ve remained drawn to a single face. That would be Elsa Sylvan’s, the Swedish-born model who first caught our eye backstage at Zac Posen and continued to hold our attention at shows like Josh Goot and Emilio Pucci. There’s a simple reason for our fascination: While most models who color their hair tint their brows to match, à la Vlada Roslyakova’s new look, Sylvan appears to relish in the variance, letting her jet-black brows remain in stark contrast to her platinum blond tresses. The juxtaposition is endlessly eye-catching and an excellent add-on if you’re thinking about going super-light anytime soon. If your brows aren’t naturally dark, dipping a mascara wand into regular hair dye formula will do the trick, although Roux Lash & Brow Tint from Sally Beauty comes in smaller quantities, which makes for more convenience and significantly less mess.
StyleMarch 6, 2009
After seeing what appeared to be a ginger-fied Elsa Sylvan in Paris yesterday, we had to take a few deep breaths to slow our heart rate. Had the Swede foregone her signature platinum blond locks and onyx eyebrows—both of which we spoke about on this blog only a few days ago!—in favor of flame auburn, the breakout hair color of the season? “Temporary,” the model’s booker assured us when we inquired, a gloss that was applied backstage at Nina Ricci and worn through the model’s next engagement at Bruno Pieters. Color us relieved that the switch isn’t permanent. It’s not that we’re anti-Elsa-as-a-redhead, per se, it’s just…why mess with perfection?