SiennaInLondon
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This is a fashion forum and you are an artistically minded bunch so you must all be gallery goers of some sort or the other. I am interested in seeing the various tastes people have in art and I want to find out about artists I may not have heard off. Painters, sculptors, performance artists, anything. Come on people post away!
I am going to start with Philip Guston who had an exhibition at the Royal Academy a couple of years back. He was an extraordinary painter and had an extraordinarily sad early life
The artist, who spent much of his career painting in New York, encourages us to look unselfconsciously into our inner worlds through his own compellingly complex realm. Guston is indisputably original. However, in terms of politics, values and style he was very much a product of his time.
His work defies pigeonholes and is created by an artist whose politics demanded he fought for humanity and whose personal alienation called on him to withdraw from it.
Childhood brought two overwhelming tragedies to the young Philip Goldstein as he was then known. As an eleven-year-old he reportedly found the body of his father who had hung himself, while at seventeen his older brother died from gangrene that started in his leg after a car accident.
These traumas are imprinted in the recurrent motifs of ropes, limbs and amputated feet.
Guston was assertively left wing. "He was a man of very strong convictions," says his daughter and biographer Musa Mayer. "He was political but not in the sense of joining political parties. He had witnessed some of the most horrific events of the twentieth century."
"He was disturbed by racism, violence and totalitarianism and deeply felt the injustice of them. Of course, he was also a Jew and was profoundly effected by the holocaust – to which he lost family members."
I am going to start with Philip Guston who had an exhibition at the Royal Academy a couple of years back. He was an extraordinary painter and had an extraordinarily sad early life
The artist, who spent much of his career painting in New York, encourages us to look unselfconsciously into our inner worlds through his own compellingly complex realm. Guston is indisputably original. However, in terms of politics, values and style he was very much a product of his time.
His work defies pigeonholes and is created by an artist whose politics demanded he fought for humanity and whose personal alienation called on him to withdraw from it.
Childhood brought two overwhelming tragedies to the young Philip Goldstein as he was then known. As an eleven-year-old he reportedly found the body of his father who had hung himself, while at seventeen his older brother died from gangrene that started in his leg after a car accident.
These traumas are imprinted in the recurrent motifs of ropes, limbs and amputated feet.
Guston was assertively left wing. "He was a man of very strong convictions," says his daughter and biographer Musa Mayer. "He was political but not in the sense of joining political parties. He had witnessed some of the most horrific events of the twentieth century."
"He was disturbed by racism, violence and totalitarianism and deeply felt the injustice of them. Of course, he was also a Jew and was profoundly effected by the holocaust – to which he lost family members."