Miles Aldridge - Photographer

[Bgeltunsd]

Psylocke, I had no idea he was on Twitter! Thanks!

 

[justaguy]

You're so right, Psylocke! I love following him on Twitter. Photos he shares have the color but are nothing like what we're use to seeing, still very cool though!

 

[MartiniKiss]

Vogue Italia September 2012
"So Magical, So Mysterious"
Model:Eniko Mihalik
Photographer:Miles Aldridge


whynotmodels

 

[Magdalena 07]

There is also New Face Hanna Koczewska! She did Chanel HC
Vogue Italia September 2012
"So Magical, So Mysterious"
Model:Eniko Mihalik + Hanna Koczewska
Photographer:Miles Aldridge

 

[Melancholybaby]

Vogue Italia September 2012 (HC Supplement)
So Magical, So Mysterious
Photographer: Miles Aldridge
Models: Eniko Mihalik & others
Stylist: Alice Gentilucci
Hair: Sebastien Richard
Make-Up: Lloyd Simmons
Nails: Aurelie Chevalier


zinio via Mat Cyruss

 

[VogueGirl8910]

Vogue Italia October 2012
"Vogue Beauty"
Model: Frida Gustavsson
Photographer: Miles Aldridge
Stylist: Cathy Kasterine
Hair: Sebastien Richard
Makeup: Lloyd Simmons
Manicure: Adam Slee


dandvmanagement.blogspot.co.uk via tentalicious

 

[ellastica]

VOGUE Nippon 2005
Photographer: Miles Aldridge
Model: Ilona Kuodiene

for images w/ text go here.

credit: Gazillion @ tfs
source: mark and associates

 

[Heroin_Chic]

Magical work for Vogue Nippon! Nobody works colours likes Miles!

 

[VogueGirl8910]

UK Vogue April 1996
"High Street High Style"
Model: Trish Goff
Photographer: Miles Aldridge
Stylist: Tiina Laakkonen
Hair: Guy Laurent
Makeup: Fulvia Farolfi


Scanned by Phila

Note: One shot is missing.

 

[VogueGirl8910]

W March 1995
"Nude Scene"
Model: Trish Goff
Photographer: Miles Aldridge
Stylist: Michel Botbol
Hair: Thomas McKiver
Makeup: Paul Starr


Scanned by Phila

 

[Melancholybaby]

Vogue Italia November 2012
A Perfect Mom
Photographer: Miles Aldridge
Model: Constance Jablonski
Stylist: Cathy Kasterine
Hair: Ed Moelands
Make-Up: Alice Ghendrih
Nails: Marian Newman


lekiosk via Mat Cyruss

 

[MartiniKiss]

Vogue Italia November 2012
Slow Aging
Photographer: Miles Aldridge
Models: Cara Delevingne & Kim Feenstra
Stylist: Cathy Kasterine
Hair: Tomohiro Ohashi
Make-Up: Lloyd Simmonds
Nails: Marian Newman


lekiosk

 

[VogueGirl8910]

Vogue Paris December 1995/January 1996
"Plein Fard"
Model: Kristen McMenamy
Photographer: Miles Aldridge
Stylist: Jenny Captain
Hair: Julien d'Ys
Makeup: Linda Cantello
Manicure: Anne Consani



radolgc.com/kristenmcmenamy

 

[atomicblue]

HQ

Last Night a DJ Saved My Life
Numéro, Issue 39, December 2002/January 2003
Photographer: Miles Aldridge
Fashion Editor: Heathermary Jackson
Model: Jessica Miller





(scanned by me)

 

[Melancholybaby]

Vogue Italia March 2013 HC Supplement
Like A Star
Photographer: Miles Aldridge
Models: Katlin Aas, Alex Treutel, Timothée Elkaïm, Christopher Michaut & Martin Rocchia
Stylist: Alice Gentilucci
Hair: Kerry Warn
Make-Up: Lloyd Simmonds


zinio via Mat Cyruss

 

[Melancholybaby]

zinio via Mat Cyruss

 

[VogueGirl8910]

Vogue Italia March 2013
"Mannequin Thriller"
Model: Kinga Rajzak
Photographer: Miles Aldridge
Stylist: Alice Gentilucci
Hair: Kerry Warn
Make-up: Alice Ghendrih


pdfgiant.com

 

[MartiniKiss]

Vogue Italia May 2013

Chic BBQ
Photographer: Miles Aldridge
Model: ?
Styling: Alice Gentilucci


glossynewsstand.com

 

[bywolves]

Bullet Magazine

 

[Pricciao]

Housewives on Acid
artlog

Miles Aldridge’s photographs are a window into a vivid and terrifying future, or an acid flashback. Colorful housewives inhabit psychedelic rooms and act like delicate monsters: stabbing a birthday cake, filling a car up with trash, screaming in an evening gown.

With their impeccable composition and color coordination, images such as “Actress #6” and “Chromo Thriller #2” harken back to 1960s advertisements, featuring heavily groomed women who never look quite real.

As stunning as his images are, they border on fashion photography, which Aldridge also produces. His work has appeared in Vogue, The New York Times, and The New Yorker. He draws from the films of David Lynch and Federico Fellini, as well as his own father’s graphic design. Combining the surrealistic and dreamlike quality of Lynch and Fellini with a designer’s eye, he merges the two and invents a sensibility that is both controlled and disconcerting.

It’s this strange quality that transports his work outside of the realm of pure aestheticism. His subjects beckon to have their stories told. Coiffed and doll-like, they demand attention, staging a mess. But on closer inspection they aren’t simply behaving badly, they’re aggressively bored. Their actions are nonsensical, yet the reasoning behind their behavior seems perfectly explicit. I only want you to love me, his last exhibition, by its very title suggests that it is a peek into the lives of the lonely who cannot help but amble toward destruction. In Aldridges’ world, they do it in technicolor.

Actress #6, 2012

Chromo Thriller #2, 2012