Evelina Mambetova

Vogue Italia March 2009
The Power Of White
Photo: Paolo Roversi
Nimue, Evelina, Giedre, Imogen, Suzie


scanned by Diciassette (17)
 
:woot::woot::woot:
I am realy speakless ,I never seen a so beautiful add like the VOGUE add with her ,its just amazing WOW
 
I am glad Paolo has worked with her, he captures the softness in her big beautiful eyes very well.
 
V Magazine #58 March/April 2009

'Young Guns'
Photography: Josh Olins
Styling: Jay Massacret
Models: Darya Kurovska, Evelina Mambetova, Suzie Bird, Katie Fogarty

vmagazinedigital.com via minus1
 
Evelina is superb in this ed, she plays characters so well while still being herself.
 
she looks so good in these editorials....this girl is a freaking STAR!!! :heart:

and this cover is incredible imo.. Hobo #10 autumn/winter 2008
hobomagazine.com

07494screenshot12339lo6.jpg
 
Fabulous! Loving Nick Cave there too (although there's rarely a time when I'm not loving him :blush:).
 
She's growing on me... She has an editorial in Mixte april.
 
Striking cover! :heart: I can only agree with you guys: her print-work gets more and more impressive & strong with every new ed she scores. Amazing!
 
Evelina is everywhere


Evelina Mambetova @ Supreme (NY), Premier (London), Women (Milan), Women (Paris)

Evelina is everywhere. It might be too much in itself and far from enough for a title but truth is that Evelina is everywhere, everywhere she has to be. Not where she doesn't need to appear, just where she has a chance to shine. Her beauty is too unique for any common path, she had to go out of the beaten tracks to find her way and set her pace. Her own one, going her own way, making her own marks. Both on the runways and in magazines. She won't take the usual road and doesn't need to care about it. She's not a superstar in making, she's a muse. It's clear when she books Antonio Marras, Sonia Rykiel, Eley Kishimoto or Yohji Yamamoto. Designers that do the same as she does, designers that do it like they want to do it. Not afraid of sailing against the wind and making their own choices which sometimes (if not often) turn out to be the good ones, ahead of the game. Magazines (and with them, photographers and stylists) are most likely sharing this point as well. From Plastique to V, including Vogue Italia by Paolo Roversi (the perfect match if it exists) and this editorial from newest Mixte.
mariemaud.canalblog.com :heart:
 
Last edited by a moderator:
"In a class of her own: Evelina Mambetova in Mixte
by Maud & Pénélope . posted on March 22, 2009
There is no perfect way for everyone and Evelina Mambetova is walking her own one, making her own marks where it’s worth to leave some. Our recent Lexposed Face had the same kind of show season than during Spring 2009, obviously not the most overwhelming amount of catwalks gathered on one list but everything looks so precious and selective with her. It started in NY with some of the smaller shows we watched carefully mixed to some bigger names like Philip Lim or Costello Tagliapietra. She kept it at the same level of quality and mystery in Europe opening Eley Kishimoto in London then walking for Antonio Marras in Milan. In Paris, it seemed just as perfect as it can be: solely appearing at Sonia Rykiel and Yohji Yamamoto.
As you can expect it with this kind of bookings, her editorial portfolio is one of the most interesting of the moment relying on her intriguing grace and delicate yet strong presence. Not to say she’s absolutely everywhere, the bunch of stories in magazine she put together lately is breathtaking regardless of the point of view (number or quality). It started with Plastique by Louis Christopher, went via the cover of Hobo by Paul Rowland or an editorial in French Revue de Modes to the most thrilling part of current Vogue Italia by Paolo Roversi. Then V by Josh Olins and Mixte (featured here) by David Dunan, styled by Celestine Cooney. She effortlessly fits very different atmosphere the same way she can go from Yohji Yamamoto to Sonia Rykiel or from Eley Kishimoto to Antonio Marras. She never loses this geniune look that seems to place in a different world, freed from the usual boundaries of a career in progress. She’s rather turning into a timeless muse than a superstar in making. Maybe the most remarkable example of what the fashion world needs: inspiration."
lexposure.net
 
Mixte April 2009
Ph: David Duncan
lexposure.net
 

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