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Share with us... Your Best & Worst Collections of F/W 2026.27
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GivenchyHomme
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Awesome! Love her! 
I pray that she knocks Granny Smalls off her throne.
I pray that she knocks Granny Smalls off her throne.
fashionlover2001
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WOW!
^And this is why there's a problem with the industry!
Such a shame.
We should be celebrating diversity, and focusing and nuturing new talented models instead of having to feel the need to have knock another successful veteran down a few pegs!
Disgusting!
There's more than plenty of room for more than one ethnic model to succeed at a time.
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HeatherAnne
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Yeah, I completely agree. You're just as bad as the racist casting directors when you try to pit the few black girls in the industry against one another.
Not only is there room for both and a need for more black models, but these two have a completely different vibe so why in the world would they be competitors?
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lanvinray
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Very well said 
nataliaapple
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Exactly.
Anyway, I must admit I don't like her hair straightened. I didn't immediately recognize her at Balenciaga and Loewe but she stole my heart all over again at Céline and Givenchy.
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Steddycam91
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Her breakthrough will probably go down as the highlight of what has otherwise been a profoundly underwhelming season for me. What a pleasure to see such a strong, natural presence at the shows.
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Another article on Lineisy 
Some of the most-talked-about beauty moments of the season have come via black models whose natural hair has taken center stage. Dominican newcomer Lineisy Montero stole the show at Prada with her short Afro adorned with a bejeweled barrette, and at Balenciaga, Nykhor Paul, Ajak Deng, Grace Bol, and Mari Agory all wore close-cropped natural hair with Alexander Wang’s demure collection. Montero brought the style to Céline’s Paris catwalk, where she was joined by fellow model Karly Loyce, who sported a beautiful, larger-than-life ’fro. These looks stood out when compared with the lineup of pin-straight ponytails and center-parted waves, but they also differed from how we typically see black models on the runways. Relaxed hair, often enhanced with extensions, has become the norm, and the majority of models from supers like Naomi Campbell and Joan Smalls onward wear some variation of the look. “It’s very unusual to see a girl with a natural Afro texture these days,” says Redken creative director and the hairstylist behind Prada and Céline, Guido Palau. “Most girls have their hair relaxed or a lot of hair extensions or it has to be blown out to ‘fit in’ with the look of the other girls.”
The popularity of weaves and straightened styles is a fraught issue, with complex sociopolitical implications—the natural hair movement has been discussed by everyone from Chris Rock in the documentary Good Hair to Oprah Winfrey in the pages of her eponymous magazine. For a model, however, the choice between natural and relaxed often has a lot to do with image. Agencies frequently give new models makeovers, shaping diamonds in the rough with career-altering haircuts. “I always brushed my hair in a ponytail,” says Montero. “The president of my mother agency, Sandro Guzman, told me that he wanted to cut it and do a natural Afro. When I saw it in the mirror, I loved it. This was all done before the final night of the Ossygeno Models Competition, where I ended up being one of the winners.”
For Montero, the switch to a short ’fro has resulted in choice bookings and an elevated profile, but fashion’s acceptance of natural hair has been a long time coming. “The thing Good Hair got wrong was that hair extensions weren’t about wanting to look white, they were about wanting to stay in the game,” says activist and Diversity Coalition founder Bethann Hardison. “The extensions really started in the ’90s. There were a lot of girls whose hair was damaged because the hairstylists didn’t have the training to understand black hair. As a model, you’re asked to switch your look back and forth and deal with chemicals or heat that do a number on your hair. Back then, if they couldn’t figure out how to style a girl’s hair properly, it was the model who was considered difficult, not the hairstylist.”
Even with fashion biased in favor of straight hair, there have still been many models who’ve proudly sported their natural locks. “Some girls have that natural, bohemian spirit and a ’fro looks great on them,” says Hardison, citing names like Rose Cordero, Deng, and herself as examples. “When I came on the scene, I had a short ’fro and big eyes. I didn’t look like what was popular at the time, but I was being myself, and that was what [designers] responded to.” According to Palau, it’s that same sense of authenticity and confidence that seems to be drawing designers toward this new generation of natural wonders. “Mrs. Prada responded to [Montero’s] natural beauty and wanted to keep her exactly as she was.”
Natural Hair Makes a Comeback on the Runways of Paris and Milan
-Bethann Hardison and Guido Palau weigh in on the movement.
-Bethann Hardison and Guido Palau weigh in on the movement.
Some of the most-talked-about beauty moments of the season have come via black models whose natural hair has taken center stage. Dominican newcomer Lineisy Montero stole the show at Prada with her short Afro adorned with a bejeweled barrette, and at Balenciaga, Nykhor Paul, Ajak Deng, Grace Bol, and Mari Agory all wore close-cropped natural hair with Alexander Wang’s demure collection. Montero brought the style to Céline’s Paris catwalk, where she was joined by fellow model Karly Loyce, who sported a beautiful, larger-than-life ’fro. These looks stood out when compared with the lineup of pin-straight ponytails and center-parted waves, but they also differed from how we typically see black models on the runways. Relaxed hair, often enhanced with extensions, has become the norm, and the majority of models from supers like Naomi Campbell and Joan Smalls onward wear some variation of the look. “It’s very unusual to see a girl with a natural Afro texture these days,” says Redken creative director and the hairstylist behind Prada and Céline, Guido Palau. “Most girls have their hair relaxed or a lot of hair extensions or it has to be blown out to ‘fit in’ with the look of the other girls.”
The popularity of weaves and straightened styles is a fraught issue, with complex sociopolitical implications—the natural hair movement has been discussed by everyone from Chris Rock in the documentary Good Hair to Oprah Winfrey in the pages of her eponymous magazine. For a model, however, the choice between natural and relaxed often has a lot to do with image. Agencies frequently give new models makeovers, shaping diamonds in the rough with career-altering haircuts. “I always brushed my hair in a ponytail,” says Montero. “The president of my mother agency, Sandro Guzman, told me that he wanted to cut it and do a natural Afro. When I saw it in the mirror, I loved it. This was all done before the final night of the Ossygeno Models Competition, where I ended up being one of the winners.”
For Montero, the switch to a short ’fro has resulted in choice bookings and an elevated profile, but fashion’s acceptance of natural hair has been a long time coming. “The thing Good Hair got wrong was that hair extensions weren’t about wanting to look white, they were about wanting to stay in the game,” says activist and Diversity Coalition founder Bethann Hardison. “The extensions really started in the ’90s. There were a lot of girls whose hair was damaged because the hairstylists didn’t have the training to understand black hair. As a model, you’re asked to switch your look back and forth and deal with chemicals or heat that do a number on your hair. Back then, if they couldn’t figure out how to style a girl’s hair properly, it was the model who was considered difficult, not the hairstylist.”
Even with fashion biased in favor of straight hair, there have still been many models who’ve proudly sported their natural locks. “Some girls have that natural, bohemian spirit and a ’fro looks great on them,” says Hardison, citing names like Rose Cordero, Deng, and herself as examples. “When I came on the scene, I had a short ’fro and big eyes. I didn’t look like what was popular at the time, but I was being myself, and that was what [designers] responded to.” According to Palau, it’s that same sense of authenticity and confidence that seems to be drawing designers toward this new generation of natural wonders. “Mrs. Prada responded to [Montero’s] natural beauty and wanted to keep her exactly as she was.”
fashionlover2001
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Love it!!
I've always admired Black women with their natural kinky fros!
I've always admired Black women with their natural kinky fros!
